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The Rouse

The long-awaited masterpiece from the author of The City & The City

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The Rouse

De: China Miéville
Narrado por: China Miéville, Colin Mace, Emma Spurgin Hussey
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Read by Colin Mace and Emma Spurgin Hussey, featuring the voice of the author, China Miéville.

From the bestselling, award-winning master of uncanny fiction comes a defining work, twenty years in the making – a deeply moving, decade- and continent-spanning epic of grief, global tumult, and grim conspiracy.

'Miéville’s command of his prose is phenomenal . . . This is a world that you can truly swim in, and few authors can achieve that' - The Times

‘Affecting, intelligent and, in more than one place, very, very frightening. This is a novel destined for a rich afterlife' - The Guardian
'An extraordinary tour de force' - Adrian Tchaikovsky

'A monster of a book in every sense' - Francis Spufford
'I felt it in my bones, the undeniable power of a jagged masterpiece' - The New York Times


Maur’s life has been shaped by an unbearable loss. But in the aftermath of what is an apparently ordinary tragedy, deeper, stranger questions arise . . . Their answers may lie within the dark heart and darker history of an old soldier who shares Maur’s obsessions – and is violently pursued by the same unknown, unquiet forces.

So begins The Rouse, a masterpiece unlike any other: at once a sprawling saga of the bloody twentieth century, and the intimate story of two lives, their loves, regrets and secrets – and a terrifying journey into infinite mystery.

Praise for China Miéville, author of The City & The City

‘You can’t talk about Miéville without using the word “brilliant”’ – Ursula K. Le Guin
‘One of the most interesting and freakishly gifted writers of his generation’ – The Daily Telegraph
‘As intelligent as he is original’ – The Guardian
‘The names of Kafka and Orwell tend to be invoked too easily for anything a bit out of the ordinary, but in this case they are worthy comparisons’ – The Times

©2026 China Miéville (P)2026 Macmillan Publishers International Limited
Guerra y ejército Literatura de género Narrativa literaria Novela histórica Siglo XX
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Reseñas de la crítica

Miéville’s command of his prose is phenomenal. There is a real sense of life throughout as he seamlessly slips between styles . . . This is a world that you can truly swim in, and few authors can achieve that'
What Miéville has crafted in The Rouse is an intimate epic, a controlled sprawl of history and emotional resonance. I felt it in my bones, the undeniable power of a jagged masterpiece
The Rouse is affecting, intelligent and, in more than one place, very, very frightening. “Life,” as Miéville writes, “is just a prologue to a ghost story.” This is a novel destined for a rich afterlife
[An] incredibly ambitious combination of history and the supernatural . . . Miéville renders the winding, complex plot that ties these two characters together in characteristically robust prose and provides a satisfying ending for readers who persevere. Fans will not be disappointed
Miéville is back . . . [The Rouse] is a book of the dead and the superpositioned living. A lament configuration that grieves and is aghast. It is monumental and exhaustive yet concise . . . you never want it to end: you want it never to end
China Miéville is one of our great contemporary writers, master of the weird and author of masterpieces
Miéville has been allowed full, free rein in this new work of eldritch dead and haunting dread
A smartly imagined, genre-bending story that readers may find all too real
I cannot say how much I love this book both for its humanity and its originality. The Rouse is a classic of modern weird literature . . . and goes beyond genre to put Miéville in the forefront of modern British novelists (Michael Moorcock, author of The Dancers at the End of Time)
The Rouse is a stirring, moving family saga and a dizzying exegesis of the violent and virulent second half of the twentieth century, as well a lament for the brutalist age it has spawned. Complex, consuming, thrilling, terrifying, a feast of language and ideas . . . I could go on and on. A magisterial wonder (Paul Tremblay, author of The Cabin at the End of the World)
A richly immersive, sweeping vision of twentieth-century London, capturing the city in all its colours and sounds . . . Every page feels alive (Xiaolu Guo, author of Call Me Ishmaelle)
A monster of a book in every sense: a showing of the ghosts that haunt our real history, and of the power of the fantastic to explore with tender horror the twilight borderland where dogs turn into wolves, and back again (Francis Spufford, author of Golden Hill)
An extraordinary tour de force, poetic, complex and poignant. A true masterpiece of the weird (Adrian Tchaikovsky, author of Children of Time)
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