Resultados para "Celebraciones" en América

When the phrase “the King” is used in the context of American music, most people think of Elvis Presley, but Presley was just a baby when the title was first conferred upon Benny Goodman as the King of Swing in 1935. The Swing Era was a magical period in American history between the hedonism of the Roaring Twenties and the rebelliousness sparked by rock music beginning in the 1950s. Swing music was rooted in ragtime, blues, and jazz music that had long been popular in African American enclaves in Chicago, St. Louis, Kansas City, and New Orleans.

The "Golden Age" of television was in part so named because it was the era in which new technology was pioneered and industry rules were still being written. Here was a fascinating new medium, founded by executives with no previous body of experience, and a myriad of directions in which to proceed. Numerous factions spent the next generation wresting control over content and the content/product relationship.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

From a young girl growing up in the slums of Missouri who hired herself out as a maid at 12 to the lead dancer in the Folies Bergere idolized by Parisians, Josephine Baker danced to the beat of her own drum. She was ahead of her time in many ways, which is probably why she still resonates so strongly with many people today. As a multi-dimensional woman who lived a life with hardly a dull moment, Josephine Baker steps out of the pages of history and continues to capture people's interest.

Cada fin de año, en México nos da por pensar en el pasado y en el futuro, en lo que hicimos mal y en lo que podemos mejorar “si Dios y la Virgen quieren”. Esta emoción de abrir y cerrar ciclos viene con una fuerte carga cultural y simbólica relacionada con nuestros ritos y supersticiones: barrer la casa, pasear con maletas, comer doce uvas…

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

The life and career of Janis Joplin marks such a stark departure from the blues, rock, and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her.

In an age where even the motives of Gandhi and Mother Teresa are questioned by the cynical and they are at times vilified as “frauds,” one would be hard-pressed to find a rational argument against the untouchable character of Mister Rogers. When one does happen upon such an abnormality, the public is quick to defend the gentle soul. “It takes a special kind of scum to hate Mister Rogers,” reads the top comment on the aforementioned video, posted by user Sergei Ivanovich Mosin. The video has been picked apart by multiple journalists from the likes of Huffington Post.

It is common for a culture to create intricate mythologies around its combat arts champions, but those fighters who have produced enough accomplishments to merit such adulation are limited to a few in each generation. In the second half of the 20th century, boxer Muhammad Ali commanded such reverence, and in the martial arts, two stars have primarily reestablished the combat genre for the international movie-going population. In terms of raw popularity, Chuck Norris represents the West.

There may be no director in American film history who was better able to combine commercial appeal with art-house style than Stanley Kubrick. As his career progressed, his films grew increasingly challenging, with slow, methodical plots that made for running times that spanned upwards of three hours. No matter how much Kubrick may have broken away from the standard 90-minute Hollywood fare and threatened to alienate his audience, there is no denying the special place his films hold in pop culture.

Near the end of the 20th century, the American Film Institute ranked the greatest actors and actresses who worked during the Golden Era of Hollywood and the first half of the 1900s, and Sidney Poitier was ranked 22nd among the men. Given the company he was surrounded by, such a distinction could be considered honor enough, but Poitier also happened to be the only minority on the list, an accomplishment made all the more incredible given the systematic discrimination he faced within the industry and the land where he grew up.

If Billie Holiday wanted to become a jazz singer, she chose the best of all eras in which to attempt it. A wave of great jazz and jazz/pop crossover artists swept over the United States from the 1920s through the 1950s, generating a golden age for the genre. Emerging from such a powerful group of talented vocalists was not easy. The woman who has come to represent a model of great, instinctive jazz singing came from nowhere, had nothing, and virtually had no one. She was raw and untrained, but went forward with limited and quirky vocal gifts.

It goes without saying that the most enduring image of Gloria Swanson is the famous shot of her in Sunset Boulevard (1950), head tilted backward, stating, "Alright, Mr. DeMille, I'm ready for my close up." Indeed, for many, the very mention of "Gloria Swanson" conjures the name of "Norma Desmond," her character in Sunset Boulevard, directed by Billy Wilder.

Everything about Rudolph Valentino, from his body to the characters he played, was exotic. His career may have been abbreviated by his premature death at the age of 31, but Valentino popularized the (somewhat racist) stereotype of the "Latin lover" in Hollywood, and even his name was markedly more out of the ordinary than those of other actors.

Hollywood's biggest star at the box office in 1938 was French actress Claudette Colbert, who had already won an Oscar for Best Actress in It Happened One Night (1934) and used her Broadway experience from the previous decade to become perhaps the industry's most famous screwball comedienne. The fact that Colbert had gotten that far was impressive, given that Hollywood loved to cast foreign actresses in stereotypical roles....

Sprightly swing music spills across the dimly lit club. The grayish curtains of cigarette smoke part every once in a while to reveal a sparkling stage and tables upon tables of patrons, some incurably inebriated and others high on the fast-paced nightlife. Fabulous flappers in shimmery cocktail dresses and stylish feather headbands throw their hands up and stomp their feet to the addictive beat on the dance floor. Smartly dressed men, their hair neatly parted and slicked back, toss fistfuls of dice onto the plush green baize of the craps tables.

Few figures in Hollywood's history have been as acclaimed and controversial as director Roman Polanski, whose legendary films would stand out if not for the fact that they're often eclipsed by the turbulent life he's led. The son of Polish parents, Polanski survived World War II despite having both parents transferred to concentration camps during the Holocaust, but his mother was killed at Auschwitz. Despite the terrible ordeal and the loss of his mother, Polanski would grow up to become one of Europe's best directors.

At the height of Hollywood's golden age; of the 1940s through the early 60s, many of the industry's brightest stars could boast of unique stories describing how they were discovered. Their distinctiveness as on-screen personalities was an important part of that stardom, but one unlikely actor, a mismatch of contrasts, dialects, looks, and personal behavior, was to become an icon of the age, revered and disdained, but in the end, fondly remembered by the movie industry and fan base.

When the American Film Institute ranked its top 50 screen legends of the 20th century, only one team of performers earned a collective spot: the Marx Brothers. Famous throughout the country for nearly half a century, several of the Marx Brothers performed together for over 40 years, and their nicknames - Groucho, Harpo, Chico, Gummo and Zeppo - are all well known today, especially Groucho.