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Come to This Court and Cry

How the Holocaust Ends

 Muestra

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Come to This Court and Cry

De: Linda Kinstler
Narrado por: Laurence Bouvard
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Bloomsbury presents Come to This Court and Cry by Linda Kinstler, read by Laurence Bouvard.

*A TABLET AND WALL STREET JOURNAL BOOK OF THE YEAR*

Shortlisted for the Wingate Literary Prize

‘A tremendous feat of storytelling, propelled by numerous twists and revelations, yet anchored by a deep moral seriousness . . . Enthralling‘ Guardian

‘Part detective story, part family history, part probing inquiry into how best to reckon with the horrors of a previous century . . . Astonishing‘ Patrick Radden Keefe, author of Empire of Pain

‘Outstanding‘ Philippe Sands, author of The Ratline and East West Street
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To probe the past is to submit the memory of one's ancestors to a certain kind of trial. In this case, the trial came to me.

A few years ago Linda Kinstler discovered that a man fifty years dead – a former Nazi who belonged to the same killing unit as her grandfather – was the subject of an ongoing criminal investigation in Latvia. The proceedings threatened to pardon his crimes. They put on the line hard-won facts about the Holocaust at the precise moment that the last living survivors – the last legal witnesses – were dying.

Across the world, Second World War-era cases are winding their way through the courts. Survivors have been telling their stories for the better part of a century, and still judges ask for proof. Where do these stories end? What responsibilities attend their transmission, so many generations on? How many ghosts need to be put on trial for us to consider the crime scene of history closed?

In this major non-fiction debut, Linda Kinstler investigates both her family story and the archives of ten nations to examine what it takes to prove history in our uncertain century. Probing and profound, Come to this Court and Cry is about the nature of memory and justice when revisionism, ultra-nationalism and denialism make it feel like history is slipping out from under our feet. It asks how the stories we tell about ourselves, our families and our nations are passed down, how we alter them, and what they demand of us.

'Kinstler reminds us of the dangerous instability of truth and testimony, and the urgent need, in the twenty-first century, to keep telling the history of the twentieth' Anne Applebaum

'A masterpiece' Peter Pomerantsev©2022 Linda Kinstler (P)2022 Bloomsbury Publishing PLC Era moderna Europa Guerras y conflictos Judaísmo Legislación Militar

Reseñas de la crítica

Kinstler clearly, concisely, and vividly portrays the paradoxes and incompatibilities of different legal systems that are still trying to adjudicate responsibility for Holocaust crimes.
Victims and perpetrators meet in Kinstler’s bloodline, but family history is only one strand of a remarkable book that braids together her own rigorously reported investigations in 10 countries with the survivors’ eight-decade quest for justice and poetic meditations on such subjects as history, law, Latvian identity, Franz Kafka and the politics of remembrance. This is a tremendous feat of storytelling, propelled by numerous twists and revelations, yet anchored by a deep moral seriousness
Combines meticulous historical research with philosophical inquiries into nationalism, holocaust denial, guilt and the burden of proof. This is an invaluable and highly readable account of not only one family’s story, but also of a period on the cusp of passing from living memory
[A] remarkable new book . . . There is a complex and powerful family story here . . . Asks large questions about the capacity of historical and legal practice to encompass the moral horror of the Holocaust, and about what justice is, or has ever been, possible
Linda Kinstler has achieved something truly unusual: a book that captures the paradoxes and nuances of memory politics in contemporary Eastern Europe, while at the same time invoking the trauma that past tragedies leave on individuals and families. Using rigorous, evocative prose, she reminds us of the dangerous instability of truth and testimony, and the urgent need, in the 21st century, to keep telling the history of the 20th (Anne Applebaum)
Obviously a masterpiece. A book that makes the Holocaust fresh, slipping seamlessly between story, thinking, politics, poetry and the personal (Peter Pomerantsev, author of THIS IS NOT PROPAGANDA)
Before reading (devouring) Come to This Court and Cry, I wouldn't have thought a book like this was even possible. A moving family portrait on top of a sensational whodunit murder on top of a brilliant mediation on memory, the law, and identity? And yet here it is. Linda Kinstler has threaded the needle. This book is many things, and yet it fits together perfectly . . . It's a marvel (Menachem Kaiser, author of PLUNDER)
First I was moved, then I was gripped and now I am haunted by Linda Kinstler's astonishing new book (Ben Judah, author of THIS IS LONDON)
The atrocities of the twentieth century have still not passed, still less the effects of the period’s most pernicious secrets. Now a new generation is reckoning with the crimes of the Holocaust and the dark shadows of the Cold War. In this brilliant and compelling book, Linda Kinstler takes us back to Latvia, to her family history, and to a question which – in our new age of fascist-tolerance – is more urgent still: what is justice? (Lyndsey Stonebridge)
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