Resultados para "Hell" en Arte y entretenimiento

Orsino Orsini, ilegítimo, deforme y con un solo ojo, cuya esposa fue seducida por el Papa Alejandro VI, construyó un 'parque de sexo y violencia' para así poder reflejar sobre este su odio (hacia el papa, su infiel esposa y un mundo que se rehúsa a aceptarlo). Mientras Haasse intenta...

First published in 1961, this is the autobiography of Harpo Marx, the silent comedian of The Marx Brothers fame. Always silent on the stage and screen, Harpo speaks for the first time and shares the story of his remarkable life with humor, intelligence, and love. A truly gifted musician, brilliant comic, and wonderful person, Harpo comes alive in Harpo Speaks.

Beer Drinkers and Hell Raisers is the first book to celebrate the classic-era Motörhead lineup of Lemmy Kilmister, "Fast" Eddie Clarke, and Phil "Philthy Animal" Taylor. Through interviews with all of the principal troublemakers, Martin Popoff celebrates the formation of the band and the records that made them legends.

In 1992, the Screaming Trees were expected to become the next big band to come out of the Seattle music scene during the heyday of grunge. Except it never happened. It wasn't because the band didn't have great songs—indeed, the Trees were revered for their ability to write a great song that was both artistically original and commercially viable, which is no easy task. Other Seattle bands like Nirvana, Pearl Jam, and Soundgarden were fans of the Screaming Trees, playing shows with them and collaborating on albums, long before their own bands broke through into the mainstream.

In a twist of fate, Slash and Pecos are riding hard for the law, dispensing justice as they see fit, and determined to watch their final sunset as heroes... not outlaws. His wicked ways mostly behind him, reformed bank robber Jimmy “Slash” Braddock is getting hitched to his sweetheart. But before the honeymoon, Chief U.S. Marshal Luther T. “Bleed-’Em-So” Bledsoe needs Slash and his former partner-in-crime, Melvin “The Pecos River Kid” Baker, to play unofficial Federal mercenaries again—this time saddling up for a trip to Nebraska.

The former Perrier Newcomer Nominee, Time Out Award Winner, and Comedy Store Regular, who has had six series on Radio 4, performs live Downstairs at the Kings Head. He uses words like conkers, cooking them in the vinegar of his mind, then bringing them down on the heads of his audience without warning.

As one of the founding members of the seminal punk band Angry Samoans, Gregg Turner has seen his fair share of weird shit. From his time at Creem Magazine in the 1970s and '80s to the formation of the Angry Samoans in Los Angeles, and all the travels, trials, and tribulations that occurred after, Turner takes us through a wild ride of stories he's heard, stories he's lived, and some he may or may not have made up.

When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster....

Packed with interviews from director John Carpenter, screenwriter Bill Phillips, producer Richard Kobritz, stars Keith Gordon and Alexandra Paul, plus various members of the cast and crew including co-composer Alan Howarth and SFX artist Roy Arbogast, Hell Hath No Fury: The Making of Christine is a definitive look at the 1983 cinematic adaptation of Stephen King’s terrifying novel about the eponymous demonic Plymouth Fury and the obsessive teenage boy who loves her.

In his song "You Can't Stop Rock and Roll" Ozzy Osbourne sings, "Rock and roll is my religion and my law". And that's why Raising Hell is a must-have for anyone who wants to hear about the iconoclastic culture of headbangers and the wild lives they lead. The book contains the crazy, funny, and sometimes horrifying anecdotes musicians have told about a lifestyle both invigorating and at times self-destructive.

From exclusive interviews with director Ken Russell and new interviews with cast, crew, and historians, comes this examination of the beautifully blasphemous film The Devils. Based on historical fact, this controversial 1971 film is about an oversexed priest and a group of sexually repressed nuns in 17th-century France and the ensuing trials and exorcisms that followed. Detailing the production and the personalities of two of cinema’s great eccentrics, director Ken Russell and star Oliver Reed, Crouse delves deeper to explore the aftermath of the film.

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson elevated its importance.

Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes "disaster sound like the best fun in the world."

As a mother, life often feels like it is passing by in a blur. You take countless pictures trying to freeze time and capture the memories, but in looking back find you barely even remember experiencing the moments. But what if there were a way to preserve your family's story while also becoming fully present within it? Combining the science of memory preservation with photography principles, professional photographer Joy Prouty shows you how to exit survival mode and enter the present moment through the photos you're already taking.

Stand-up comedy album

This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness.

Like a killer returning to the scene of the crime, Elvis came back home to Memphis, where it had all begun. Eschewing the fancier studios of Nashville and Hollywood, he set up shop at the ramshackle American Sound Studio, run by a maverick named Chips Moman with an in-house backing band now known as "The Memphis Boys,"" and made the music of his life. The resulting work, From Elvis in Memphis, would be the finest studio album of his career, an explosion of mature confidence and fiery inspiration.

Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing - Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others - and their stories form a modern epic of the battles between innocence and cynicism, joy and terror. You'll never hear that beautiful music in quite the same way.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

The Merchant of Venom traces Don Rickles's career from his rise in the 1950s to a late-in-life resurgence thanks to the Toy Story franchise, his role in Martin Scorsese's Casino, and scores of TV appearances from Carson to Seth Meyers. In the intervening decades, Rickles conquered every medium he worked in, including film, television, and on stage. He was idolized by a generation of younger comedians including Jerry Seinfeld, Chris Rock, and Jay Leno, and performed in the shadow of a shocking open secret: he was the nicest man in town.