Resultados para "Charles Dickens" en Viajes y turismo

Dickens invites listeners on a vivid journey through 19th-century Italy, offering a series of lively and insightful snapshots of the country’s landscapes, cities, and people. Written during his travels, this travelogue captures not just the beauty and history of Italy, but also its complexities, contradictions, and the vibrant life that pulses through its streets.

Tutta un altra Italia. Dimenticate le agiografie e le spettacolari descrizioni delle opere d arte...

A series of personal and reflective journeys through the streets of Victorian England, The Uncommercial Traveller explores the hidden corners of cities, the forgotten lives of ordinary people, and the quirks of everyday life. Written as a collection of loosely connected essays and travel pieces, it captures the essence of Dickens’ keen observational skills, as he paints portraits of people and places often overlooked by society.

The Uncommercial Traveller is the persona of Dickens for this collection of semi-autobiographical sketches. A kind of Victorian blogger, he is funny and affecting by turns as he recounts what he sees and wonders at its meaning. Whether laying bare ‘a wilderness of dirt, rags, and hunger’ or musing on the ‘moodiness’ of tom-cats; recounting Mr Indignation Cocker’s sherry bill or simply taking us by the hand as he goes about his ‘no-business’ in London and further afield, he brings the warmth, compassion and fleet-footed wit that infuse his novels.

Dickens scrisse questo diario di viaggio nel 1846, ispirandosi alle sue lettere scritte agli amici nel 1844-1845 nel viaggio che fece in Italia con la moglie, la sorella, i cinque figli con relative tate. Agli occhi di un inglese benestante e ricco di sensibilità e di immaginazione l'Italia fece un'impressione straordinaria. Da una parte le bellezze naturali e le opere d'arte, dall'altra la miseria, la rovina, e la sporcizia in cui era ridotto il paese dopo le ripetute invasioni e spoliazioni.

Many people dream of being a fly on the wall or, even better, a companion and friend to the great artists of the day. We cannot offer you quite that, but we can take you on a walk through parts of London that will give you a real sense and feel of the world of Dickens and its impact upon himself, his characters and his stories. Your tour guide is Emma Parker, and the book extracts are read by Richard Mitchley.

Pictures from Italy is a travelogue by Charles Dickens, written in 1846. The book reveals the concerns of its author as he presents, according to Kate Flint, the country "like a chaotic magic-lantern show, fascinated both by the spectacle it offers, and by himself as spectator".

1842 brach der junge und schon gefeierte Autor Charles Dickens zu einer Lesereise nach Amerika und Kanada auf - von Boston bis St. Louis, von Richmond bis Quebec, mit Bahn oder Schiff. Zunächst stellte er sich ein Amerika vor, in dem eine tolerante und demokratische Zukunftsgesellschaft entstehen würde, ohne den Dünkel der englischen Aristokratie. Umso enttäuschter war er über den amerikanischen Kapitalismus und vor allem über die Sklaverei. Seine Kritik an Land und Leuten formulierte er unmittelbar und nicht ohne Ironie in seinen "Aufzeichnungen aus Amerika", gelesen von Christian Brückner.

In 1843 the material that Dickins had gathered on his trip to America was published with the title American Notes [also produced by Assembled Stories]. The book was viewed with disdain from both sides of the Atlantic and in some quarters, strong disapproval, his criticism having done little for Anglo-American relations.

In 1842, Charles Dickens visited America. His reception was somewhat colder than that which usually greeted him - already a successful author in both Britain and the United States. This lack of enthusiasm from the Americans was partly due to his criticism of the pirating of English books in that country and partly due to his outspoken distaste for the custom of slavery in the southern states.

Even if the act of travel has been transformed beyond recognition in a mere decade or two, how much has actually changed in our favorite destinations in the past two hundred years? Listeners are invited to compare their impressions with those of veteran travelers and literary legends: Charles Dickens on Rome; Mark Twain on Paris and Versailles; and Washington Irving on Stratford On Avon. Added to this mix is elegiac verse by Robert and Elizabeth Barrett Browning and Christina Rossetti.