Como cliente Amazon Prime obtén 3 meses de Audible gratis
Can You Ever Forgive Me?
Memoirs of a Literary Forger
No se ha podido añadir a la cesta
Error al eliminar la lista de deseos.
Se ha producido un error al añadirlo a la biblioteca
Se ha producido un error al seguir el podcast
Error al dejar de seguir el podcast
Activa tu suscripción a Audible por 0,99 €/mes durante 3 meses y disfruta de este título a un precio exclusivo para suscriptores.
Compra ahora por 12,99 €
-
Narrado por:
-
Jane Curtin
-
De:
-
Lee Israel
Acerca de este título
Now a major motion picture starring Melissa McCarthy - Lee Israel’s hilarious and shocking memoir of the astonishing caper she carried on for almost two years when she forged and sold more than 300 letters by such literary notables as Dorothy Parker, Edna Ferber, Noel Coward, and many others.
Before turning to her life of crime - running a one-woman forgery business out of a phone booth in a Greenwich Village bar and even dodging the FBI - Lee Israel had a legitimate career as an author of biographies. Her first book on Tallulah Bankhead was a New York Times best seller, and her second, on the late journalist and reporter Dorothy Kilgallen, made a splash in the headlines.
But by 1990, almost broke and desperate to hang onto her Upper West Side studio, Lee made a bold and irreversible career change: inspired by a letter she’d received once from Katharine Hepburn, and armed with her considerable skills as a researcher and celebrity biographer, she began to forge letters in the voices of literary greats. Between 1990 and 1991, she wrote more than 300 letters in the voices of, among others, Dorothy Parker, Louise Brooks, Edna Ferber, Lillian Hellman, and Noel Coward - and sold the forgeries to memorabilia and autograph dealers.
Exquisitely written, Can You Ever Forgive Me? is “a slender, sordid, and pretty damned fabulous book about her misadventures” (The New York Times Book Review).
©2008 Lee Israel (P)2018 Simon & SchusterReseñas de la crítica
“Lee Israel is deft, funny, and eminently entertaining…[in her] gentle parable about the modern culture of fame, about those who worship it, those who strive for it, and those who trade in its relics.” (The Associated Press)