Resultados para "The Prince" en Afroamericana

In Book One, he was just a spoiled playboy prince, whose family was in desperate need of money. Now everything has changed, Odette Wyntor has a choice. Stay or run. Royalty is not for the weak of heart. Can they handle what is to come?

A dynamic kaleidoscope of story that honors the work of women. Long-listed for the prestigious Carol Shields Prize for Fiction! Kin is a story and a celebration of Black womanhood, of resistance, and of perseverance—while simultaneously an indictment of American history. Kin is a tree—alive in places, broken in others—that offers shelter for women seeking respite in the midst of family-making.

This story is set in the 16th century, during the reign of King Henry VIII of England. Two boys that look identical switch places for a brief period of time. One is Tom Canty, who lives with his abusive, alcoholic father in poverty on the streets of London. The other is young prince Edward Tudor, who is next in line to the English throne.

Love? That’s not in my script. At least, that’s what I thought before Rah. Rah and his seven feet of broad-shouldered, unreadable, way-too-noble-for-his-own-good self. If someone had told me I’d be stuck on a green desert planet, tangled up in some slow-burn, unresolved-tension situation with him, I would’ve laughed and said that sounds like a bad sci-fi romance.

I boarded the plane, planning to enjoy a glass of champagne while up in the air.I didn’t plan on landing on an alien planet. But here I am, on a planet called Rakesh. Here on Rakesh, their women are gone, their species is dying, and for some reason, human women like me are suddenly very important. I don’t know why I’m here. I don’t know what they want. But I do know one thing—I need to find a way home.

With the fairytale wedding now over and the reality of their new roles placed on their shoulders, can Gale and Odette survive the sea of politics, family secrets, and scandal that awaits them? Can they still be true to themselves and their hearts? The whole country - even the world - is watching and not everyone is happy for them.

In book ten of the Steel MC Montana Charter: Thanks to video chats, Rebecca ‘Doc’ Olson has been helping the Steels process their traumas and heal. When death threats are more than a bluster from an angry patient, it is Rebecca’s time to seek out the care and protection of the Steels.

In Book Five of Love by the Yard: When Chicago Grizzlies’ defensive end, Declan Parker, has a career making play - it never crosses his mind it could be his last one on the field. But once Deck is rushed to the trauma unit at a local emergency room, the play turns out to be only one of the changes to affect his life.

Lily McNeil has what most women want in a relationship; ideal romance, fabulous sex and lots of wealth. However, her perfect mate comes in the form of three different men. Lily and her romantic man have been a hot item for two years, but lately, his taking her for granted is leaving very little excitement between them. During a much-needed night out with the girls, Lily meets a sexy musician who feeds a starved side of her. Soon after, she meets a millionaire real estate broker, who offers elaborate gifts and elite social status.

"A superb oral history." —The Washington Post Book World "So touching, so exhilarating...no book for a long time has left me so moved or so happy." —The New York Times Book Review The almost unfathomable courage and the undying faith that propelled the Civil Rights Movement are brilliantly...

REESE’S BOOK CLUB PICK “[A] richly textured and deeply moving debut” (The New York Times Book Review, Editors’ Choice) about one unforgettable Southern Black family and its youngest daughter’s coming of age in the 1990s. “A triumph . . . Redwood Court is storytelling at its best...

Longlisted for the National Book Award Winner of the Reading the West Book Award in Fiction Winner of the Writers' League of Texas Book Award in Fiction An extraordinary short story collection about community, home, betrayal, and forgiveness—from a writer whose “spellbinding, buoyant”*...