Resultados para "The Street" en Terror

Nel bosco in fondo a Needless Street non abitano solo animali ma anche senso di colpa, crudeltà e dolore. Smarrircisi è fin troppo facile, perché tutti siamo vittime ma anche carnefici. Questa è la storia di un assassino, di una bambina scomparsa e di una vendetta. Questa è la storia di Ted, che vive con sua figlia Lauren e la gatta Olivia in una casa normale alla fine di una strada normale. Tutte queste cose sono vere. Eppure, alcune sono bugie. Pensi di sapere cosa c'è dentro l'ultima casa in fondo a Needless Street. Pensi di aver già letto questa storia. Ma è qui che ti sbagli.

The story traces the history of the eponymous street in a New England city, presumably Boston, from its first beginnings as a path in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood," each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down, polluted slum, with all of the street's old houses falling into disrepair.

Though The Street tries to remain in the realm of horror and the supernatural, what it really amounts to is one of the earliest written documents of Lovecraft’s political stance and stance on other races. In this story, the street is the protagonist. Lovecraft documents its growth from quaint and colonial New England town to downtrodden and dirty as immigrants move in after the first world war. When a “vast group of terrorists” living in the neighborhood plot to overthrow the federal government on July 4th, the street decides to take matters into its own (metaphorical) hands.

Temptation. It’s a powerful thing. It possesses you. Corrupts you. Turns a pure soul into a reckless beast. Once it has you in its clutches, you can’t escape it. It won’t let go, not until it perverts everything innocent. The day she walked into my life, I should have known I’d never be the same again. Her secrets lured me in, enticed me with truths that would be my ultimate ruin. I had a war to win. Battles to fight. But her scent turned me into a crazed hunter, manipulating me down a different path of destruction. In the end, she will be my downfall.

The story traces the history of the titular street in a New England city, presumably Boston, from its first beginnings as "but a path" in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood", each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down and polluted slum, with all of the street's old houses falling into disrepair.

This is a story from The Moonlit Road collection. These five 19th-century ghost stories from both sides of the Atlantic provide some of the best chills in the genre. Ambrose Bierce is well-known, but "To Let" by B. M. Croker and "The Upper Berth" also provide moments to tingle the spine, as does "An Account of Some Strange Disturbances" by Le Fanu. This collection, which is further enhanced by suitably chilling music, was originally released under the title Classic Chilling Tales 3.

Emma's move to New Valley quickly takes a turn toward the mysterious when she's greeted by her neighbors, Nick and Christine, a picture-perfect couple from across the street. Despite the undeniable attraction to Nick, Emma is wary, sensing deeper undercurrents in their seemingly perfect life. But the real enigma lies closer to home—in a locked door in her own basement. Driven by a mix of fear and fascination, Emma is determined to uncover what lies beyond it.

Her name is Pete Caldecott. She was just 16 when she met Jack Winter, a gorgeous, larger-than-life mage who thrilled her with his witchcraft. Then a spirit Jack summoned killed him before Pete's eyes -or so she thought. Now a detective, Pete is investigating the case of a young girl kidnapped from the streets of London.

No one knows when and how the magic was reborn. Maybe it never went away. After all, some people have always seen, experienced, and … sometimes … feared the supernatural, from pixies and faeries to werewolves, ghosts, and the walking dead. But one day—more likely night—everyone else began to see, experience, and sometimes too often fear the supernatural, too. Maybe the quantum strings of the universe played a new musical, magical note. Maybe a blockage holding back mystical energy broke and a trickle of magic became a torrent of paranormal power.

London, 1930s: Rachel Savernake has been invited to a private view of an art exhibition at a fashionable gallery. The artist, Damaris Gethin, known as 'the Queen of Surrealism', is debuting a show featuring live models pretending to be waxworks of famous killers. Before her welcoming speech, Damaris asks a haunting favour of the amateur sleuth: she wants Rachel to solve her murder. As Damaris takes to a stage set with a guillotine, the lights go out. There is a cry and the blade falls. Damaris has executed herself.

Coco Zamis ist hochschwanger, die Geburt steht unmittelbar bevor. Dorians Vermutung, dass vor allem Olivaro darauf lauern könnte, Coco das Neugeborene zu entreißen, hat sich nicht bewahrheitet. Stattdessen schlägt ein Gespenst aus der Vergangenheit an anderer Stelle zu, und die Jagd auf das Kind der Hexe scheint eröffnet.

Crowford, a sleepy coastal town in the south of England, might seem like an oasis of calm and tranquility. Beneath the surface, however, dark secrets are waiting to claim fresh victims, and ghostly figures plot revenge. Having finally decided to leave the hustle of London, Daisy and Richard Johnson buy two houses on Nelson Street, a picturesque street in the center of Crowford. One house is perfect and ready to move into, while the other is a fire-ravaged wreck that needs a lot of work.

The story traces the history of the titular street in a New England city, presumably Boston, from its first beginnings as "but a path" in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood", each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down and polluted slum, with all of the street's old houses falling into disrepair.

People on the brink of death come to me for life. I touch them, and my magic burns away their sickness. My gift is exhausting and painful, even dangerous. Which means I never intentionally touch anyone, and no one touches me. So dating? Definitely not happening. All of that changes when a cyber stalker threatens to burn me at the stake. I reluctantly hire a bodyguard, a six-foot-three mountain of temptation named Logan Smith, literally at my fingertips at all times. Every fiber of my 21-year-old virgin body vibrates for him.

The community's war is over, but the fight for my future has only just begun. I know what I want, and so does Logan. But wanting and wishing don't guarantee a happy ending. Still, I'm determined to give us a fighting chance in what feels like impossible circumstances. So I join Logan on a trip home, and my eyes are opened to a world of werewolf hierarchy and politics that I didn't see coming. Now, with everyone in his pack convinced that I'm not the right pick for their future alpha, I have to prove my worth.

I'm kicking myself for being so trusting, but that trust led me to a whole new realm - a world I never knew existed. Now that I know what I truly am, I must learn to control my powers so I can return to my life as a supernatural healer. Thankfully, I have an interesting, if unusual, instructor to help me along the way. But focusing on my lessons proves challenging when a certain werewolf refuses to give me up.  

My new werewolf boyfriend wants to introduce me to the supernatural community - a secret society of magical species that live in hiding in the human world. But my introduction doesn't go as planned. On the night before my arrival, a terrifying event births a new power inside me. It's cold, powerful, and worst of all, I lose my livelihood overnight since I can't touch anyone now without killing them. Now as I enter the community, while terrified of hurting innocents, I learn that to stop the dark power I must dig into my family's past to uncover the truth of who I really am.

Professor Darkk And Miss Shadow are drawn to a haunted house on an abandoned street. They must enter the eerie home and locate the source of the evil that has taken over this section of suburbia. But can they overcome the many horrors awaiting them? Or will they be the next victims to be slaughtered to death by this nightmare of a home? Jeff Walker is a writer from Ontario, Canada. He is the author of several novels and short stories of the science fiction, fantasy and paranormal genre, including "The Long Lost War.

It's midnight and in the midst of an ice storm when Claudia Dance boards the bright yellow bus to Lacelean Street, a destination she has never heard of. She has no coat, no luggage, and no clue as to why she left home. In fact, she has no memory of her past whatsoever, and yet she feels compelled to make the trip.

Being awoken by noises in the night is disturbing enough, but the chilling voice heard one night during Mr Browne’s Italian travels was enough to make insomnia preferable. No Living Voice is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.