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Dirty Bird Blues

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Dirty Bird Blues

De: Clarence Major, Yusef Komunyakaa - introduction, John Beckman - introduction
Narrado por: Dion Graham
Compra por 14,28 € y comienza la oferta Pagar 13,29 € con prueba

Paga 0,99 € por los primeros 3 meses y 9,99 €/mes después. Posibilidad de cancelar cada mes. Oferta válida hasta el 12 de diciembre de 2025.

Después de los 30 días, 9,99 €/mes. Cancela cuando quieras.

Compra ahora por 18,99 €

Compra ahora por 18,99 €

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Acerca de este título

A quietly influential force in African American literature and art, Clarence Major makes his Penguin Classics debut with the twenty-fifth-anniversary edition of Dirty Bird Blues

The PRH Audio book of Dirty Bird Blues by Clarence Major won a 2022 EARPHONE AWARD. Narrated by Dion Graham.

A Penguin Classic

Set in post-World War II Chicago and Omaha, the novel features Manfred Banks, a young, harmonica-blowing blues singer who is always writing music in his head. Torn between his friendships with fellow musicians and nightclub life and his responsibilities to his wife and child, along with the pressures of dealing with a racist America that assaults him at every turn, Manfred seeks easy answers in "Dirty Bird" (Old Crow whiskey) and in moving on. He moves to Omaha with hopes of better opportunities as a blue-collar worker, but the blues in his soul and the dreams in his mind keep bringing him back to face himself. After a nightmarish descent into his own depths, Manfred emerges with fresh awareness and possibility. Through Manfred, we witness and experience the process by which modern American English has been vitalized and strengthened by the poetry and the poignancy of the African-American experience. As Manfred struggles with the oppressive constraints of society and his private turmoil, his rich inner voice resonates with the blues.
Afroamericana Literatura de género Música

Reseñas de la crítica

“The book’s folkloric street slang is pitch-perfect, and Major deserves much wider recognition for his career as a novelist, painter, poet and explainer of the Black experience in America. This is ultrarealism at its finest.”
—Douglas Brinkley, New York Times Book Review
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