Resultados para "Henry Miller" en Literatura de género

En 2008, Marcus Goldman, un joven escritor, visita a su mentor -Harry Quebert, autor de una aclamada novela- y descubre que éste tuvo una relación secreta con Nola Kellergan. Poco después, Harry es arrestado y acusado de asesinato al encontrarse el cadáver de Nola enterrado en su jardín.

The innocent and insolent Daisy confronts the traditions of old Europe and confounds all of the people (especially the men) who surround her. All throughout the story, there are classic Jamesian views on the differences between English and American societies.

"Daisy Miller", scritto nel 1878, è considerato uno dei capolavori dello scrittore americano Henry James. Ritratto intenso di una giovane americana che, nella buona società europea (la trama si dipana dalla Svizzera alla stupenda e decadente Roma dei papi), viene giudicata troppo libera (se ne va a passeggio per Roma dopo il tramonto, sola con un giovanotto che non è nemmeno il suo fidanzato...) e quindi imperdonabilmente poco seria, e messa al bando; solo dopo la sua morte improvvisa sapremo, insieme al protagonista narratore, che Daisy era assolutamente innocente, non una civetta o peggio, ma semplicemente una ragazza libera, indipendente, spontanea e disinteressata, amante del passeggiare e vagabondare, oppressa dai lacci delle convenzioni sociali che imprigionavano le donne.

Daisy Miller is a young American girl travelling Europe with her mother and younger brother. While in Vevey, Switzerland, she becomes acquainted with Frederick Winterbourne, an idle expatriate, of well-to-do Americans. Winterbourne, who observes and critiques young Daisy through their brief acquaintanceship, is infatuated with her irreverent behavior. Daisy flaunts society's rules and uncompromising standards; she is charming, spontaneous, and unpretentious, and her audacity shocks the Europeans, who consider her an uncultivated flirt. The sophisticated Winterbourne remains smitten with Daisy, but his classical values stand in his way.

Daisy Miller is a beautiful and flirtatious rich young American visiting a Swiss spa. There she meets upper class expatriate American, Frederick Winterbourne, who is warned about her reckless ways with men by his aunt. Their relationship and Daisy's with the Italian lawyer Mr. Giovanelli leads to a climactic scene in the Coliseum in Rome, followed by tragedy and regret.

American expatriate Frederick Winterbourne has long resided in Switzerland, where society follows strict rules for proper behavior. When Daisy Miller of Schenectady, New York arrives in Vevey, however, Winterbourne soon finds that he must reckon with his own assumptions about what makes someone "proper" and "good."

From the shining towers of Silvermoon to the sulfurous Blackrock Mountain to the white stone castles of Stormwind, the Eastern Kingdoms are vast and full of wonder. Every corner of the majestic isle contains countless stories, treasures, and more than a few secrets that some would prefer stay buried.

Daisy Miller is a beautiful American girl abroad. Assured, flirtatious, and at odds with reserved European etiquette, she meets two men: Mr. Winterbourne, a world-weary compatriot in full pursuit, and Mr. Giovanelli, a passionate Italian with questionable motives. Unmindful of the scandals she incites and of the risks to her reputation, Daisy believes that she is also impervious to fate.

Scritto nel 1953, "Plexus" è la seconda parte del trittico "La Crocifissione rosea", un'opera scritta da Miller negli anni che vanno dal 1949 al 1960. In questa opera autobiografica Miller racconta gli anni del suo soggiorno newyorkese e del suo incontro con la sua seconda futura moglie (nel romanzo tratteggiata con il nome di Mona). Tema costante nell'audiolibro è la vocazione artistica del giovane scrittore, che da Mona viene incoraggiato con forza a scrivere, inducendolo a rifiutare ogni impiego fisso.

"Nur eins interessiert mich wesentlich, nämlich alles das aufzuzeichnen, was in Büchern weggelassen wird." Dieser Satz von Henry Miller bringt auf den Punkt, wofür sein Roman Wendekreis des Krebses steht: die tabulose Dokumentation menschlicher Sexualität. Autobiografisch angelegt, beschreibt der amerikanische Schriftsteller, wie er in den 1930er-Jahren in Paris lebte: mittellos, freizügig, glücklich.

Published in 1878, portrays the courtship of the beautiful American girl Daisy Miller by Frederick Winterbourne. Winterbourne's pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates they meet in Switzerland and Italy. The the novel coments on the contrast between American and European society that is common to James's work.

Henry James' signature theme - the American abroad - centers here on a chatterbox, provincial (not to say ignorant) daughter of a wealthy Schenectady industrialist, as she travels through Europe with her doting, vapid mother and rambunctious young brother. She meets up with one Mr. Winterbourne, another ex-patriate, with whom she flirts before coming to a sad end.

""American literature today begins and ends with the meaning of what Miller has done."" — Lawrence Durrell ""There is nothing like Miller when he gets rolling. . . . One has to take the language back to Marlowe and Shakespeare before encountering a wealth of imagery equal in intensity."" —...

"Stille Tage in Clichy" schildert das Paris der dreißiger Jahre und beschwört eine Atmosphäre unbekümmerter, überschäumender Lebenslust. Miller beschreibt die prickelnde, melancholische Atmosphäre vom Montmartre, den verführerischen Zauber der Boulevards und Plätze, den Sog der kleinen Bars, das Halbdunkel der Seitengassen, den Charme der schäbigen Hotels und Absteigequartiere - jenes Paris, wo der Ich-Erzähler Joey und sein Freund Carl sich ungezwungen den Frauen nähern und trotz bitterer Armut jede Sekunde ihres Lebens genießen.

Now hailed as an American classic, Tropic of Cancer, Henry Miller's masterpiece, was banned as obscene in this country for 27 years after its first publication in Paris in 1943. Only a historic court ruling that changed American censorship standards, ushering in a new era of freedom and frankness in modern literature, permitted the publication of this first volume of Miller's famed mixture of memoir and fiction.