Resultados para "Historia de Mujeres" en Militar

Conmovedor y poderoso, este es un vívido retrato de las mujeres que se unieron para formar una orquesta única y sobrevivir a los horrores de Auschwitz. En 1943, los oficiales de la SS alemana a cargo del campo de concentración Auschwitz-Birkenau ordenaron la formación de una orquesta entre...

Tras la invasión de Holanda, los Frank, comerciantes judíos alemanes emigrados a Amsterdam en 1933, se ocultaron de la Gestapo en una buhardilla anexa al edificio donde el padre de Ana tenía sus oficinas. Eran ocho personas y permanecieron recluidas desde junio de 1942 hasta agosto de 1944, fecha en que fueron detenidos y enviados a campos de concentración. En ese lugar y en las más precarias condiciones, Ana, a sus trece años, escribió su estremecedor Diario.

Décimo y último episodio de la serie documental Mujeres en pie de guerra. Maria Mikhailovna Shabrova, Klavdia Alekseevna, Uskova, Claudia Nikolaevna Shavina … mujeres relevantes para la historia soviética. Un episodio con testimonios reales y que cierra un podcast donde el...

"Considerad si esta es una mujer | quien no tiene cabellos ni nombre | ni fuerzas para recordarlo | vacía la mirada y frío el regazo | como una rana en invierno". Con estos descarnados versos Primo Levi, en el célebre comienzo de Si esto es un hombre, se dirige a los lectores evocando la imagen de una mujer despojada de su identidad, expoliada de su propio cuerpo, de su regazo en cuanto lugar donde se origina la relación con el otro.

Carmen empaca el último de sus abrigos mientras su esposo, Manuel, se acomoda indiferente la corbata frente al espejo. En Veracruz la espera el barco que los llevará hacia Europa en un último intento de darle color a una vida y un matrimonio insatisfactorios. Es 1914 y Carmen arde en deseos...

Primer episodio de la serie documental Mujeres en pie de guerra. Todos conocemos el famoso cartel de We can do it, pero ¿sabemos realmente quién es su verdadera protagonista? Arrancamos el podcast de Mujeres en pie de guerra con la historia de Rosie, la remachadora...

Have you ever heard about the "Hello Girls" of World War I? These heroic women worked as telephone switchboard operators for the U.S. military. Despite the dangers of war, they kept American officers in contact with their soldiers during battle, and spoke in French and English. Yet, "Hello Girls" weren't recognized for their wartime service. What historic year did women win the right to vote?

1775: Overlooked Heroines focuses entirely on ordinary women who broke away from their social constraints to become soldiers, spies, and heroines in the American Revolutionary War. These women physically fought for America to be free from colonial imperialism, but yet society fails to recant their names. 1775: Overlooked Heroines fills in the gaps of history and places these women back into the historical narrative, whose names are less celebrated and are overshadowed or misattributed simply because they are women.

Excellent biographies have been written about Clara Barton, Sarah Josepha Hale, Julia Ward Howe, Harriet Beecher Stowe, and Harriet Tubman, but their lives have never been looked at together as they intertwined with the Civil War narrative. Plumb compares and contrasts the qualities of the women to discover their common attributes for success and what was unique to each woman. Without leading troops in battle or wielding political power, these five women profoundly influenced the start of the war and its conduct throughout as North and South clashed.

Welcome to the Women of War Omnibus. We are honored to have you join us on this remarkable journey through the lives of extraordinary women who shaped history through their courage, resilience, and indomitable spirit. Across these volumes, you will discover the inspiring stories of heroines like Boudica, Joan of Arc, Irena Sendler, Queen Amanirenas, Virginia Hall, Anne Frank, Florence Nightingale, Nakano Takeko, Lyudmila Pavlichenko, and Lagertha—each a beacon of strength in the face of unimaginable challenges.

Das „Frauen des Krieges Buchpaket“ ist eine sorgfältig zusammengestellte Sammlung, die diese bemerkenswerten Geschichten in den Vordergrund rückt und die vielfältigen Rollen feiert, die Frauen in Kriegszeiten und Konflikten eingenommen haben.

In den Annalen der Geschichte des Zweiten Weltkriegs ragen nur wenige Figuren so legendär hervor wie Lyudmila Pawlitschenko, die sowjetische Scharfschützin, deren außergewöhnliches Können und unbezwingbarer Geist sie zu einer der tödlichsten Scharfschützinnen der Geschichte machten. "Lyudmila Pawlitschenko" taucht ein in das Leben dieser bemerkenswerten Frau, die den Verlauf des Krieges veränderte und zu einem Symbol für Mut und Widerstandskraft wurde.

The wake of war leaves marks that don’t always look dramatic from the outside. Inside, a tempest of trauma rages. Consumed by darkness and depression in the aftermath of war, Ewa Reid-Hammer’s story is the journey of a terrified child’s transformation to adulthood. With reflections on the emotional wounds left not only on herself, but those close to her, Reid-Hammer’s account depicts the complexities of survival and self-recovery in the face of distress. From horror to healing, her story reveals the truth of what it is to be a child of war.

This is the story of how America's first women soldiers helped win World War I, earned the vote, and fought the US Army. In 1918 the US Army Signal Corps sent 223 women to France. They were masters of the latest technology: the telephone switchboard. General John Pershing, commander of the American Expeditionary Forces, demanded female "wire experts" when he discovered that inexperienced doughboys were unable to keep him connected with troops under fire.

The World War That Changed the Story of Women explores the seismic shifts in women's roles brought on by the First World War. It delves into the pivotal moment in history when the seeds of modernity were planted and women stepped into the public sphere. It was the watershed event that inaugurated passports to travel, daylight-saving’s time, central banks in every country, and, alas, women in the workforce.

"The War-Time Journal of a Georgia Girl, 1864-1865" is an evocative and historically significant diary penned by Eliza Frances Andrews, which vividly captures the tumult and transformation of the American South during the waning days of the Civil War and the onset of Reconstruction.

Woman of Valor is a remarkable and true story of bravery, compassion, and rescue during the Holocaust. Eta Chait, a young Jewish woman, lived with her parents and siblings in Lukow, Poland. Woman of Valor follows her journey, from the horrors of the ghetto into the hardships of survival in the woods under the most extreme conditions. And then through her eyes as a fighter, we witness the struggles and fears of those who were trapped by the Holocaust. This is the moving story of a young woman who refused to give up.

The incomparable Civil War diarist Mary Chesnut wrote that she had the luck “always to stumble in on the real show.” Married to a high-ranking member of the Confederate government, she was ideally placed to watch and to record the South’s headlong plunge to ruin, and she left in her journals an unsurpassed account of the old regime’s death throes, its moment of high drama in world history. With intelligence and passion she described the turbulent events of politics and war, as well as the complex society around her.

"Considerate se questa è una donna | Senza capelli e senza nome | Senza piú forza di ricordare | Vuoti gli occhi e freddo il grembo | Come una rana d'inverno". È con questa immagine scarnificata che Primo Levi, nell'incipit di Se questo è un uomo, indica la necessità di riflettere sulla condizione delle donne prigioniere ad Auschwitz. Eppure per molti anni la storiografia e la testimonianza hanno appiattito l'esperienza femminile in una declinazione universale, in un neutro linguistico che, dimenticando i corpi sessuati, ha reso opaca l'intenzionalità stessa dello sterminio.

Le chiamavano Streghe della notte. Nel 1941, un gruppo di ragazze sovietiche riesce a conquistare un ruolo di primo piano nella battaglia contro il Terzo Reich. Rifiutando ogni presenza maschile, su fragili ma agili biplani, mostrano l'audacia, il coraggio di una guerra che può avere anche il volto delle donne. La loro battaglia comincia ben prima di alzarsi in volo e continua dopo la vittoria.