Resultados para "Dark" en América

In July 1995, San Jose Mercury-News reporter Gary Webb found the Big One - the blockbuster story every journalist secretly dreams about - without even looking for it. A simple phone call concerning an unexceptional pending drug trial turned into a massive conspiracy involving the Nicaraguan Contra rebels, L.A. and Bay Area crack cocaine dealers, and the Central Intelligence Agency.

In 1820 the slave ship Antelope was captured off the Florida coast. Though the slave trade was prohibited, slavery was still legal in half of the United States, and it was left to the Supreme Court to determine whether the nearly 300 Africans onboard were considered slaves - and if so, to whom they belonged.

Founded in 1924, the Music Corporation of America got its start booking acts into speakeasies run by such notorious Chicago mobsters as Al Capone. How then, in only a few decades, did MCA become the driving force behind music publishing, radio, recording artists, Hollywood, and the burgeoning television industry? Enter Ronald Reagan.

For nearly a century, Kellogg, Idaho, was home to America's richest silver mine, Sunshine Mine. Mining there, as everywhere, was not an easy life, but regardless of the risk, there was something about being underground, the lure of hitting a deep vein of silver. The promise of good money and the intense bonds of friendship brought men back year after year. Mining is about being a man and a fighter in a job where tomorrow always brings the hope of a big score.

Three-time Pulitzer Prize–winning writer Mike McIntire delivers the definitive story of the forces that shape gun culture and the American way of violence. Not too long ago, you could still envision a future for America not marked by gun idolatry, blood-stained classrooms, and empty offers of...

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldúa weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues—including the September 11 attacks, neocolonial practices in the art world, and coalitional politics.

What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.

On September 17, 1787, at the State House in Philadelphia, 39 men from 12 states, after months of often bitter debate, signed America's Constitution. Yet very few of the delegates, at the start, had had any intention of creating a nation that would last. Most were driven more by pragmatic, regional interests than by idealistic vision. Lawrence Goldstone chronicles the forging of the Constitution through the prism of the crucial compromises made by men consumed with the needs of the slave economy. 

When unimaginable calamities strike, Mercy Carver, a poor London woman, wonders what she has done to deserve such immeasurable suffering. It is only when she faces imminent death in the snow and ice-encrusted Virginia wilderness that she finally understands the power of destiny. Mercy is passionate. She loves and hates in equal measure. Can love and hatred give her the strength she needs now to reach a Northern state and free a runaway slave wanted for murders she committed?

He was the seventeenth son of a slave wife. By fifty-four, he had killed three thousand Americans on a clear blue Tuesday morning and changed the trajectory of the twenty-first century. You think you know the story of Osama bin Laden. The cave. The fatwa. The towers. The SEAL raid. You don't.

When ships under the command of white Europeans first sailed into the Delaware Bay in 1609, southeastern Pennsylvania's documented history of the strange and unusual began. This book tackles seven true "dark histories" from Chester and Delaware counties, which include tales of murder, witchcraft, cannibalism, tragic accidents, and macabre events that actually happened in the Greater Philadelphia region. All stories are meticulously researched and placed within the greater context of Pennsylvania and world history.

Early snowstorms caused the Donner Party to become stranded and lost in the mountains in the winter of 1846. This was the beginning of what would come to be the reason for the Donner Party to earn themselves a spot in the history books, murder, and Cannibalism.

On May 28, 1914, the RMS Empress of Ireland began her 192nd trip across the Atlantic from Quebec City, Canada, en route to Liverpool, England, carrying 1,056 passengers and a crew of 423. In the early hours of May 29, fog descended on the St. Lawrence River, and the ocean liner was rammed by the Storstad, a Norwegian coal ship. In the fourteen minutes it took for the Empress of Ireland to sink, there was time to launch only four of the forty lifeboats, and rather than women and children first, it was everyone for themselves.

 When Jefferson acquired the Louisiana Territory, he envisioned an "empire for liberty" populated by self-sufficient white farmers. Cleared of Native Americans and the remnants of European empires by Andrew Jackson, the Mississippi Valley was transformed instead into a booming capitalist economy commanded by wealthy planters, powered by steam engines, and dependent on the coerced labor of slaves.  

This vibrant portrait of 1930s culture masterfully explores the anxiety and hope, the despair and surprising optimism of distressed Americans during the Great Depression.

Morris Dickstein, whom Norman Mailer called “one of our best and most distinguished critics of American literature,” has brought together a staggering range of material, from epic Dust Bowl migrations to zany screwball comedies, elegant dance musicals, wildly popular swing bands, and streamlined art deco designs.

The legend was forged in the fires of World War II, when special units of elite navy frogmen were entrusted with dangerous covert missions. These Underwater Demolition Teams, as they were then called, soon became known for their toughness, fearlessness, and their remarkable ability to get the job - any job - done. Years later, the renamed US Navy SEALs (for Sea, Air, and Land) continued to be a wartime force to be reckoned with throughout the remainder of the 20th century and into the 21st.

Legendary treasures. Mythical robberies. Lost riches. Buried plunder and fabulous wealth. Hidden dangers. Ancient curses and deathbed jinxes. Captivating tales of lost fortunes, hidden caches, the eternal allure of wealth, and the heartbreak of mysterious curses!

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain.

Since as early as the 1700s, New Orleans has been a city filled with sin and vice. Those first pioneering citizens of the Big Easy were thieves, vagabonds, and criminals of all kinds. By the time Louisiana fell under American control, New Orleans had become a city of debauchery and corruption camouflaged by decadence. Tales in this volume include that of the notorious axman who plagued the streets of the Crescent City in the early 1900s and Kate Townsend, a prostitute who was murdered by her own lover, a man who later was awarded her inheritance. 

Many Americans, argues Michael C. C. Adams, tend to think of the Civil War as more glorious, less awful, than the reality. In Living Hell, Adams tries a different tack, clustering the voices of myriad actual participants on the firing line or in the hospital ward to create a virtual historical reenactment. Neither film nor reenactment can fully capture the hard truth of the four-year conflict. Living Hell presents a stark portrait of the human costs of the Civil War and gives listeners a more accurate appreciation of its lasting consequences.