Resultados para "John" en Fantasmas

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

In this tantalizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery - or will they bring about his untimely death, as they seem to foretell?

A ghost story and supernatural tales based on actual events. A school in England is haunted by the apparition of a former Headmaster, who had died on stage while giving his retirement speech to the end-of-term assembly, just before Christmas 1944. Since then, his spectre, wearing a traditional academic gown and mortar board, has been sighted many times patrolling the eerie, cloistered corridors. A member of the teaching staff develops a fixation with the ghost and an obsession with the paranormal.

The author once worked as a dairy farmer in Canada, but returned to his home in Kent, near London, and became a broadcaster, journalist, novelist, and short story writer. He specialized in tales of the supernatural and was described as “Unquestioned master of weird atmosphere,” as he told of incredible adventures. He often used first person narrations, as you will hear … and, very likely feel an abnormal phantom presence. Come along … If you dare!

Here is a meeting with George and Marion Kerby, a couple of free-wheeling ghosts, who meet up with respectable banker Cosmo Topper. This was noted by the New York Times, claiming: “Thorne Smith created the modern American ghost story, ghosts with style and wit; ghosts that haunt us still.” Others pointed out, “Smith was a master of urbane wit and sophisticated repartee.” The overall mood has a touch of silliness, but it provides lighthearted reading and listening, a matter of nonsensical escapism. For Topper it meant relief from a nagging wife with ongoing indigestion.

Lors d'un voyage aux Philippines, Juan Diego Guerrero, écrivain américain célèbre et vieillissant, revit en rêves récurrents les épisodes de son adolescence au Mexique, à la lisière de la décharge publique de Oaxaca où lui et sa sœur Lupe ont grandi. Des émotions, il en aura tout au long de son périple, notamment avec Miriam et Dorothy, mère et fille aussi désirables qu'inquiétantes.

Jake Conley, un aspirant romancier, sort d'un coma de quelques semaines. Il découvre qu'il est atteint de synesthésie et que son cerveau désormais interconnecté lui confère des forces psychiques accrus. Passionné d'histoire anglo-saxonne, ses recherches sur Aldfrith, roi de Northumbrie, le mènent à l'Antre d'Elfrid, dans le Yorkshire Nord, où, comme le raconte la légende, ce roi s'est réfugié après une bataille sanglante. Ce dont Jake n'a pas conscience, c'est que ses explorations déclenchent une série d'événements paranormaux meurtriers.

A gripping gothic page-turner told in a startlingly different and wonderfully captivating voice. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.

Three pill heads living in the same halfway house all suffer from the same nightmare. They each dream of a man hacking up his family with an ax. Their counselor is all too willing to chalk up the dreams to their collective drug withdrawal. But as their rehab draws to a close, the addicts realize that the house they are living in could be truly haunted after all.

Constance Langton grows up in a household marked by death, her father distant, her mother in perpetual mourning for Constance's sister, the child she lost. Desperate to coax her mother back to health, Constance takes her to a séance; perhaps she will find comfort from beyond the grave. But the meeting has tragic consequences. Constance is left alone, her only legacy a mysterious bequest that will blight her life. So begins this brilliant and gripping novel, a dark mystery set in late-Victorian England.

Lila Grace Carter talks to dead people. Admittedly, that's not out of the ordinary in Lockhart, South Carolina. In her words, "I'm Southern. We all talk to dead people down here. As a matter of fact, I don't believe I can truly trust anybody that doesn't speak to at least two or three dead relations on a daily basis. The difference is, they talk back to me." Now there's a murderer on the loose in Lockhart, and Lila Grace is the only one who knows a crime was committed. Can she convince the sexy sheriff that Jenny Miller didn't fall down the steps on her own? Will she catch the killer?

Set high on top of Widows Hill, Harrow House has remained empty for years. Now, on behalf of an anonymous prospective buyer, Ishmael and Penny are spending a night there in order to investigate the rumors of strange lights, mysterious voices, unexplained disappearances, and establish whether the house is really haunted.

Alec Reid’s ghosts of the 21st century seldom lurk in old houses or waft across chilly moors. His dark tales may breathe alongside the supernatural, but they take place in broad daylight, in our daily lives. Their themes include dead warriors resurrected via Bluetooth, Rumpelstiltskin in the suburbs, an algorithmic fear of ghosts, and the shattered dreams of immortality. The world they describe is the one you inhabit, but you would live in terror were you to recognize it for what it is.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

Assembled and edited by Julian Hawthorne and first published in 1907, the Old Time English volume of The Lock and Key Library features ten classic mysteries and ghost stories by Charles Dickens, Edward Bulwer-Lytton, Thomas de Quincey, Charles Robert Maturin, Laurence Sterne, and William Makepeace Thackeray. This volume of The Lock and Key Library is sure to haunt and charm fans of ghost and detective mysteries alike.

Dorothy Scarborough was an academic and author who had a particular interest in the supernatural. The following collection, first published in 1921, features stories that have a strong comical or satirical focus.

Chi non è curioso di scavare nelle allucinazioni, in quei sogni psicotropi dove panico e orrore assumono la forma di quel che non vogliamo vedere? O di scoprire le origini letterarie dei vampiri, la loro prima apparizione su carta e inchiostro? O ancora, di leggere di assassini, presagi di morte, cuori pulsanti, pendoli e corvi neri — chi, insomma, non desidera indagare nelle proprie paure? In questo volume, quattro storie tra le più classiche del genere, racconti che hanno influenzato cultura pop e letteratura, cinema e televisione.

Every man walks with a shadow...but what happens when he acquires a second one? Just ask Brazos, a cold-blooded killer for hire with blood on his hands and a posse on his tail. Desperate for cash, Brazos accepts $200 to gun down a local man named Brant. He’ll earn every penny...but in the end there’ll be the devil to pay. Because to put a bullet in Brant means putting one in his partner as well - an eerie stranger schooled in the black art of witchcraft. This is one killing that brings with it a deadly curse - and a second shadow.

Midnight. Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind....

Collection includes the most famous horror stories of all time from the pens of genius' of the genre: Edgar Allan Poe and Bram Stoker.