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We

A Novel

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We

De: Yevgeny Zamyatin, Ursula K. Le Guin, George Orwell, Margaret Atwood - introduction, Bela Shayevich - translator
Narrado por: Toby Jones, Margaret Atwood, Louise Brealey
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A radical new translation of the dystopian classic that influenced George Orwell and Aldous Huxley, introduced by Margaret Atwood.

One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And Chief Engineer D-503 is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex, and freedom.

A foundational work of dystopian fiction, inspiration for both Orwell's 1984 and Huxley's Brave New World, We is a book of radical imaginings--of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. It is both a warning and a hope for a better world.

This new edition also includes Ursula K. Le Guin's essay "The Stalin in the Soul" on the enduring influence of Zamyatin's masterpiece, and George Orwell's 1946 review of We.
Ciencia ficción Distopía Literatura de género Narrativa literaria Postapocalíptica
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Reseñas de la crítica

"The best single work of science fiction yet written."
—Ursula K. Le Guin

“[Zamyatin’s] intuitive grasp of the irrational side of totalitarianism—human sacrifice, cruelty as an end in itself—makes [We] superior to Huxley’s [Brave New World].”
—George Orwell

"The ur-text of science-fiction dystopias."
Wall Street Journal

“Zamyatin . . . did more than predict some of the specific characteristics of totalitarianism―he predicted its defining condition: the destruction of the individual. . . . [He] found the word for it: We.”
—Masha Gessen

“At this dystopian moment in world politics, everyone’s talking about 1984, but take a look at the novel that inspired it (or, at least, which George Orwell reviewed soon before he wrote 1984)—Yevgeny Zamyatin’s We. . . . The dystopia Zamyatin painted has, alas, many echoes with today’s surveillance society—just think of China’s budding ‘social credit’ program, which monitors citizens’ movements. Big Brother was a piker, compared to Xi Jinping. Zamyatin saw it coming.”
Lit Hub
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