Resultados para "Hollywood" en Ciencia ficción y fantasía

I've lived a carefully cultivated life on a quiet suburban cul-de-sac. My anonymity and meticulous routine are all by design. No one knows of the monster that lurks inside me, this insatiable urge to commit murder, that thrives just beneath my pastel sweater vests and buttoned-up demeanor. No one, that is, until my tiny menace of a neighbor comes along and ruins everything.

Norah Wintry is on the run, but not for long. She has a plan to free all those brainwashed by Magdea and restore Frondle's memories. She's gonna need a little help. Sea monsters are on the beach and creating havoc for magicals and mundanes alike. Is this Magdea's work or the Deep Queen's? They'll have to find out before they can put an end to this for good.

When Shay reopens Hollywood Lakes Inn, her biggest worry is whether the plumbing in the 200-year-old house will spring a leak. But as she readies for her first VIP guest, she's caught in flashbacks that never happened—memories so vivid she wonders if she's losing her perimenopausal mind. With no time to dwell, she focuses on Porter Nichols, the famous screenwriter renting the entire second floor. He's got a script to finish and a terrible case of writer's block. When an unexpected guest arrives along with some disgruntled muses, Shay suspects his problem is magical in nature.

When Shay's longtime crush takes her to an '80s movie marathon to celebrate her forty-fifth birthday, she's sure nothing can spoil their romantic do-over. But things get radical when the entire audience becomes trapped in an '80s mall—acting like teenagers and living out iconic scenes from their favorite films. Hormones and angst make for a disastrous first date, and Shay wonders whether Finn really is the one who got away . . . or if it's time to let him go once and for all.

This collection contains 12 of the greatest Western shows ever broadcast during the golden age of radio, including many first episodes from their series. You'll hear William Conrad as Marshal Matt Dillon on Gunsmoke, John Dehner as the man called Paladin on Have Gun - Will Travel, Roy Rogers and Dale Evans on The Roy Rogers Show, Gene Autry on Gene Autry's Melody Ranch, Raymond Burr as Captain Lee Quince on Fort Laramie, and Jack Mather in The Cisco Kid.

Dimension X was one of old-time radio's first adult science-fiction shows. Though it ran for only a short time, the show made its mark by adapting short stories written by some of the best-known masters of the genre - Isaac Asimov, Ray Bradbury, Robert Heinlein, Kurt Vonnegut, and others. Writers Ernest Kinoy and George Lefferts adapted the stories, occasionally contributing original scripts of their own.

This collection contains 12 episodes from the greatest science fiction shows ever broadcast during the golden age of radio, including a two-part Suspense episode starring Orson Welles, written by Curt Siodmak, author of The Wolf Man, one of Universal Pictures' biggest hits. Other classics include stories by H. G. Wells, Robert Heinlein, Frederick Pohl, and Murray Leinster on Dimension X, Escape, and X Minus One.

This collection contains 12 of the greatest detective shows ever broadcast during the golden age of radio. You'll hear Sydney Greenstreet as Nero Wolfe, Howard Duff as Sam Spade, Tom Conway and Nigel Bruceas Sherlock Holmes and Doctor Watson, Dick Powell as Richard Diamond, Edmond O'Brien as Johnny Dollar, and Les Tremayne as Nick Charles, a.k.a. "The Thin Man" - plus many more gumshoes, including Boston Blackie, Philip Marlowe, The Fat Man, and others.

The Weird Circle radio show was an anthology of classic thrillers from the pens of the world's best-known and respected fiction authors of the 19th century. The focus was on stories of horror, suspense, and the supernatural by such authors as Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley, with an occasional drama by the likes of Emily Brontë, Charles Dickens, and George Eliot.

Since moving to Hollywood Lakes, Shay's life has been full of surprises—like the mysterious crow gifts she keeps finding on her porch and her childhood summer camp turning into a getaway for adults. It's all cocktails and crafts until Color Wars begins, and Shay learns her former nemesis is captain of the opposing team—even meaner now than she was then. Shay's determined to win . . . until word witch duty calls.

Shay Atwater is a talent manager in Hollywood with a knack for making dreams come true. But somehow, she's never quite found her own. At 44, she fears she's running out of time—especially in Hollywood where women of a certain age become invisible. She needs a reset, and settling her grandmother's estate is the perfect opportunity for a getaway to Hollywood Lakes, the idyllic town where she spent summers in childhood. But when her BFF, Avery, shows up begging to use her grandmother's inn as a movie location, what's meant to be a vacation turns into anything but.

Dimension X was one of radio's first adult science fiction series, and made its mark by adapting short stories by acknowledged masters in the field, including Isaac Asimov, Clifford D. Simak, and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the original stories. At the start of every broadcast, host Norman Rose promised us "adventures in time and space, told in future tense" and you knew you were about to be transported from your everyday existence.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

This collection contains 13 of the greatest science fiction shows ever broadcast during the golden age of radio - including two episodes each of Dimension X, CBS Radio Workshop, and X Minus One, plus three episodes of Suspense and Escape. You'll be entertained by stories from such master science fiction writers as H. G. Wells, Aldous Huxley, Graham Doar, Mary Shelley, H. L. Gold, and George Steward.

Produced in New York, Murder at Midnight came to ABC Radio in September of 1946 and featured horror stories with supernatural twists. Raymond Morgan, a former Long Island minister who had left the cloth for the excitement of radio, was the foreboding host who each week uttered the lines, "Midnight, the witching hour, when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.

X Minus One, widely regarded as one of the finest science fiction dramas ever produced for radio, was broadcast on NBC from 1955 until 1958. It began as a revival of NBC's Dimension X, which ran for just a year and a half, from 1950 to 1951.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the The Paper Chase. After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered theirown weekly hour-long radio program over the CBS radio network.

"Countdown for blastoff...X minus five, four, three, two, X minus one.... Fire! From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future - adventures in which you'll live in a million could-be years on a thousand may-be worlds." Thus began each episode of X Minus One, a half-hour science fiction radio series that was broadcast from 1955 until 1958.

For most of Sophia Cavello’s twenty-nine years, she has been able to see dead people. It’s the cross she must bear or as she describes her unique ability, “A circus without a ringmaster.” When Sophia meets the ghost of Enry Larsen, a movie legend who was murdered over thirty years ago, the craziness ramps up. Mayhem abounds when another murder takes place and now, both ghosts want their murders solved.