Resultados para "Cash" en Literatura y ficción

My dad and I have been estranged for years, but as his only living relative, it's no surprise I inherit his massive cattle ranch when he dies. But the stipulation in his will that requires me to live on the ranch and actively manage it for a year before I can access my inheritance money. I haven't stepped foot in Hartsville, Texas, population one thousand, since my parents split when I was six. Now a city girl through and through, I never imagined having to move back to cowboy country. But I need the money to invest in my company, and a girl's gotta do what a girl's gotta do.

Most humans cower in the face of Death. Not Nella May Carter. She sees him. She doesn’t hide. Instead, she bargains. Born enslaved in eighteenth-century Georgia, Nella still believes in the will to survive amid the most untenable of conditions, in the glory of life, and in the ultimate goodness of the human race. She asks that Death, doubtful and curious, allow her to live long enough to prove it. He’s giving Nella all the time in the world.

Cash is a car mechanic with a secret. Head down, sleeves up, he hides from the past as much as his shattered heart, until a reluctant stumble into a Tottenham bar ends in the one-night stand of his dreams. Hunt saboteur Rae can't believe his luck when he wakes up the next morning. Cash is gorgeous, and the hottest hookup he's ever had. He doesn't expect to see him again, until a twist of fate lands him on Cash's doorstep a few months later.

My life has been about three things - brotherhood, good times, and women. Easy. Nothing complicated. That was until Willow Swift came barging back into my life, face bloodied, banging at the gates of The Henchmen compound calling in a favor owed. Now, a marker is a marker and I had to make good, but if there was one woman in the world I didn't need in my life, it was the hard-as-stone, hot-as-sin Willow Swift and whatever mysterious ghosts from her past that were haunting her present.

Being in love with a client sucks. As Cash Me Outside's band manager, I've been nothing but professional for years. But the lead guitarist tortures me daily just by breathing. Sebastian Rose has no idea how I feel about him, and I intend to keep it that way. I can't break my rules. Seb doesn't do serious, and I won't risk my job for something temporary. It takes a leaked nude, an overzealous stripper, and a group winter vacation to change everything.

Cash è un vero buono, di quelli che esistono solo nei film. Viene da Cerignola, ama la sua famiglia, ama Samantha e non ha un lavoro stabile, perché, a suo modo, è un ribelle. Qualcuno lo prende anche per un violento, perché un senso profondo e quasi irrazionale della giustizia gli arma spesso pugni tanto maldestri quanto potenti. Samantha lo lascia, il padre è severamente malato, soldi non ce ne sono: tutto sembra precipitare. E allora Cash va incontro al suo destino: per una strana concatenazione di eventi si ritrova in Colorado, Usa, dove ha luogo un mega reality sulla boxe.

A man gets into a car that can take him anywhere he can imagine—including the past, into the worst mistake of his life, a memory he does not want to relive, cannot escape, and is even more afraid to alter. A seemingly harmless, forgettable film about “alien hand syndrome” inspires a wave of self-harm among viewers—and even stranger things among those who become obsessed with it.

On his latest bullion run for the Reverend's Temptation Gold Mine, Shotgun Johnny crosses paths with three desperate strangers. One is an old man. The other is his daughter Dixie. The third is the old man's son, Jake Teal, a bank robber who's wanted dead or alive. Thing is, Jake is already dead—stuffed in a pine box on his family's wagon. Now every bounty hunter in the state is after his body . . .

In this rollicking tale, best-selling author Dixie Cash - author of My Heart May Be Broken but My Hair Still Looks Great - sets Salt Lick's own sleuthing cosmetologists on a collision course with the Big Apple. On an all-expenses-paid trip to a New York PI convention, the Texas Tornadoes hope to do some serious shopping. But that's before they stumble across a serial killer.

Granville Cash served 14 years in prison for a murder he didn’t commit. After finally being exonerated, he is awarded a great deal of money for his wrongful conviction. With more time and money than he knows what to do with, he decides to help a friend from prison find his missing daughter. Trouble is, no one has seen or heard from the woman in years. Cash begins combing the streets of Atlanta, tracking down her last known associates, primarily whores, pimps, junkies, and drug dealers, but the path leads, surprisingly, to some of the city's most respected businesspeople.

A snowmelt has sent floodwaters down to the fields of the Red River Valley, dragging the body of an unidentified Native woman into the town of Ada. The only evidence the medical examiner recovers is a torn piece of paper inside her bra: a hymnal written in English and Ojibwe. Cash Blackbear, a 19-year-old Ojibwe woman, sometimes helps Sheriff Wheaton, her guardian, on his investigations. Now she knows her search for justice for this anonymous victim will take her to the White Earth Reservation, a place she once called home.

All it takes is one thing in your childhood to traumatized you for life, but in Cre’s case, it was two. The death of his parents and the feeling of abandonment of his best friend, Josephine. Cre Carter has always been his own man, knowing what he wanted out the gate. After his parents leave, he and his siblings a legacy, and Cre is determined to have their name live on forever.

Her name is Renee Blackbear, but what most people call the 19-year-old Ojibwe woman is Cash. She lived all her life in Fargo, sister city to Minnesota’s Moorhead, just downriver from the Cities. She has one friend, the Sheriff Wheaton. He pulled her from her mother’s wrecked car when she was three. Since then, Cash navigated through foster homes and at 13 was working farms, driving trucks.

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

Born to the secretive, prepper enclave on the other side of Red Sky Hill, Adah Lee has no birth certificate, no social security number, and no school records. To the outside world, she simply doesn't exist. So when she's kidnapped on her seventeenth birthday, it might just be the perfect crime. Only this girl means something to someone dangerous.

读书人刘君荐苦读圣贤，却没有考上什么功名。为了过日子，老丈人给了他十五贯钱，让他开个小买卖维持生计……讀書人劉君薦苦讀聖賢，卻沒有考上什麼功名。為了過日子，老丈人給了他十五貫錢，讓他開個小買賣維持生計……

Jake is poised to reopen a chilling murder case once thought closed. In just six weeks, Wesley Wayne Hall will be executed for the heinous murder of Ruby Ingall, a beloved member of the Blackhand Hills farming community. Ruby's murder tore her family apart, and it took them fifteen years to pick up the pieces. But Hall swears he's innocent and reaches out to Jake with proof he can't ignore. Against his better judgment, Jake digs into the case.

More than any other writer before or since, Louis L'Amour brought the American West to life. His action-packed stories deal with eternal themes: honor, deceit, passion, betrayal, loyalty, courage, love. His settings are historically accurate, his prose riveting, and his characters colorful: good guys, bad buys, toughs, roughs, sidekicks and saints.

Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations. In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.”

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.