Resultados para "Black" en Música

Within the stoned soul picnic of Black music icons in the ’60s and ’70s, only one could bill himself without a blush as Moses, demanding liberation for Black men with his notions of life and self—Isaac Lee Hayes Jr., the beautifully sheen, shaded, and chain-spangled acolyte of cool, whose high-toned “lounge music” and proto-rap was soul’s highest order—heard on twenty-two albums and selling millions of records.

Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation. After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

In 1980, Jerry A. formed Poison Idea, a Portland-based punk band that gave voice to disaffected and disenfranchised youth for over thirty years. As happened to so many punk bands, Jerry A. and Poison Idea also went all in on drugs and drinking as they toured the country, spiraling out of control and blowing both the band and their lives apart.

In 1980, Jerry A. formed Poison Idea, a Portland-based punk band that gave voice to disaffected and disenfranchised youth for over thirty years. As happened to so many punk bands, Jerry A. and Poison Idea also went all in on drugs and drinking as they toured the country, spiraling out of control and blowing both the band and their lives apart.

In 1980, Jerry A. formed Poison Idea, a Portland-based punk band that gave voice to disaffected and disenfranchised youth for over thirty years. As happened to so many punk bands, Jerry A. and Poison Idea also went all in on drugs and drinking as they toured the country, spiraling out of control and blowing both the band and their lives apart. A memoir of a time and a place and a movement, as well as a deep conversation about the memories and moments we leave behind, Black Heart Fades Blue is a deep exploration of an unconventional life.

Bing Crosby stars in 16 half-hour musical-variety episodes of Philco Radio Time and invites his celebrity friends to join him!

The second volume of Metallica's definitive biography opens as the band breaks through to mainstream with its fifth album, Metallica (a.k.a. The Black Album), topping the Billboard charts and its hit single "Enter Sandman" dominating the airwaves. By 1993, after a two-year tour, Metallica had become the biggest hard-rock band in the world. Success naturally brought new challenges, and the band ran the risk of alienating its original fans.

La version Kindle de ce livre a été n°3 du Top 100 en décembre 2014. Cette version Audible correspond à la 3ème édition de ce livre publiée en 2016. Irremplaçable - plus les années passent et plus il nous manque... Comme l’a déclaré un autre maître de son art, Steven Spielberg : "Tout comme il n’y aura jamais d’autres Fred Astaire ou d’autres Chuck Berry ou d’autres Elvis Presley, il n’y aura jamais personne de comparable à Michael Jackson. Son talent, sa vivacité et son côté mystérieux font de lui une légende."

Punky Meadows, guitarist for the band Angel, spoke with Steve Black in summer of 2016.

In the summer of 2016, host Steve Black interviewed the Van Zant Brothers - vocalist and guitarist Donnie of .38 Special and current Lynyrd Skynyrd vocalist Johnny.

Steve Black interviewed Rik Emmett, vocalist, guitarist and founding member of Triumph, in the fall of 2016.

Alter Bridge vocalist and guitarist Myles Kennedy spoke with Steve Black in the winter of 2016.

Steve Black spoke with Greg Lake of Emerson, Lake & Palmer in the fall of 2016, a few months before Lake passed away in December of that same year.

Throughout American history, Black people were not given the freedom to acknowledge their suffering. A. D. Thomason believes that the Holy Spirit brings freedom and liberation as we're able to name our pain, recognize its roots in history and society, and seek healing.

約400年にわたり，大西洋を航海した奴隷船．「裸の移住者」としてアメリカ大陸に連行された人々は，いかにしてアフリカの声と音の伝統を再創造し，次世代へと繋いでいったのか．

Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.

As lead singer of Happy Mondays and Black Grape, Shaun Ryder was the Keith Richards and Mick Jagger of his generation - one of the last real rock 'n' roll stars. A true rebel, who formed and led not one but two seminal bands, he's had number-one albums, headlined Glastonbury, toured the world numerous times, taken every drug under the sun, been through rehab - and come out the other side as a national treasure.

Audio Snaps is a series of 100-minute audio books, each featuring a dozen or so stories from each of my five books. Black Vinyl White Powder is a bit different from the other books in that it was written as a continuous narrative moving through story after story.

In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda’s first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman’s perspective.

Jean Beauvoir joined the Plasmatics in 1979, playing bass and keyboards for the most notorious band to emerge out of the New York City punk scene. By 1982, he was a member of Little Steven and the Disciples of Soul, a retro-rock revival act headed by Steven Van Zandt. The Disciples of Soul videos played on MTV during the network's earliest years, making Beauvoir one of the first Black recording artists to cross the start-up music channel's "color line".