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De nieuwe roman van Abdulrazak Gurnah, winnaar van de Nobelprijs voor de Literatuur: een betoverende, zinderende vertelling over meerdere generaties die gevormd werden door de Duitse koloniale overheersing in Oost-Afrika Het is het begin van de twintigste eeuw. Westerse mogendheden hebben in Afrika hun kaarten getekend, verdragen ondertekend en het continent opgedeeld. Door hun streven naar complete overheersing zien ze zich gedwongen om opstand na opstand neer te slaan.

Zanzíbar, años noventa. Karim, Fauzia y Badar, tres muchachos que han crecido en entornos muy distintos, sueñan con las enormes posibilidades de su naciente país. Karim regresa a su tranquila ciudad natal con nuevos bríos y ambiciones tras sus estudios universitarios. Fauzia, apasionada por la escuela y con el sueño de ser maestra, ve en él una oportunidad para escapar de una educación asfixiante. Para Badar, en cambio, un sirviente sin estudios que nunca conoció a sus padres, parece que todas las puertas están cerradas.

On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only protection. Meanwhile Latif Mahmud, someone intimately connected with Saleh's past, lives quietly alone in his London flat. When Saleh and Latif meet in an English seaside town, a story is unravelled.

Huyendo de la mítica isla de Zanzíbar, tierra de mercaderes de perfumes y especias acunada por los monzones, Saleh Omar, un comerciante de 65 años, llega al aeropuerto de Gatwick con una caja de caoba llena de incienso y un pasaporte falso. Para comunicarse con él, los servicios sociales recurren a Latif Mahmud, un poeta experto en suajili, profesor y exiliado voluntario que vive apaciblemente en un apartamento de Londres.

Cuando todavía era un niño, Ilyas les fue arrebatado a sus padres por las tropas coloniales alemanas; tras años de ausencia y de batalla contra su propio pueblo, regresa a la ciudad de su infancia, donde sus padres han desaparecido y su hermana Afiya ha sido dada en adopción. Otro joven regresa al mismo tiempo: a Hamza no lo robaron para que combatiera, sino que lo vendieron. Con tan sólo sus ropas a la espalda, se limita a buscar trabajo y seguridad... y el amor de la hermosa Afiya.

Salim è un bambino intelligente, amante dei libri, e ha sempre saputo di essere un figlio indesiderato per suo padre Masud. Così è cresciuto affascinato dallo zio Amir, un uomo brillante ed estroverso, che vive con loro in una casa piena di segreti che alimentano gli incubi notturni del ragazzo. Sono gli anni ’70 e Zanzibar sta cambiando volto: l’arrivo dei turisti sulle spiagge bianche dell’isola offusca rapidamente la memoria dell’indipendenza dal Regno Unito e della rivoluzione che ha dato un nuovo assetto al paese.

Cuando los padres de Yusuf, de doce años, le dicen que vivirá con su tío Aziz durante una temporada, el chico se muestra entusiasmado. Pero lo que Yusuf no sabe es que su padre lo ha empeñado para saldar una deuda imposible de pagar, ni tampoco que Aziz no es pariente suyo, sino un rico y acaudalado comerciante con el que viajará por África central y las riberas del Congo en vísperas de la primera guerra mundial.

Een coming-of-age-verhaal dat de hardheid en tegelijk de schoonheid belicht van een Afrika op de rand van kolonisatie. Yusuf, geboren in Oost-Afrika, staat niet lang stil bij de reis die hij gaat maken. Het komt niet in hem op om te vragen waarom hij oom Aziz vergezelt of waarom het vertrek zo plotseling is georganiseerd, of wanneer hij überhaupt terug zal keren. De waarheid is dat zijn 'oom' een rijke en machtige koopman is en dat Yusuf aan hem is verpand om de schulden van zijn vader af te betalen.

Abbas has never told anyone about his past; about what happened before he was a sailor on the high seas, before he met his wife Maryam outside a Boots in Exeter, before they settled into a quiet life in Norwich with their children, Jamal and Hanna. Now, at the age of sixty-three, he suffers a collapse that renders him bedbound and unable to speak about things he thought he would one day have to.

Restless, ambitious Ilyas was stolen from his parents by the Schutzruppe askari, the German colonial troops; after years away, he returns to his village to find his parents gone and his sister, Afiya, given away. Hamza was not stolen but was sold; he has come of age in the army, at the right hand of an officer whose control has ensured his protection but marked him for life. Hamza does not have words for how the war ended for him. Returning to the town of his childhood, all he wants is work, however humble and security - and the beautiful Afiya.

Born in East Africa, Yusuf has few qualms about the journey he is to make. It never occurs to him to ask why he is accompanying Uncle Aziz or why the trip has been organised so suddenly, and he does not think to ask when he will be returning. But the truth is that his ‘uncle' is a rich and powerful merchant and Yusuf has been pawned to him to pay his father's debts. Paradise is a rich tapestry of myth, dreams and Biblical and Koranic tradition, the story of a young boy's coming of age against the backdrop of an Africa increasingly corrupted by colonialism and violence.

Una mañana de 1899, Martin Pearce, un escritor, viajero y orientalista inglés, exhausto después de escapar de una banda de ladrones, llega a una pequeña ciudad costera de África Oriental. Allí, en esa población en ruinas al borde de la vida civilizada, se enamora de Rehana, y comienza una apasionada historia de amor que unirá dos culturas y que reverberará a lo largo de tres generaciones y a través de los continentes, desde el África colonial hasta el Londres de los años sesenta.

He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that. Things do not happen quite as he imagined—the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return, he spins stories of his home and keeps her a secret from his family. Twenty years later, the barriers come down in Zanzibar and he is able and compelled to go back.

It is the 1990s. Growing up in Zanzibar, three very different young people – Karim, Fauzia and Badar – are coming of age, and dreaming of great possibilities in their young nation. But for Badar, an uneducated servant boy who has never known his parents, it seems as if all doors are closed. Brought into a lowly position in a great house in Dar es Salaam, Badar finds the first true home of his life – and the friendship of Karim, the young man of the house. Even when a shattering false accusation sees Badar sent away, Karim and Fauzia refuse to turn away from their friend.

Generous, funny and wise, this collection is the perfect introduction to the storyteller described as ‘one of Africa’s most important living writers’; whose work, now spanning four decades, continues to spin wonder and magic while offering penetrating insight into exile, migration and homecoming.

From the Nobel Prize winner, a coming-of-age story that illuminates the harshness and beauty of an Africa on the brink of colonization Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough”...

For seven-year-old Salim, the pillars upholding his small universe—his indifferent father, his adored uncle, his treasured books, the daily routines of government school and Koran lessons—seem unshakeable. But it is the 1970s, and the winds of change are blowing through Zanzibar: Salim’s father is gone, and the island convulses with violence and corruption the wake of a revolution. It will only be years later, making his way through an alien and hostile London, that Salim will begin to understand the shame and exploitation festering at the heart of his family’s history.

Dear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don’t really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you. Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination.

Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history—or the abuse her ancestors suffered as they made their home in Britain. At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs.

Poverty and depravity wreak havoc on Hassan Omar’s family. Amid great hardship he decides to escape. The arrival of independence brings new upheavals as well as the betrayal of the promise of freedom. The new government, fearful of an exodus of its most able men, discourages young people from travelling abroad and refuses to release examination results. Deprived of a scholarship, Hassan travels to Nairobi to stay with a wealthy uncle, in the hope that he will release his mother’s rightful share of the family inheritance.