Resultados para "De ware" en Arte y literatura

Ruth Ware visits the Audible studio to talk about her latest thriller, The Lying Game. Both Ware’s debut thriller, In a Dark, Dark Wood, and the follow-up, The Woman in Cabin 10, were Sunday Times top 10 best sellers in the UK and New York Times top 10 best sellers in the US. Here she talks about writing female friendships; her protagonist, Isa; and her fascination with boarding schools.

Este es el relato de una reportera de guerra, Adriana Aristizábal, quien estuvo atrapada en la tormenta del conflicto y quien presenció a finales de los años noventa, el fuego cruzado entre guerrilleros de las Farc, paramilitares y las fuerzas armadas, época en la que se registró el punto más álgido del conflicto en Colombia.

In 1940, with the Nazis sweeping through France, Henri Matisse found himself at a personal and artistic crossroads. His marriage had ended, he was gravely ill, and after decades at the forefront of modern art, he was beset by doubt. As scores of famous figures escaped the country, Matisse took refuge in Nice, with his companion, Lydia. By defiantly remaining, Matisse was a source of inspiration for his nation.

War Is Not Just for Heroes rescues the incredible true stories of United States Marine Corps. Written by one marine, Claude R. "Red" Canup, a combat correspondent in the Pacific during World War II, these dispatches and private letters provide insight into the grind of war and ordinary men and women who carried out their duty. Thoughtfully edited and contextualized by a preface and prologue by his daughter, Linda M. Canup Keaton-Lima, War Is Not Just for Heroes combines documentary and biography to provide the human dimensions of those in combat and those who reported out.

A giant in American journalism in the vanguard of "The Greatest Generation" reveals his World War II experiences in this National Geographic book. More than 100 of Cronkite's letters from 1943-45 (plus a few earlier letters) survive. They reveal surprising and little-known facts about this storied public figure in the vanguard of "The Greatest Generation". They chronicle both a great love story and a great war story.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

Lara Marlowe first met Robert Fisk in 1983, in Damascus. He was already a famous war correspondent; she was a young American reporter who would soon become a renowned journalist in her own right. This is at once a portrait of a remarkable man by a woman who loved him, the story of a Middle East broken by its own divisions and outside powers and a moving account of a relationship in dark times.

"The real war will never get in the books," Walt Whitman wrote in this diary he kept during the Civil War. Whitman chronicled his visits to Washington, D.C. hospitals where he comforted wounded men and assisted nurses and doctors. This journal, written by one of America's greatest poets and writers, captures the details and ironies of war.

On the Frontlines of the Television War is the story of Yasutsune "Tony" Hirashiki's 10 years in Vietnam - beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls as the best of battle memoirs but it is primarily a story of very real and yet remarkable people: the soldiers, the reporters, and the photographers.

My Journey Through War and Peace: Explorations of a Young Filmmaker, Feminist and Spiritual Seeker is based on Melissa Burch's experiences as a war journalist for BBC, CBS, and other networks. Her team was one of the first documentary crews allowed in the Soviet Union at the height of the Cold War, and she was featured in a New York Times story about her time in Afghanistan. She was just in her 20s when she traveled with the moujahedeen, filmed an attack on a Soviet convoy, slept with an Afghan commander, and climbed 14,000-foot mountains in the Hindu Kush.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

In the late summer of 1942, more than 10,000 members of the First Marine Division held a tenuous toehold on the Pacific island of Guadalcanal. As American marines battled Japanese forces for control of the island, they were joined by war correspondent Richard Tregaskis. Only one of two civilian reporters to land and stay with the marines, Tregaskis’ notebook captured the daily and nightly terrors faced by American forces in one of World War II’s most legendary battles - and it served as the premise for his best-selling book Guadalcanal Diary.

In the novel Little Women, Mr. March goes off to war. But in real life, it was Jo March (Louisa May Alcott herself, an avowed abolitionist) who traveled to Washington to nurse Northern soldiers. This is Alcott’s memoir but she chose to use the pseudonym “Tribulation Periwinkle” to tell her story. Despite the subject matter, her account is full of amusing anecdotes as she makes her way alone from Concord, Massachusetts to DC, trying to finagle a free ticket and convinced she will drown during the journey.

Nach ihrer Ermordung am 7. Oktober 2006 wird die Journalistin Anna Politkowskaja auf einen Schlag zur weltweiten Symbolfigur für den Kampf um Gerechtigkeit und Meinungsfreiheit. Bis heute gilt sie als eine der wichtigsten Kritikerinnen von Putins Russland. In diesem Buch erzählt ihre Tochter zusammen mit der Journalistin Sara Giudice erstmals die Geschichte ihrer Mutter: persönlich, bewegend und erschreckend aktuell.

Should we still read William Faulkner in this new century? What can his works tell us about the legacy of slavery and the Civil War, that central quarrel in our nation's history? These are the provocative questions that Michael Gorra asks in this historic portrait of the novelist and his world.

Following the Front is a compilation of WWII dispatches written by Sidney A. Olson for TIME and LIFE magazines, 1944-1945. Olson, who joined Time Inc. in 1939 and served as a senior editor there, asked to be assigned overseas as a war correspondent. In mid-December, 1944, he received his accreditation from the War Department and sailed for London. Attached to the European Theater of Operations (ETO), Olson followed the Allied Forces as they pushed the Nazis back into Germany. He typed up his reports and cabled them to his editors in New York.

CBS News correspondent Kimberly Dozier battled back from critical injuries sustained in a Baghdad bombing, a prominent incident that claimed the lives of her two crew members, an Army officer, and his interpreter. In Breathing the Fire, Dozier offers a personal memoir of tenacity as well as dedication and drama.

With Muse of Fire, Michael Korda, the bestselling author of Alone and Hero, takes a novel approach to World War I by telling its history through the lives of the soldier-poets whose verses memorialize the war's unimaginable horrors. He begins with Rupert Brooke and the halcyon days before violence engulfed his generation—destroying the self-contented world of Edwardian England—and ends with the tragic death of Wilfred Owen, killed only days before the armistice brought an end to a war that took over 25,000,000 lives.

Marguerite Higgins was both the scourge and envy of the journalistic world. A longtime reporter for the New York Herald Tribune, she first catapulted to fame with her dramatic account of the liberation of Dachau at the end of World War II. Brash, beautiful, ruthlessly competitive, and sexually adventurous, she forced her way to the front despite being told the combat zone was no place for a woman. While the Herald Tribune exploited her feminine appeal—it was Maggie's dogged determination, talent for breaking news, and unwavering ambition that brought her success from one war zone to another.

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?