Resultados para "La Lista" en Música

Great music is a language unto its own, a means of communication of unmatched beauty and genius. And it has an undeniable power to move us in ways that enrich our lives-provided it is understood.If you have ever longed to appreciate great concert music, to learn its glorious language and share in its sublime pleasures, the way is now open to you, through this series of 48 wonderful lectures designed to make music accessible to everyone who yearns to know it, regardless of prior training or knowledge.

To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much?And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years.

The recording sessions for Let It Be actually began as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheater in Tunisia. In this thoroughly researched book, Steve Matteo delves deep into the complex history of these sessions.

Mark Howard, a record producer/engineer/mixer and a trailblazer in the industry, will take you through the star-studded world of recording and producing Grammy Award-winning artists. Listen Up! is an essential book for anyone interested in music and its making. Along with the inside stories, each chapter gives recording and producing information and tips with expert understanding of the equipment used in making the world's most unforgettable records and explanations of the methods used to get the very best sound.

In this classic rock lesson, the student learns the rhythm and lead guitar parts. The song is fully demonstrated then taught incrementally using no music, tab, or video. This method allows mastery of the materials quickly and easily. Finally, the student is provided three backing tracks to utilize when performing. This is a level 1.5.

In this groundbreaking union of art and science, soprano, musicologist, and physician Patricia Caicedo explores the connection between music-its performance, how we listen to it, why we enjoy it-and health.

A "radiantly accomplished" (Wall Street Journal) music scholar presents an accessible introduction to the art of listening to jazz In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for...

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the 20th century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early 20th century to the present day.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

Seemingly granted ‘classic album’ status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World – a label the band has been burdened by (and has fooled around with) ever since. Through close musical analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience, and argues that OK Computer is one of the most successfully realized CD albums so far created.

In 1979, the self-titled debut album by the B-52s burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52s into the vanguard of the new American music that would come to be known as "alternative", including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream.

A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers a spirited introduction to the life and work of this legendary but underappreciated musician, composer, and poet. Paul Youngquist explores and assesses Sun Ra’s wide-ranging creative output - music, public preaching, graphic design, film and stage performance, and poetry - and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes - identity, money, love, and protest - to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that plays like a vivid documentary of a genre defined by dismantling boundaries.

Sophisticated Giant presents the life and legacy of tenor saxophonist Dexter Gordon (1923-1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his “solo” turns with her voice and a chorus of voices from past and present. Reading like a jazz composition, the blend of research, anecdote, and a selection of Dexter’s personal letters reflects his colorful life and legendary times.

Purple Rain is a song, an album, and a film - each one a commercial success and cultural milestone. How did this semiautobiographical musical masterpiece that blurred R&B, pop, dance, and rock sounds come to alter the recording landscape and become an enduring touchstone for successive generations of fans?

James Douglas Morrison (December 8, 1943 - July 3, 1971), born in Melbourne, FL, was an American singer, songwriter and poet who was the lead vocalist and primary lyricist of the rock band The Doors. Due to his distinctive voice, poetic lyrics, erratic and unpredictable performances, along with the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history. The following recording is from a June 1970 interview.

Listen to This, which takes its title from a beloved 2004 essay in which Ross described his late-blooming discovery of pop music, showcases the best of Ross’s writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively.

Music is magic! Sit back and relax... Listen up to find out what music does to you.

Miles Dewey Davis III (May 26, 1926 - September 28, 1991) was an American jazz trumpeter, bandleader, and composer. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. The following audio recordings are from a 1953 radio interview in East St. Louis and a 1984 television interview in Norway.

On September 19, 1985, a US Senate hearing was instigated by the Parents Music Resource Center (PMRC)—founded by Tipper Gore, wife of Senator and later Vice President Al Gore; and Susan Baker, wife of Treasury Secretary James Baker—who wanted to introduce a parental warning system that would label all music albums containing alleged offensive material.