Resultados para "Reality TV" en Arte y entretenimiento

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump.

In July 1997, the first contestant voted off the first episode of the first ever reality TV elimination show took his own life. Expedition Robinson was the first show of its kind anywhere, and it was going to be remembered not for breaking the mold of television, but for a death, the first of at least 40 suicides linked globally to a reality TV show.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

What do we see when we watch reality television? Sociologist and TV lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre, from countless rose ceremonies on The Bachelor to the White House and more (so much more!). Beginning with the first episodes of The Real World, reality TV has not only remade our entertainment and cultural landscape—it also uniquely refracts our everyday experiences and social topography.

The resurgence of viral clips from the long-running hit reality television show America’s Next Top Model left fans and foes alike wondering–how did a show so outrageous and at times offensive ever get on the air? For years, Americans dutifully watched as contestants faced uncomfortable situations regarding their race and gender, body-shaming, stereotyping, and problematic photoshoots. The show, which first premiered in 2003 and ran for 24 cycles, was helmed by supermodel Tyra Banks–the first Black female host of a smash network reality show.

Nearly every night on every major network, unscripted (but carefully crafted) "reality” TV shows routinely glorify retrograde stereotypes that most people would assume got left behind 35 years ago. In Reality Bites Back, media critic Jennifer L. Pozner aims a critical, analytical lens at a trend most people dismiss as harmless fluff.

The rollicking saga of reality television, a “sweeping” (The Washington Post) cultural history of America’s most influential, most divisive artistic phenomenon, from the Pulitzer Prize–winning New Yorker writer—“a must-read for anyone interested in television or popular culture”...

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.

VHS Nasty delves deep into the cult classic satanic panic that is the video nasties, taking an in-depth look at censorship within horror films, specifically the video nasty scandal that shook not only Britain in the early '80s but shook the world into a frenzy of panic! Talking about cult video nasties such as Faces of Death, Cannibal Holocaust, The Texas Chainsaw Massacre, Driller Killer, and many more.

With a new afterword about Colton’s battle with Covid-19 and breakup, this New York Times bestseller from former football player and star of The Bachelor and The Bachelorette is “full of the kind of juicy details ‘The Bachelor’ franchise enthusiasts yearn for” (HuffPost). Before Colton...

Making films about club kids, royalty, hustlers, and televangelists, and working with icons such as such as Britney Spears, Tammy Faye Bakker, and RuPaul, the book is packed with glorious insider gossip and amazing celebrity stories. These are the riotous tales behind the shows that would make screen-agers of us all.

The creator of Troma's cult film series Grindsploitation, Tony Newton presents this new blood-splattered grindhouse documentary looking at modern trash and schlock filmmakers! An in-depth look at the gritty and modern schlock, horror, and splatter gore filmmakers who are keeping the flame of the '70s grindhouse era truly alive!

Popular YouTubers, filmmakers, and collectors lift the curtain on their manic media-collecting obsession that is not only a huge part of their lives, but the lifeblood of their existence! This new collector's documentary goes where no documentary has gone before as we enter a world of horror hoarders, VHS hoarders, vinyl addicts, and laserdisc obsessives. Enter the realm where DVDs and Blu-Rays are king, money is no object, and when a new release hits, it's a must-buy!

Some people truly want to scare you to death, and these UK haunters will rock your Halloween like nowhere else on earth. See the scares and fear tactics from the inside out, and meet the people truly committed to the craft of horror and primal terror to create experiences that you will never forget.

The VHS era was like none other in the history of cinema. This new format rose quickly in the early 70s when there was a blockbuster on every street corner, only to die off with the advent of the DVD in the early 2000s. But VHS is rising from the ashes like a phoenix, being relived and retooled by the most dedicated and rabid fanbase of its kind. VHS Lives! goes deep into the psyche of VHS collectors, showing just why VHS is coming back into the public eye and why VHS is the hottest cult collector craze since the full beard and the boom in vinyl record sales.

A definitive history and celebration of the groundbreaking show RuPaul's Drag Race in its first decade, from a Burbank basement set all the way to the Emmy's, and every weave in-between, as told by its stars, producers and fans. Told over the first ten years, And Don't F&%k It Up tells a...

In the spring of 2006, a new kind of show premiered on Bravo: The Real Housewives of Orange County. Its stars were tanned, taut, and bedazzled; their homes were echoey California villas; and their drama was gossip-fueled, wine-drenched, and absolutely exquisite. Fifteen seasons on, RHOC is an institution, along with The Real Housewives of New York, Atlanta, New Jersey, Miami, Potomac, and more.

Hard-working, dedicated, inventive, and ready to tackle any genre - that was Academy Award-winning director Robert Wise. Despite all the praise and awards, Wise could easily be called one of Hollywood's always working blue-collar directors. He helmed everything from B movies to Academy Award-winning blockbusters, all while managing to live a quiet life amid the glitz, glamour, and scandal of Tinsel Town. How this soft-spoken man managed to tame mega-stars' egos while directing film classics remains a mystery.

From the national bestselling author of Lord Fear and Class A comes "a tender, humane, comic, brainy, unsettling achievement” (Paul Lisicky, author of The Narrow Door: A Memoir of Friendship) about what it means to live an authentic life and what it means to love a person. In Lucas Mann's...