Resultados para "Art" en Crímenes reales

One of the most remarkable true-crime narratives of the twenty-first century: the story of the world’s most prolific art thief, Stéphane Breitwieser. In this spellbinding portrait of obsession and flawed genius, the best-selling author of The Stranger in the Woods brings us into...

Ten years ago, an FBI investigation was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, experts, and major auction houses, the investigation inexplicably ended, despite an abundance of evidence. The case was closed and the FBI file was marked “exempt from public disclosure”. Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this audiobook, Caveat Emptor, is that artist, Ken Perenyi’s, confession.

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

Imagine a Museum of Lost Art. If this imaginary museum contained just the artwork we knew was lost— whether from theft, purposeful destruction, vandalism, war, or the forces of nature—it would still contain more masterpieces than those in all the world’s current museums combined. Imagine that! In Lost Art: The Stories of Missing Masterpieces, art historian Noah Charney guides you through just such an imaginary museum. In 12 fascinating lectures, you will hear the stories behind the theft and/or destruction of some of the world’s most famous pieces of art.

The extraordinary story of the theft of priceless Chinese antiques around the world and the connection to crimes spanning more than two centuries—with present-day implications.

Au cours de la Seconde Guerre mondiale, le système Double Cross (en anglais Double Cross System ou XX System, double cross signifiant tromper) était un dispositif de contre-espionnage organisé par le MI5, le service de renseignements britannique actif sur le territoire du Royaume-Uni, qui eut pour finalité la désinformation des services secrets allemands. Des agents nazis ont été capturés et retournés puis utilisés par les Britanniques principalement pour diffuser de fausses informations à leurs officiers-traitants allemands.

In To Catch a Spy: The Art of Counterintelligence, James M. Olson, former chief of CIA counterintelligence, offers a wake-up call for the American public and also a guide for how our country can do a better job of protecting its national security and trade secrets. Olson takes the listener into the arcane world of counterintelligence as he lived it during his 30-year career in the CIA.

From the moment an eccentric woman walked into the Knoedler Gallery with a Mark Rothko painting, everyone was fooled. For the next ten years, she ran an $80 million forgery ring, selling or consigning forty expertly crafted counterfeits claimed to be the works of Robert Motherwell, Jackson Pollock, Mark Rothko, and others. Director of the documentary Made You Look Barry Avrich reveals new information, evidence, and inside stories about how a quixotic art dealer, master forger, and two cunning con artists managed to fool billionaire art collectors, journalists, and esteemed art appraisers.

Unmasking the Klansman may read like a work of fiction but is actually a biography of Asa Carter, one of the South's most notorious white supremacists (and secret Klansman). In the early 1960s Carter became a secret adviser to George Wallace and wrote the Alabama governor's infamous 1963 inauguration speech vowing "segregation now, segregation tomorrow, segregation forever."

On March 18, 1990, two men disguised as police officers entered Boston’s Isabella Stewart Gardner Museum and vanished with masterpieces by Vermeer, Rembrandt, Degas, and more—an art haul worth over $500 million. Decades later, not a single piece has been recovered. The Gardner Museum Heist unravels the daring crime, the mob connections, the false leads, and the enduring mystery that haunts the art world. Equal parts true crime and cultural history, it’s the definitive account of America’s greatest unsolved art theft.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

In a secret meeting in 1981, a master thief named Louis Royce gave career gangster Ralph Rossetti the tip of a lifetime. As a kid, Royce had visited the Isabella Stewart Gardner Museum and made a habit of sneaking in at night to find a good place to sleep. He knew the Museum's security was lax, and he gave this information to a boss of the Boston criminal underworld. It took years before the Museum was hit. But when it finally happened, it quickly became one of the most infamous art heists in history.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

The world--famous former con artist and bestselling author of Catch Me if You Can now reveals the mind--boggling tricks of the scam trade--with advice that has made him one of America's most sought--after fraud--prevention experts. "I had as much knowledge as any man alive concerning the...

The Isabella Stewart Gardner Museum Heist: Art, Ambition, and Unsolved Mystery (1990) offers a gripping deep dive into the events of that night and the decades-long investigation that followed. Author James G. Edwards II masterfully blends true crime with art history, exploring how a single robbery devastated a cultural institution, shook the art world, and fueled countless theories—from mob connections to inside jobs.

Pendant huit ans, Stéphane Breitwieser, originaire de Mulhouse, a commis avec sa compagne près de 250 vols dans des musées français, suisses et belges, en plein jour, au nez et à la barbe des gardiens et des visiteurs. Entre 1995 et 2001, la valeur totale de leurs larcins a été estimée à plusieurs millions d'euros.

Bishop Juan Gerardi, Guatemala's leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some 200,000 civilians.

On February 12, 1994, just as the Winter Olympics opened in Lillehammer, Norway’s most famous artwork—Edvard Munch’s The Scream—was stolen in under 60 seconds from the National Gallery in Oslo. The culprits? A group of masked men with alleged ties to a modern-day Templar revivalist movement, combining ideology, symbolism, and street-level criminal precision.

Imagine a valley so pristine it is the envy of all places near it. Complete with soft rolling hills, clear-water brooks, thermal springs, lakes for water sports, and crystal mines for discovering quartz, plus the only diamond mine in America. It was so attractive. The first on the scene were native Indians followed by explorers, and by 1832, Hot Springs became the first US National Park. Of course, something this special was instantly noticed. And then along came the settlers, proprietors, and anyone interested in turning a dollar.

Max the Forger is an artist and gentleman whose colorful lifestyle has spanned over 70 years. He has lived under the strict regime of Barnardo’s children’s homes, been an elephant handler in the circus, lived rough, busked his way from Brighton to Bombay, sold his fakes up and down the country, dined with dukes, socialized with celebrities, associated with gangsters, served time in prison, and donated tens of thousands to charity. And through it all, he never stopped smiling, and loving life - and missing his mum.