Resultados para "Filmer" en Historia

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

The Missing JFK Assassination Film is not the typical JFK assassination book. This book does not attempt to answer the question of who killed John F. Kennedy; instead it addresses why we should question the actions of those involved and why the truth was withheld from the people. Though copies of Orville Nix's film exist, the original film is missing. Why? The FBI confiscated Orville's camera for several months, then returned it in pieces. Were these actions sinister, or were they just examples of governmental incompetence?

In 1939 Rev. Waitstill Sharp, a young Unitarian minister, and his wife, Martha, a social worker, accepted a mission from the American Unitarian Association: They were to leave their home and young children in Wellesley, Massachusetts, and travel to Prague, Czechoslovakia, to help address the mounting refugee crisis. Armed with only $40,000, the Sharps quickly learned the art of spy craft and covertly sheltered political dissidents and Jews and helped them escape the Nazis.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith's profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.

Boris Morros was a major figure in the 1930s and 1940s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his own films with Laurel and Hardy, Fred Astaire, Henry Fonda, and others. But as J. Edgar Hoover would discover, these successes were a cover for one of the most incredible espionage tales in the history of the Cold War-Boris Morros also worked for Russian intelligence. Morros's assignments took him to the White House, the Vatican, and deep behind the Iron Curtain.

FNH Audio presents a complete and unabridged audiobook covering the war-time activities of the British Empire's official military Cinematographer. Follow him as he sets out from Britain, crosses the channel and enters the domain of trench warfare, chemical weapons, explosive shells and constant danger. Lieutenant Geoffrey Malins became famous for his films taken during actual attacks on the Somme. This book narrates how he took those films.

Sir Charles Spencer Chaplin (April 16, 1889 to December 25, 1977), born in London, was an English actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977.

The following is the audio track for Don't Be a Sucker, a 1943 anti-fascism propaganda film financed and produced by the United States Army Signal Corps, and shot at the Warners studio. The film stars Paul Lukas, Felix Bressart, Bob Bailey, Kurt Kreuger, and narrated by Lloyd Nolan. It follows a young American Freemason taken in by the message of a soap-box orator who asserts that all good jobs in the country are being taken by minorities, domestic and foreign.

Oberst a. D. Hajo Herrmann gilt heute als einer der herausragenden Zeitzeugen in Fragen des Luftkrieges. Denn der Jagd- und Kampfflieger berichtet über die Ereignisse vor und während des Zweiten Weltkrieges aus eigenem unmittelbaren Erleben in exponierten Stellungen: Als Angehöriger der "Legion Condor" im Spanischen Bürgerkrieg, als Spezialist für die Bekämpfung gegnerischer Schiffe im Mittelmeer, als Divisionskommandeur in der Reichsvertei-digung und als Schöpfer des großräumigen Jagdverfahrens "Wilde Sau".

Am 4. Februar 1938 wurde der spätere Generalfeldmarschall Wilhelm Keitel zum Chef des neugeschaffenen Oberkommandos der Wehrmacht ernannt. In dieser Funktion war er Adolf Hitler unmittelbar unterstellt. Keitel zählte zweifellos zu den engsten militärischen Mitarbeitern Hitlers, doch ein Generalstabschef der Wehrmacht mit weitreichenden Befehlsbefugnissen über die Armeen, wie es die Anklage im Nürnberger Hauptkriegsverbrecherprozess behauptete, war er zu keiner Zeit.

Als die Alliierten im Herbst 1917 mit Hunderten von Panzern die deutsche Front durchbrachen, war der Erste Weltkrieg entschieden. Aufbauend auf diesen Erfahrungen entwickelte das Dritte Reich die modernste Panzerwaffe der Welt, ohne die die Blitzkriege der ersten Kriegsphase nicht möglich gewesen wären.

Kaum hatten sich die ersten Flugzeuge in den Himmel erhoben, da bemächtigte sich das Militär der neuen Erfindung. Bereits im Ersten Weltkrieg wurden Fliegerasse wie Manfred von Richthofen oder Ernst Udet zu gefeierten Helden. Durch die Auflagen von Versailles praktisch aufgelöst, entwickelte sich die deutsche Luftwaffe zunächst im Geheimen weiter. Nach der Bewährungsprobe im Spanischen Bürgerkrieg baute Hitler sie mit Nachdruck zu einer schlagkräftigen Militärmaschinerie aus. Die Blitzsiege der ersten Kriegsjahre wären ohne die Luftwaffe nicht möglich gewesen.

“A marvelous bombshell of a book, by one of our most formidably knowledgeable and insightful writers on film, it is filled with surprises and witty asides. Though Thomson is quick to pounce on the hypocrisies and historical omissions of some of these war movies, there is nothing compromised...

For generations, members of the LGBTQ+ community in Hollywood needed to be discreet about their lives but—make no mistake—they were everywhere, both in front of and behind the camera. On the eve of the twentieth century, in Thomas Edison’s laboratory, one of the earliest attempts at a...

Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now....

In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the dooror had it shut in their faces.

In this revised and expanded edition of his essential volume Dark City Dames, Eddie Muller—Turner Classic Movies host and author of Dark Cityand Noir Bar—offers a uniquely intimate look at the women who defined film noir, now featuring updated text and 10 new star profiles. Film noir was the...