Resultados para "Ray" en Arte y entretenimiento

For his fifth birthday, Ray Anthony's father bought him a trumpet. It wasn't until the age of 12, when his trumpet was hidden as a punishment, that he realized he couldn't live without it. Anthony opened up to Wink Martindale in this interview from 1978 about joining the Al Donahue Orchestra at the age of 17, getting fired from the Glenn Miller Band, and the popularity of the Bunny Hop. He also talks about the sound of Glenn Miller and what makes it so special. Anthony goes on to discuss what it was like starting his own orchestra and having his brother join him.

Ray Charles lived his life with no regrets, no matter the ups or the downs. After losing his sight at seven years old, and his parents passing away while he was a teenager, he went on to experience phenomenal success as a singer, songwriter, and musician. Charles didn't often agree to interviews, but in this rare and lengthy conversation he had with Wink Martindale in 1970 he offered an introspective look at his personal life and storied career.

Ray Conniff got his start arranging and conducting for other recording artists. His success working for others eventually led to Columbia allowing him to record an album under his own name, which was released to great success and acclaim. Conniff was the first artist to use voices and vocal arrangements as part of the instrumentation. In a conversation with host Wink Martindale, Conniff discusses his unique sound, evolving his style, and his passion for creating music.

LA's premier comedy show features both veteran stand-up comics as well as new talent every Tuesday night at the Upright Citizens Brigade Theatre. Taped during their fourth anniversary all-night show, and in San Francisco during the Comedy Death Ray special SF Sketchfest show, this double CD showcases almost 150 minutes of the best comedians performing today.

In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant-and what they continue to mean.

The Great Digital Convergence of all media types into one universal digital medium occurred, with little fanfare, at the recent turn of the millennium. The bit became the universal medium, and the pixel conquered the world. Henceforward, nearly every picture in the world would be composed of pixels. In A Biography of the Pixel, Pixar cofounder Alvy Ray Smith argues that the pixel is the organizing principle of most modern media, and he presents a few simple but profound ideas that unify the dazzling varieties of digital image making.

New Mexico's Spanish legacy has informed the cultural traditions of one of the last states to join the union for more than four hundred years, or before the alluring capital of Santa Fe was founded in 1610. The fame the region gained from artist Georgia O'Keefe, writers Lew Wallace and D. H. Lawrence, and pistolero Billy the Kid has made New Mexico an international tourist destination.

The Allman Brothers Band and Lynyrd Skynyrd helped usher in a new kind of southern music from Jacksonville, Florida. Together, they and fellow bands like Blackfoot, 38 Special, and Molly Hatchet would reset the course of '70s rock. Yet Jacksonville seemed an unlikely hotbed for a new musical movement. Michael FitzGerald blends eyewitness detail with in-depth history to tell the story of how the River City bred this generation of legendary musicians.

If the West had its Swinging Sixties, Hindi cinema had its Seventies. Everything that journalists today call 'retro' when referring to Bollywood is a product of the 1970s. But to refer to the decade as 'swinging' and 'retro' is missing the wood for the trees. The 1970s is the most influential decade of Hindi cinema. Not the 1950s, not the 1960s which unapologetic nostalgists hark back to.

Home is often seen as a place of comfort and refuge, yet beneath its calm surface lies a continuous flow of materials, energy, water, and consumption. Much of this flow follows a linear path—from purchase to disposal—quietly generating waste, inefficiency, and environmental strain. The Circular Home invites listeners to rethink this familiar system and reimagine the home as a regenerative, intelligent ecosystem built on the principles of circular living.

Presented together for the first time, here are all-time favorite Car Talk calls that run happily off road, veering into the amazing world of science, where Tom and Ray actually wield some authority. MIT may want its diplomas back, but the world's most knowledgeable garage scientists are undeterred in seeking greater knowledge - and laughter.

Car Talk, winner of a Peabody Award, is broadcast each week to NPR stations nationwide. The world's wackiest call-in show, it mixes automotive advice with wisecracks, roadside philosophy, and guffaws. No problem is too ridiculous, no solution too absurd, and before you know it, "you've wasted another perfectly good hour listening to Car Talk". Or, in this case, four.

The Hatchback of Notre Dame includes many memorable Car Talk classics, including Morley Safer of CBS' Sixty Minutes displaying a downright embarrassing obsession with his Peugeot and space shuttle astronaut John Grunsfeld, who calls from Hawaii. (Well, 700 miles over Hawaii, actually). And there's one of Click and Clack's all-time favorite callers - their pal, Dave from Bemidji - sharing the sordid tale of his journey to Alaska.

The Greatest Stories Ever Told gathers the tallest tales, the deepest digressions, and the most fabulous fabrications, revealing life for the Tappet Brothers, both in and out of the garage. Besides telling you more than you ever wanted to know about Tom and Ray, The Greatest Stories Ever Told will answer mysteries such as "whatever happened to Tommy's Dart?" and "why is Doug the subway fugitive?"

Tom and Ray lead colorful (not to mention grimy) lives, and each week they share the hilarity with millions of radio listeners. Their latest collection will delight diehard fans and anyone who cares about cars and good humor.

Moms have served honorably in the minivan wars, negotiated conflicting advice between husbands and fathers, and even extracted sticky sippy cups from under countless seats. Tom and Ray Magliozzi, aka Click and Clack, the Tappet Brothers, answer calls about - and from - mothers, answering questions and giving advice on cars, families, and cutting the apron strings.

This is a collection of calls about cars, animals, and the mysterious, often hilarious times when they meet. It leads Tom and Ray down a familiar path of wild speculation, occasionally brilliant suggestions, and lots of laughs. This is a must-have for anyone who loves animals, particularly the two that host Car Talk.

Now you can waste not one, not two, but four perfectly good hours listening to Car Talk Classics, featuring some of Tom and Ray's favorite complete programs: everything from opening rant to bogus answers to eccentric closing credits. Whether they really help callers fix their transmissions is an open question, but the Car Talk guys certainly know how to transfix their listeners.

The hands-down highlight of many a Car Talk episode, Daniel Pinkwater is responsible for some of the all-time greatest moments of the program's storied history on public radio. Whether discussing man's best friend (but worst passenger) or searching for the perfect vehicle for those who are "horizontally challenged", Pinkwater keeps Tom and Ray in stitches along with the show's far-flung audience.

In 1987, Tom and Ray Magliozzi, also known as Click and Clack, the Tappet Brothers, made the leap from nursing the motley car population of New England to creating the nationally beloved public radio phenomenon that we all know as Car Talk.