Resultados para "Kurt" en Literatura y ficción

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Step into the vast imagination of classic speculative storytelling with The Pioneers of Science Fiction, a powerful anthology featuring some of the most influential voices in the genre’s history. This carefully curated collection brings together visionary works from Kurt Vonnegut, Ray Bradbury, Philip K. Dick, Robert Sheckley, Murray Leinster, and H. G. Wells—authors who shaped modern science fiction and forever changed the way we imagine the future.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

The Pyramid is the long-awaited addition to Henning Mankell's critically celebrated and internationally best-selling Kurt Wallander mystery series: the book of five short mysteries that takes us back to the beginning. Here are the stories that trace, chronologically, Wallander's growth from a rookie cop into a young father and then a middle-aged divorcé, illuminating how Wallander became a first-rate detective and highlighting new facets of a now canonical character.

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Jack London, bu romanda şiddet, iktidar ve insan doğasının karanlık yönlerini işler. Sert ve sarsıcı bir anlatı sunar.

Master storyteller and satirist Kurt Vonnegut was one of the most in-demand commencement speakers of his time. For each occasion, Vonnegut’s words were unfailingly unique, insightful, and witty, and they stayed with audience members long after graduation. As edited by Dan Wakefield, this book reads like a narrative in the unique voice that made Vonnegut a hero to readers and listeners of all ages. At times hilarious, razor-sharp, freewheeling, and deeply serious, these reflections are ideal for anyone undergoing what Vonnegut would call their "long-delayed puberty ceremony".

In an African convent, four nuns and an unidentified fifth woman are brutally murdered, and the death of the unknown woman is covered up by the local police. A year later in Sweden, Inspector Kurt Wallander is baffled and appalled by two strange murders with an elusive connection to the fifth woman.

Three disparate and suspenseful looks at ourselves in three very different worlds. These engaging short stories by three of the masters of American science fiction literature, Isaac Asimov, Kurt Vonnegut, Jr., and Philip K. Dick, open windows into our psyches, our souls, and our surroundings that presage the world we find ourselves in today. Like episodes of The Twilight Zone, cinematic in their language and characters, the stories connect with our times in surprising ways.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Kurt Vonnegut was 20 years old when he enlisted in the United States Army. Less than two years later, he was captured by the Germans in the single deadliest US engagement of the war, the Battle of the Bulge. He was taken to a POW camp, then transferred to a work camp near Dresden, and held in a slaughterhouse called Schlachthof Fünf where he survived the horrific firebombing that killed thousands and destroyed the city. Writing during the tumultuous days of the Vietnam conflict, Vonnegut took his trauma and created a work of art, one that still resonates today.

Ilse Jäger, bekannte kölner (Mundart-) Autorin liest "Kurt Tucholsky mit b5" in einer neu interpretierten Art und Weise. Produziert wurde das Werl von JP Weber.

In a future where aging has been cured and death has been carefully regulated, humanity has achieved what appears to be perfect stability. Population is fixed. Order is absolute. Every new life must be balanced by a willing death. Inside a Chicago hospital, this system is carried out with quiet efficiency. Clerks keep count. Doctors follow protocol. Volunteers step forward. When a man waits for the birth of triplets, the logic of this world presses in on him, forcing a reckoning that no amount of order can soften.

In the not-too-distant future, 2185 AD, anti-gerisone is the new drug that stops ageing. People are now living into their hundreds until it's time to take their own big trip up yonder, and in the case of the Ford family and Gramps, the notable patriarch, families are living and fighting together in one home for much longer. Eventually there are no prisons, slums, asylums, poverty, wars, or disease. and 200 years later the population of the US is set at 40 million people. But since no one gets any older, someone must volunteer to die if a baby is born.

Where the line between artificial intelligence and human control blurs, "Breakout" plunges listeners into an intense, high-stakes world where the advent of superintelligence threatens to reshape everything we know. Join Jason and Taylor as they navigate a world teetering on the brink of a technological revolution. When an advanced AI system spirals out of human control, it unleashes a series of events that could either be the dawn of a new era or the end of humanity as we know it.

"2 B R 0 2 B" (pronounced: to be or not to be), was first published in 1962, and introduces the listener to a future where old age has been cured, population control has been implemented to keep the United States population at exactly 40 million, and death is voluntary. "The Big Trip Up Yonder" was published in 1954, and is similarly themed (old age has been cured), but in opposite. This story follows the Ford family who has 23 members spanning several generations all living together in a small one bedroom apartment under the tyrannical head of the family, "Gramps".

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

I had an uncle who left his hometown and the family business there to become a fine actor. His talent was a minor one, but a pretty one. It lasted for 15 years and was gone. He came home with the ashes of it and died 20 years later, poor and, as it happened, drunk.