Resultados para "Art" en Policíaca, negra y suspense

Imagine a Museum of Lost Art. If this imaginary museum contained just the artwork we knew was lost— whether from theft, purposeful destruction, vandalism, war, or the forces of nature—it would still contain more masterpieces than those in all the world’s current museums combined. Imagine that! In Lost Art: The Stories of Missing Masterpieces, art historian Noah Charney guides you through just such an imaginary museum. In 12 fascinating lectures, you will hear the stories behind the theft and/or destruction of some of the world’s most famous pieces of art.

One of the most remarkable true-crime narratives of the twenty-first century: the story of the world’s most prolific art thief, Stéphane Breitwieser. In this spellbinding portrait of obsession and flawed genius, the best-selling author of The Stranger in the Woods brings us into...

La nouvelle enquête d'Éric Mercier, où l'art sacré côtoie la folie humaine. Une secte ésotérique, les Enfants de Judas, voue un culte à l'apôtre, symbole de trahison et de complot. Leur obsession : un tableau qu'aurait peint Véronèse, Le Baiser de Judas, volé des décennies plus tôt...

Maudit, Modigliani ? Derrière les tableaux les plus célèbres se cachent parfois les intentions les plus meurtrières. Un faussaire de renom tout juste sorti de prison est retrouvé pendu dans une décharge en périphérie parisienne. Quelques jours plus tard, c’est le corps d’une...

When mystery writer Amanda Westfield gets stuck in an elevator with the enigmatic Casey Tanner, their instant connection is undeniable. But their budding attraction takes an unexpected turn when their neighbor is murdered, and Amanda convinces Casey to help investigate. What begins as an amateur sleuthing adventure soon draws them into the dangerous world of high-end art theft. As they follow a trail of clues through exclusive galleries and underground poker clubs, the stakes—and their feelings for each other—intensify with each discovery.

Former stand-up comic Juno Mulligan has been suffering a serious sense-of-humour failure. Not only has she lost the love of her life, but she’s having to relocate to the (admittedly idyllic) village of Inkbury to watch out for her elderly mother, who she’s genuinely worried might be marrying a wife-killer. She hopes that her old friend, disgraced-journalist-turned-novelist Phoebe Fredericks can help her crack the case of whether her mother’s perma-tanned, iceberg-smiled, three-times-a-widower fiancé is hiding a murderous past.

Manchester, England, 1857. When the largest art exhibition ever to be held in Manchester opens, Rosanna Hawkins—one of Manchester’s finest artists to reproduce “parlor versions” of classic masterpieces with near-perfect precision—attends, excited by the chance to sketch such famous works. When she meets the handsome Detective Martin Harrison, who is head of security for the exhibition, she is immediately intrigued. But the couple’s blossoming summer romance takes a strange turn when Rosanna recognizes her own works on display in the exhibition hall.

This imagined retelling of Jho Low’s story, based on real events, gives listeners an insider’s view of the glitzy, glamorous world of wealth and privilege, as well as a close-up look at this enigmatic protagonist’s high-stakes fall from grace. The narrator is quirky yet eloquent, at times thoughtful and other times brash, as he leads readers through the corridors of power, where the line between friend and foe blurs. As secrets unravel and fortunes teeter on the edge, readers get a front-row seat to the dark underbelly of high finance and the price of unchecked ambition and greed.

A chance discovery of something unimaginable will steer Detective Patrick Gutteridge’s life down a path littered with memories of his past, memories he’s spent a decade trying to forget. For two years, Gloucester’s provincial streets have glowed to the media interest gifted by the works of an anonymous graffiti artist, Tick-Tock. But the art is changing, distorting, each piece becoming more perverse and contentious than the last. Only DI Gutteridge sees a pattern forming which points to something far more sinister looming on the horizon.

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

They say imitation is the best form of flattery, but Elizabeth Adams finds that hard to believe when a copycat artist arrives in her small town and begins to create real-life versions of her paintings. The problem is, Elizabeth is a dark artist, creating paintings that depict women in various causes of death. Not only that but she’s also plagued by nightmares which indicate that this is not the first time it has happened in her life. Will Elizabeth find the killer artist and clear her name, or will she be the murderer’s final muse?

When two valuable oil paintings are missing, Kendall is asked to investigate on behalf of the insurance company. Reluctantly, he accepts the job. Then, a body is discovered, and then another. “So what do you think?” asked Mollie. “What do I think?” Kendall repeated. “Well with two people dead, I think someone has been practicing the art of murder.”

Edinburgh, 1849. Hordes of patients are dying all across the city, with doctors finding their remedies powerless. And a whispering campaign seeks to paint Dr. James Simpson, pioneer of medical chloroform, as a murderer. Determined to clear Simpson’s name, his protégé Will Raven and former housemaid Sarah Fisher must plunge into Edinburgh’s deadliest streets and find out who or what is behind the deaths. Soon they discover that the cause of the deaths has evaded detection purely because it is so unthinkable.

Kate Martinelli has seen her share of peculiar things as a San Francisco cop but never anything quite like this: an ornate Victorian sitting room straight out of a Sherlock Holmes story - complete with violin, tobacco-filled Persian slipper, and gunshots in the wallpaper that spell out the initials of the late queen. 

Making a living reproducing famous artworks for a popular online retailer and desperate to improve her situation, Claire is lured into a Faustian bargain with Aiden Markel, a powerful gallery owner. She agrees to forge a painting - a Degas masterpiece stolen from the Gardner Museum - in exchange for a one-woman show in his renowned gallery. But when that very same long-missing Degas painting is delivered to Claire's studio, she begins to suspect that it may itself be a forgery. Her desperate search for the truth leads Claire into a labyrinth of deceit where secrets hidden since the late 19th century may be the only evidence that can now save her life.

After her mother is sent to prison for art forgery, Edie Brown returns to Northern Vermont to rebuild her family’s fine art and antiques business. She’s certain she can do it now that her mother is gone. After all, butting heads with her mom over bad business practices was what drove Edie away three years ago, including a screw-up that landed Edie on probation for selling stolen property. When Edie scores a job appraising a waterfowl decoy collection at a hoarder’s farmhouse, she’s determined to take advantage of the situation to rebuild the business’s tarnished reputation.

When syndicated romance columnist John Hunter is found dead from an apparent overdose, the townspeople of the sleepy hamlet of Eastpoint accept the outsider's death in stride, until Police Chief Hank Reed discovers a secret room filled with lewd paintings featuring local married women.

Spring is a magical time in England - bluebells massing along the woodland paths, primrose and wild thyme dotting the meadows. Antiques dealer Kate Hamilton is spending the month of May in the Suffolk village of Long Barston, enjoying precious time with Detective Inspector Tom Mallory. While attending the May Fair, the annual pageant based on a well-known Anglo-Saxon folktale, a body turns up in the middle of the festivities.

When art conservator Alix London spots a forgery, she knows trouble will follow. So she’s understandably apprehensive when her connoisseur’s eye spots something off about a multimillion-dollar Jackson Pollock painting at Palm Springs’s Brethwaite Museum - her current employer. Alix is already under fire, the object of a vicious online smear campaign. Now the Brethwaite’s despicable senior curator, obsessed with the "maximization of monetized eyeballs," angrily refuses to decommission the celebrated Pollock piece.

In the tranquil town of Cedar Plains, where safety and community are sacred, Courtney Faith’s ideal life is upended by a body found on a local farm, shattering her peaceful existence. Her friend, Alexa Huston, intimately familiar with chaos, gets entangled in an accidental murder that escalates her spiraling life into deeper darkness. Alexa wrestles with a disturbing question: Is murder justifiable if it targets the deserving?