Resultados para "Episode 2" en Drama y teatro

The events of 9/11 have done little to diminish The Kid's growing paranoia. Kim Jong Il is on the coalition's enemies list, but he's wondering how the fall TV and movie schedules are shaping up, and what is Larry David's management style like? Coach Franks is undaunted, the Concierge searches for fatty meat and orange juice with Cipro, and the relationship with Kate deepens. Amelia demonstrates her patriotism.

Midway between the satire of Spinal Tap and the pathos of American Beauty lies the schizophrenic state of mind known as Hog Fever. On the surface this is the story of a man, a motorcycle, and a teetering bank balance. But lurking beneath, occasionally visible like threads through faded denim, is the story of a man in search of freedom - or at least one last stab at it.

In a tough town in England, street-smart Mother Laura raises her three troubled orphan nieces, with help from her even tougher Aunt Edna, as they battle gangsters, thugs, and their inner demons to forge a strong, loving family.

In the next episodes: In the final days before judgment, an angelic advocate named David visits the condemned to confront the truth of their lives—unearthing buried sins, lost hopes, and the choices that will decide their eternal fate.

Episode Two: The Committee re-opens its hearings in early 1950 and calls Gordon Kahn as its first witness. Kahn flees the subpoena to Mexico, leaving his two young sons in the care of family and friends. J. Edgar Hoover, calling Kahn "one of the three most dangerous Communists in Hollywood," issues an all-points-bulletin to the FBI, the State Department and the CIA, and puts Kahn on his security index, "a secret list of people to be placed in armed detention camps in the event of a "national security emergency."

This program is part of a series of six half-hour dramas about one of the...

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.