Prime Day

Como cliente Amazon Prime obtén 3 meses de Audible gratis

Diseño de la portada del título Inside the Storm I Want to Touch the Tremble

Inside the Storm I Want to Touch the Tremble

Muestra
Compra por 5,88 € y comienza la oferta Pagar 4,89 € con prueba
Oferta válida hasta el 12 de diciembre de 2025 a las 23:59 h.
Después de los 30 días, 9,99 €/mes. Cancela tu siguiente plan mensual cuando quieras.
Ahorra más del 90% en tus primeros 3 meses.
Escucha todo lo que quieras de entre miles de audiolibros, podcasts y Audible Originals incluidos.
Escucha cuando y donde quieras, incluso sin conexión.
Sin compromisos. Cancela mensualmente.
Disfruta de más de 90.000 títulos de forma ilimitada.
Escucha cuando y donde quieras, incluso sin conexión
Sin compromiso. Cancela tu siguiente plan mensual cuando quieras.

Inside the Storm I Want to Touch the Tremble

De: Carolyn Oliver
Narrado por: Carolyn Oliver
Compra por 5,88 € y comienza la oferta Pagar 4,89 € con prueba

Paga 0,99 € por los primeros 3 meses y 9,99 €/mes después. Posibilidad de cancelar cada mes. Oferta válida hasta el 12 de diciembre de 2025.

Después de los 30 días, 9,99 €/mes. Cancela cuando quieras.

Compra ahora por 6,99 €

Compra ahora por 6,99 €

3 meses por 0,99 €/mes Oferta válida hasta el 12 de diciembre de 2025. Paga 0,99 € por los primeros 3 meses y 9,99 €/mes después. Se aplican condiciones.Empieza a ahorrar

Acerca de este título

Inside this debut collection, girlhood’s dangers echo, transmuted, in the poet’s fears for her son. A body just discovering the vastness of “want’s new acreage” is humbled by chronic illness. Epithalamion turns elegy. But this world that so often seems capricious in its cruelty also shelters apple orchards, glass museums, schoolchildren, century-old sharks; “there’s no accounting for / all we want to save, no names.”

Oliver’s polyphonic gathering of speakers includes lovers and saints, painters and dead poets, a hawk and a mother. In varied forms (ghazals and prose poems, dialogues and erasures, bref double and Golden Shovel, among others) these poems bear witness to and seek reprieve from disasters at once commonplace and terrifying. “I can’t surface for every scalpel slice, / I need a dreamy estuary present,” she writes.

Stumbling toward joy across time and space, these poems hum with fear and desire, bewildering loss, and love’s lush possibilities.

©2022 Carolyn Oliver (P)2023 University of Utah Press
Poesía

Reseñas de la crítica

Inside the Storm I Want to Touch the Tremble is a marvelous book. It is at once both personal and political, searing and tender. On one page, these poems might skillfully speak to (and through) art and artists across centuries; next, they might tell a new story of Eve, contemplate the complications of America, or deftly chart the mysteries of the human spirit. Through it all, each poem is an event, and each event feels timeless and timely.”—Matthew Olzmann, author of Contradictions in the Design

“In her marvelous debut collection, Carolyn Oliver brings the reader to the garden—the literal garden stalked by wasps, the metaphorical garden where Szymborska’s Polish consonants are ‘bunched like root vegetables’—a lush space of sweetness and growth but also danger. Oliver gives us the textures of a life, and the precariousness: the tremble, the crush, the dissolve, the fizzle. These are poems of the body and poems of the earth. What did I do when I finished this book? I immediately began it again.”—Maggie Smith, author of Goldenrod and Good Bones

"Wunderkammer and honey-laden hive, Carolyn Oliver’s Inside the Storm I Want to Touch the Tremble is a spectacular feat of craft and wonder. Within the finely articulated fury of each poem, we feel 'time turn nimbus' and, dizzied, delight in the strange splendors offered here: the body—tender, desirous, wracked with pain, pulsed with pleasure, undone and born again through time—and its threats of memory and grave knowledge; the promise and peril of beloved others intimate, familiar, strange, and lost, perhaps regained; doubt, failure, and the exercise of faith, the poems their own forms of query and prayer. Oliver’s is a voice we’ve been waiting to hear, her music tuned to worlds we suspect, perhaps sound, but never quite touch. What else to call this music but alchemy? O, how these poems gleam—bright gems!—with skies 'of beaten gold.'"—Julie Phillips Brown, author of The Adjacent Possible

No hay reseñas aún