Resultados para "Black" en Artes escénicas

Black Coffee and Ice Water, Patton Oswalt's 10th hour of brand-new material, marks an exciting new chapter in Audible's foray into the world of stand-up. The Emmy- and Grammy-winning performer wrestles with religion, wolves, parenting a teenager, and musical theater. He mostly loses.

The Stephen Leacock Memorial Medal for Humour is Canada's top award for humour - and nobody has won it more times than Arthur Black, who carried off his third medal in June 2006. Now, in case there is anyone left standing who still disputes Black's claim to the title of Canada's funniest man, Harbour presents the laughing proof: a retrospective of Black's best hits, high-graded from eleven previous collections stretching back over the past 20 years.

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos ‘n’ Andy. Department stores piped in the broadcasts so shoppers wouldn’t miss an episode, and movie theaters scheduled their features to end just prior to the start of Amos ‘n’ Andy so they too could pipe it in.

This 16-episode collection includes the greatest comedy teams of the Golden Age of Radio and includes Dean Martin and Jerry Lewis, Abbott and Costello, George Burns and Gracie Allen, Fibber McGee and Molly, Baby Snooks and Daddy, Edgar Bergen and Charlie McCarthy, and Phil Harris and Alice Faye. You’ll laugh till your sides ache at these great comedy duos!

Lewis Black has built a career on giving voice to the anger of Americans. His standup fills theaters across the country and his appearances on The Daily Show draw hoards Online and on TV. But the current political climate is driving Lewis and his long-time comedy partner, Kathleen Madigan, north for an extended tour of Canada. Lewis and Kathleen Escape to Canada is a stand-up album with way more than just jokes. The Grammy-award winning comedian performs rants sent in from the public, and he and Kathleen respond to them from the stage.

When real-life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie’s delivery got a bigger laugh than George’s punch lines. The duo became a big hit on vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work were as supporting players on CBS’s The Guy Lombardo Show in the 1930s. When Lombardo switched to NBC, George and Gracie took over the show. Enjoy sixteen of their greatest radio broadcasts.

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

Many of the episodes on this volume were broadcast from Hollywood, but the program (which finally became The Spike Jones Show when it moved to a Sunday evening time slot in January 1949) traveled extensively in its last season—New Orleans, Jacksonville, Charlotte, Richmond, Philadelphia, Washington, New York, Boston, Chicago, Des Moines, and San Francisco.

The best comedy-novelty band of all time was at its peak when The Spike Jones Show (officially The Spotlight Revue, better known as The Coke Show) debuted on CBS, Friday, October 3, 1947. The show premiered in San Francisco where Spike and his City Slickers’ wacky Musical Depreciation Revue was holding forth at the Curran Theatre. The guest list here includes musical humorist Victor Borge (savaging “Clair de Lune” on the premiere), Tex Williams (doing his signature “Smoke Smoke Smoke”), Mel Torme and Frankie Laine.

This volume of The Spike Jones Show features episodes emanating from Las Vegas, Pueblo, Colorado, and Calipatria, California—where Spike grew up and started his first band—but most of the programs here were broadcast from Hollywood. The guest list reflects the change in locale. Frank Sinatra, Gene Kelly, Peter Lorre (vocalizing “My Old Flame” with impressionist Paul Frees in tow), Don Ameche (doing “Quartet from Rigor Mortis”), Dinah Shore and Fred Astaire (performing “Cheek to Cheek”), Jerry Colonna, and Basil Rathbone are among those heard here.

Spike Jones and his City Slickers enjoyed perhaps their finest hour in March 1948, when they performed in Washington, DC at the request of President Harry Truman. They do a slam-bang up job on “I’m Just Wild About Harry” on the opening show in this volume, in anticipation of their visit. Getting The Spike Jones Show on the air took a lot of advance planning from week to week, with schedule and location dictated by the band’s lucrative road show and its cross-country tours of one-night stands.

Freeman Gosden and Charles Correll made their radio debut on January 12, 1926, as the comedic blackface characters Sam 'n' Henry. On March 19, 1928, they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country tuned in to their adventures.

Fibber McGee & Molly had a long and successful run on radio from 1935 to 1959, featuring its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife, Molly, who tried to keep him out of trouble.

The Aldrich Family was a popular situation comedy that was heard on radio and seen in films, on television, and in comic books. Teenager Henry Aldrich, the creation of playwright Clifford Goldsmith, was an endearingly bumbling kid growing awkwardly into adolescence. Episodes revolved around Henry's misadventures with girls, his family, and his friends.

Kevin Hart highlights the fascinating contributions of black history's unsung heroes in this entertaining - and educational - comedy special.

All-star comedian Lewis Black is funnier than ever in In God We Rust. Jump on for a rant-filled, cathartic ride through the issues of our baffling world, from inept politicians and the shortcomings of technology to the absurdity of social media. No topic is left unexplored in this landmark performance at the historic State Theatre in Minneapolis.

It's hard to get the full effect of Lewis Black's gloriously bitter comedy if you're only listening to him. Watching the man work himself up into a lather with jowls shaking, beads of spittle flying from his lips, and his eyes bulging from his sockets as if his head is about to burst open from sheer pentup rage adds immeasurably to the effect of his barbed, pungent wit.

As "America's Foremost Commentator On Everything", Black is a weekly political commentator on Comedy Central's The Daily Show With Jon Stewart and has starred in four top-rated comedy specials for the network.

Recorded in the summer of 2004, Luther Burbank Performing Arts Center Blues documents Black hilariously going off on such phenomena as Janet Jackson's infamous appearance at the Super Bowl, the controversy over gay marriage, Arnold Schwarzenegger's ascent to the California governor's mansion, and the ongoing disaster of America's presence in Iraq.

So, what was Lewis Black like when he was younger? Did he have a positive outlook on life in the '80's and grow disenchanted as he got older? Hardly. This historic record from America's foremost commentator on everything, gives a telling, hilarious insight into Lewis Black's earlier years in standup. Before The Daily Show, before the Grammys, before the massive fame.