The Panerotic Sutras of Master Stryfe occupies a singular place within Dennis Logan’s body of work.

Written and released in 2021, during a period when Logan was primarily known for long-form audiobook narration of sacred, apocryphal, and esoteric texts such as The Book of Enoch and the Lost Books of the Bible, this work stands deliberately apart from his role as a custodian of scripture. Where his audio work emphasized fidelity, restraint, and containment, Panerotic Sutras applies pressure to that same symbolic language.

Composed during personal displacement, formal religious study, altered states, and psychological reintegration, this long-form poem is not a spiritual text, a manifesto, or a guide. Structured as a sequence of destabilized “I Am” declarations, it repeatedly asserts and dismantles identity. Sacred imagery is profaned, erotic imagery is stripped of liberation myths, and mystical language is biologized, parodied, or returned to consequence. No belief is allowed to settle. No authority is permitted to remain intact.

The term panerotic is used not ideologically, but diagnostically: desire without hierarchy, attraction without resolution, intimacy without transcendence. The text interrogates whether modern notions of freedom, particularly after generations of bodily and institutional control, risk becoming voluntary reenactment rather than liberation.

Unlike visionary or confessional psychedelic literature, Panerotic Sutras offers no teachings, practices, or promises. It seeks neither revelation nor healing. It functions instead as a controlled exposure to symbolic excess, written by someone deeply familiar with sacred texts and unwilling to replace them with a new one.

Within Logan’s catalog, this work is an interruption rather than a foundation — a completed extraction written between years of textual custodianship and later mythic projects.

This work should be listened to as poetry, not doctrine; as critique, not instruction.