Resultados para "Marsh" en Narrativa literaria

Rose Mathieson knows the only way is up. It has to be. She's made some mistakes in her life, but almost losing her son is a wake-up call. More than that: it's a call to action. It's time to start again. The town of Redemption, Connecticut, seems to offer exactly what she craves: a quiet, stable life for her and her six-year-old son, Olly. But Redemption has changed since she last saw it - or perhaps it's just Rose who has changed. Her reputation precedes her now, and not everyone is happy to see her back.

When Sara Hardy inherits a cottage in the small town of Redemption, Connecticut, it is just the break she needs to draw a line under her past - to begin again, on her own. Sara never thought she'd be starting over. She was married, successful, and the mother of a beautiful girl. But the life she thought was on the right path has taken a series of wrong turns...

A Lesson Before Dying is set in a small Louisiana Cajun community in the late 1940s. Jefferson, a young illiterate black man, is falsely convicted of murder and is sentenced to death. Grant Wiggins, the plantation schoolteacher, agrees to talk with the condemned man. The two men forge a bond as they come to understand what it means to resist and defy one's fate.

El maestro irlandés, ganador del Premio Príncipe de Asturias, vuelve a sorprender con una magistral entrega de Quirke.

Shamela is a bawdy, spirited, and hilarious response to Samuel Richardson's hugely popular 1740 novel, Pamela. In this pointed satire, Shamela (which transpires to be the real name of Richardson's Pamela) reveals the ulterior motives behind the events that took place in Pamela. Shamela is unlike the virtuous young lady portrayed in Richardson's novel and she takes command of her master, Squire Booby. Our heroine has planned it all out from the start and she is determined to entrap her master into marriage.

Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.

Henry O’Reilly, the founder and head of a seafood empire nearing the end of his career, makes sudden preparations to divide his empire among his three sons and entrust to them not only the family business, but the future of their North Carolina town. The youngest of the three, Patrick, remains at odds with his family’s decadence and avarice, and declines to become involved. As the two older men conspire to force Henry into early retirement and take over the company completely, the brothers’ lust for power leads to turbulent and terrifying battles.

Zer is no angel - well, not anymore. He's explored every flavor of sin imaginable, drinking in the pleasures of humanity. But now he must find the woman who carries his salvation in her very blood...a woman like Nessa St. James. Nessa has considered the bargain the Fallen offer. Anything she wants in exchange for accepting Zer's bond? No way. Not her. Not when she finds out about the mind-blowing ritual involved, and the marks of surrender that will ink her skin. But with a serial killer to stop and centuries of experience on his side, this is one job Zer's going to nail.

Well the title looks familiar . . . and Peter Mayle's A Year in Provence may have been the trigger for Christopher Marsh's brilliant debut novel - but there the similarities end. Rather than a middle class Brit travelling all the way to the South of France to patronize the locals, Southern Europe gets its own back courtesy of Jesus Sanchez Ventura - the funniest fictional creation in many a year.

After the tragedy at Tamburlaine, and its long-time role of burying the queer community’s dead, it’s time for the bar to receive its own obsequies—funeral rites. Without knowing why, the cast, crew, staff, and friends find themselves drawn to the burned-out husk of the ancient bar, consumed by their memories and sadness.