Resultados Editorial "audible studios" en Afroamericana

William Wells Brown's Clotel (1853), the first novel written by an African American, was published in London while Brown was still legally regarded as property within the borders of the United States. The novel was inspired by the story of Thomas Jefferson's purported sexual relationship with his slave Sally Hemings. Brown fictionalizes the stories of Jefferson's mistress, daughters, and granddaughters, all of whom are slaves in order to demythologize the dominant U.S. cultural narrative celebrating Jefferson's America as a nation of freedom and equality for all.

Inspired by the life of legendary jazz pianist Oscar Peterson, Mauricio Segura’s Oscar evokes periods across time, from the Depression-era Montreal neighbourhood of Little Burgundy to the swinging cabarets of the 1950s, while offering a reflection on the bonds between an artist and the Caribbean diaspora from which he comes. But above all, Oscar is a poignant homage to a musical giant, a man who changed the face of jazz forever.

Keith is an 18-year-old high school student living in Harlem. He has a life plan that includes being the class valedictorian and going to Columbia University. His mother is a recovering drug addict and his family is broken in most meanings of the word, but he has remained unfazed by his surroundings. He meets two cousins, Jesse and Derrick, and his senior year is turned on its head as he finds himself in a love triangle that leads to the discovery of details from his past that his mother wanted to keep hidden forever.  

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

Quatro mulheres da mesma família, com faces-fases em encruzilhamento, compõem uma gira, um xirê de águas.

Un'incredibile storia cyberpunk dalla Nigeria futura, dove gli abitanti senza cittadinanza sono del tutto sacrificabili e per sopravvivere è necessario porre in atto soluzioni radicali. Un mix esplosivo tra gli scenari alla William Gisbon e l'azione alla Richard Morgan.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us. 

 Prelude to Bruise is a song from a tightrope, balancing ecstatic existence and the chaos that always threatens to engulf a life on the margins. How do we reckon our past without being ravaged by it? How do we use people, their bodies, to express ourselves? Danger is everywhere in these poems, but never overwhelms them; the poet is always an anchor on the other side. And his story carries us relentlessly along. 

In Breath Better Spent, DaMaris B. Hill hoists her childhood self onto her shoulders, together taking in the landscape of Black girlhood in America. At a time when Black girls across the country are increasingly vulnerable to unjust violence, unwarranted incarceration, and unnoticed disappearance, Hill chooses to celebrate and protect the girl she carries. Jelly sandals, Double Dutch beats, and chipped nail polish bring the breath of laughter; in adolescence, pomegranate lips, turntables, and love letters to other girls' boyfriends bring the breath of longing. 

Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try to get back on track in his hometown of Detroit. He’s got one objective—exit the shallow dating pool ASAP and get married by 35—and the deadline’s approaching fast.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. 

Between the Devil and the Deep Blue Sea opens in the early 1970s with young César, a street tough of Afro-Cuban descent, standing outside a US Navy recruitment office at the crack of dawn. The Vietnam War is raging, the navy has only recently begun the serious process of integration, and the country is reeling from racial turmoil and unrest.

The king is dead - and with him, the last thread holding the kingdom together. Deep cracks are forming throughout the kingdom of Nri with whispers of deadly successors lurking beneath the shadows. Despite having the same face, it seems the deepest crack is forming between Naala and Sinai, the reunited twin goddesses, who must put their differences aside as they travel through a broken Nri.

It is on the knife’s edge between fury and farce that the essays in this exquisite collection balance. Whether confronting the medical profession’s racial biases, considering the complicated legacy of Michael Jackson, paying homage to his writing mentor James Alan McPherson, or attempting to break free of personal and societal stereotypes, Walker elegantly blends personal revelation and cultural critique. The result is a bracing and often humorous examination by one of America’s most acclaimed essayists of what it is to grow, parent, write, and exist as a Black American male.