Resultados para "The Wolf Hour" en Literatura y ficción

Tessa Lowell is working in Uganda researching the effects of PTSD and war on child soldiers when she is kidnapped by rebel forces. Isolated in an increasingly volatile situation, she tries to form a bond with 13-year-old Francis, already an experienced soldier and survivor of shocking violence. In Melbourne, Tessa's parents learn government agencies can do little to help, so they contact their son Stephen, an astute if manipulative businessman based in Cape Town who agrees to search for her but has reasons of his own to do so.

It starts with a drunk man killing a boy as he hits him with his car. Thinking no one has seen him, he feels he's off the hook. Until he receives a message telling him that the sender knows what he's done, and unless he pays him a ransom, to be left in a bag at a secluded men's room, he'll squeal. The killer does as instructed, but as he sees a young man leave with said bag, he then kills the young man.

Michael Gallatin is a British spy with a peculiar talent: the ability to transform himself into a wolf. Although his work in North Africa helped the Allies win the continent in the early days of World War II, he quit the service when a German spy shot his lover in her bed. Now, three years later, the army asks him to end his retirement and parachute into occupied Paris. A mysterious German plan called the Iron Fist threatens the D-Day invasion, and the Nazi in charge is the spy who betrayed Michael’s lover. The werewolf goes to France for king and country, hoping for a chance at bloody vengeance.

It is 1944. A message from Paris warns Allied Intelligence of something big in the works - something which might have serious implications for D-Day. The only way to get more information from the agent in Paris - now closely watched by the Gestapo - is to send in a personal courier. Russian émigré Michael Gallatin is picked for the job. In retirement as a secret agent since a grisly episode in North Africa, Gallatin is parachuted into occupied France, on a mission which will take him to the festering heart of the Third Reich on the scent of doomsday.

It is 1944. A message from Paris warns Allied Intelligence of something big in the works - something which might have serious implications for D-Day. The only way to get more information from the agent in Paris - now closely watched by the Gestapo - is to send in a personal courier. Russian émigré Michael Gallatin is picked for the job. In retirement as a secret agent since a grisly episode in North Africa, Gallatin is parachuted into occupied France, on a mission which will take him to the festering heart of the Third Reich on the scent of doomsday.

It is 1944. A message from Paris warns Allied Intelligence of something big in the works - something which might have serious implications for D-Day. The only way to get more information from the agent in Paris - now closely watched by the Gestapo - is to send in a personal courier. Russian émigré Michael Gallatin is picked for the job. In retirement as a secret agent since a grisly episode in North Africa, Gallatin is parachuted into occupied France, on a mission which will take him to the festering heart of the Third Reich on the scent of doomsday.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

Rainer Maria Rilke (1875-1926) is the finest Austrian poet of this century and one of the greatest lyrical writers in the history of Western literature. A major figure in the modernist movement, with some affinities to Yeats, Rilke had a profound influence on other 20th century poets such as Pasternak and Akhmatova. He is a master of vivid and breathtakingly original imagery in which difficult ideas are made directly apprehensible to the reader and new worlds of experience are opened up.