Resultados para "H P Lovecraft" en Antologías y relatos breves

"Dagon." Howard Phillips Lovecraft (1890-1937) is a novelist famous for his horror stories, fantasy and science fiction. Although he was not famous during his lifetime, his work is now considered a classic of literature. Lovecraft's work has influenced many authors, including Stephen King, who considers him "the greatest craftsman of the classic horror story of the 20th century."

H. P. Lovecraft gilt als Begründer des modernen kosmischen Horrors – ein Erzähler, der das Grauen nicht im Sichtbaren, sondern im Unbegreiflichen verortet. Seine Geschichten öffnen den Blick auf eine Wirklichkeit jenseits menschlicher Vorstellungskraft, in der uralte Mächte, vergessene Zivilisationen und verbotene Erkenntnisse lauern. Diese Hörbuch-Edition vereint zentrale Erzählungen seines Werkes und führt in die düstere, faszinierende Welt des sogenannten „Cthulhu-Mythos".

The Doom That Came to Sarnath (1920) is a fantasy short story by American writer H. P. Lovecraft. It is written in a mythic/fantasy style and is associated with his Dream Cycle. It was first published in The Scot, a Scottish amateur fiction magazine, in June 1920.

A lo largo de sus viajes, Iranon se encuentra con diferentes personas y lugares, pero nunca logra encontrar la ciudad que tanto anhela. A medida que pasa el tiempo, Iranon comienza a darse cuenta de la futilidad de su búsqueda y la naturaleza efímera de la belleza y la juventud.

H.P. Lovecraft’s short story Beyond the Wall of Sleep was first published in 1919 and reprinted in Weird Tales in 1938. The tale is about an intern in a mental hospital recounting his experiences with Joe Slater, an inmate who died at the facility after being incarcerated as a criminally insane murderer. During his confinement, Slater had a series of violent seizures in which his rants and ravings revealed strange other-worldly visions.

In this atmospheric horror story, the city of the title is the ruin of a primordial site in the Arabian desert, thought to be more ancient than the first human civilization. In its heyday, the city flourished on the edge of the ocean. The inhabitants were a species of reptile looking like a hybrid of crocodile and seal, but with horns and protruding foreheads. They moved by crawling, so the remaining buildings have low ceilings.

This is the tale of a 228 year old man, born in 1690, telling about his interactions with Dr. Samuel Johnson. A large part focuses on their belonging to a literary club and the other men who also participated in the club. It is a simple observance of social interactions, as put forth by a very old man and his dated voice.

In this story by H.P. Lovecraft, the line between man and beast is blurred. The Beast in the Cave follows the story of a man who gets separated from his group of tourists. They’ve all come to see the mammoth cave, but the man fears that it might be the last wonder he sees as he continues to wander further from his group. Eventually, his torch runs out of fuel and he is left with no other choice but to fend off approaching inhuman footsteps with the toss of a rock.

Revenge, death, and destruction abound in this early short story by H.P. Lovecraft. The story follows Antoine, a count who is last in line to die at the age of 32 due to a curse put on his family hundreds of years prior. His ancestor, being responsible for the death, brought about the curse, and Antoine was left to watch all his family, including his manservant, die an early death. But when his time comes and he is exploring the castle in wait, he manages to successfully end the curse by deflecting the fatal blow of Charles - the son of the man who was killed so many years ago.

During a time of political and social unrest in Egypt, a god-like force, Nyarlathotep, emerges. He travels the land dazzling people with electricity and psychology. While witnesses of this god-like creature encourage others to see him, afterwards, people seem terrified. As the narrator recounts his experiences, he becomes disoriented. By the end of the story, the narrator and the other viewers of Nyarlathotep begin to lose touch with reality.

A man touring Mammoth Cave separates from his guide and becomes lost. His torch expires and he is giving up hope of finding a way out in the pitch dark, when he hears strange non-human footsteps approaching him. Thinking it to be a lost mountain lion or other such beast, he picks up a stone and throws it toward the source of the sound. The beast is hit and crumples to the floor. The guide finds the protagonist back, and together they examine the fallen creature with the guide's torchlight.

"The Complete Works of H.P. Lovecraft contains all the original stories which Lovecraft wrote as an adult. It begins in 1917 with "The Tomb" and ends in 1935 with his last original work "The Haunter of the Dark." The book is ordered chronologically by the date the story was written.

The Complete Works of H.P. Lovecraft contains all the original stories which Lovecraft wrote as an adult. It begins in 1917 with "The Tomb" and ends in 1935 with his last original work, "The Haunter of the Dark." The book is ordered chronologically by the date the story was written.

Celephaïs is a fantasy story by American horror fiction writer H. P. Lovecraft, written in early November 1920 and first published in the May 1922 issue of the Rainbow. The title refers to a fictional city that later appears in Lovecraft's Dream Cycle, including his novella The Dream-Quest of Unknown Kadath (1926). Celephaïs was created in a dream by Kuranes (which is his name in dreams—his real name is not given) as a child of the English landed gentry. As a man in his forties, alone and dispossessed in contemporary London, he dreams it again and then, seeking it, slowly slips away to the dream-world.

The Strange High House in the Mist is a short story by H. P. Lovecraft. Written on November 9, 1926, it was first published in the October 1931 issue of Weird Tales. An H. P. Lovecraft Encyclopedia suggests that the story may have been inspired by Lord Dunsany's Chronicles of Rodriguez, in which strange sights can be seen from a wizard's house on a crag.

The Other Gods is a fantasy short story written by American author H. P. Lovecraft, on August 14, 1921. It was first published in the November 1933 issue of The Fantasy Fan. Barzai the Wise, a high priest and prophet greatly learned in the lore of the "gods of earth", or Great Ones, attempts to scale the mountain of Hatheg-Kla in order to look upon their faces, accompanied by his young disciple Atal.

The Doom that Came to Sarnath (1920) is a fantasy short story by American writer H. P. Lovecraft. It is written in a mythic/fantasy style and is associated with his Dream Cycle. It was first published in The Scot, a Scottish amateur fiction magazine, in June 1920. The Doom That Came to Sarnath and Other Stories is also the title for a collection of short stories by Lovecraft, first published in February 1971.

Parmi les nombreux textes que H. P. Lovecraft aura remaniés ou écrits pour autrui, cette longue nouvelle est de loin la plus importante. En 1929, alors qu’il est au faîte de sa créativité, sa jeune cliente Zealia Bishop, familière des grandes plaines arides de l’Oklahoma, lui commande un récit basé sur une vague légende indienne.

They're baaaaaaaaaaaaacckkkkk!!! Rocky Coast Radio Theatre returns with yet another copious cornucopia of classic concoctions, crafted and compiled for the captive congregation (gotta love that thesaurus!). Nightmares on Congress Street, Part V offers dramatized adaptations (complete with music and sound effects) of chilling stories penned by Edgar Allan Poe, Hugh B. Cave, and H. P. Lovecraft, as well as a few additional treats.

Relatos fantásticos de gatos y trenes es un intento por reivindicar a dos criaturas que por frecuentación o excesiva confianza solemos rebajar a simples arquetipos. Los gatos y los trenes ocupan un lugar privilegiado en este libro, y no justamente por asociaciones caprichosas sino por astucias mutuas, por sincronías, por merodeos cómplices en la noche. Los narradores clásicos incluidos evidencian un destino que pocos han logrado eludir: es imposible escribir un relato habitado por felinos o ferrocarriles sin que el misterio sea el verdadero protagonista.