Sociologist Ruth Glass coined the term gentrification in the 1960s to mark the displacement of working-class residents in London neighborhoods by the professional classes. The Death and Life of Gentrification traces how the word has far outgrown Glass's meaning, becoming a socially charged metaphor for cultural appropriation, upscaling, and the loss of authenticity.

Japonica Brown-Saracino traces how a concept originally intended to describe the brick-and-mortar transformation of neighborhoods has come to characterize transformations that have little to do with cities. She describes how journalists, artists, filmmakers, novelists, and academics use gentrification as a symbolic device to mourn how everyday pleasures and forms of self-expression entered the domain of the elite. She weighs the implications of turning to gentrification as a tool to tell stories, entertain audiences, and communicate political messages. This pathbreaking book forces us to think about whether the wide-ranging way we use gentrification dilutes its meaning and stymies efforts to identify and resist urban displacement.

The Death and Life of Gentrification sheds critical light on the changing meaning of gentrification in contemporary life. The book is a must-listen for anyone interested in gentrification and urban dynamics.