Resultados para "Volume 1" en Arte y literatura

The year 2010 marks the 100th anniversary of Twain’s death. In celebration of this important milestone, here, for the first time, is Mark Twain’s uncensored autobiography, in its entirety, exactly as he left it. This major literary event offers the first of three volumes and presents Mark Twain’s authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave, as he intended.

William L. Shirer was a CBS foreign correspondent and renowned author of New York Times best-selling nonfiction about World War II, and this is the first part of his three-part autobiography. A renowned journalist and author of The Rise and Fall of the Third Reich, William L. Shirer chronicles his own life story in a personal history that parallels the greater historical events for which he served as a witness.

DIA 5: SEGUNDA-FEIRA, 23 DE JULHO DE 2001, 5h53 "O sol está brilhando através das grades da minha janela, no que deve ser um glorioso dia de verão. Estou encarcerado numa cela de cinco passos por três durante doze horas e meia e só poderei sair de novo ao meio-dia. Dezoito horas e meia de confinamento solitário. Na cela abaixo de mim há um garoto de dezessete anos acusado de roubar uma loja: é seu primeiro delito, ainda nem foi condenado. Ele fica trancado por dezoito horas e meia sem poder falar com ninguém.

After more than 100 documentaries in 65 countries over 40 years, Rategan calls it a day, laying down herein six of the strangest and richest things that happened to him. From the killing of Mozambique to the back alleys of Toronto, and many places in between, extraordinary stories from an extraordinary life.

When Gerald Eskenazi started reporting, sports journalism had a different look than it does today. Eskenazi gives a behind-the-scenes look into the journalistic techniques that go into crafting a story, as well as the pitfalls reporters fall into. There are cautionary tales of journalistic excess, as well as moments of triumph such as the time Eskenazi got Joe Namath to open up to him by admitting he was a sportswriter who knew nothing about football. Along the way, Eskenazi discusses interviewing other reluctant subjects and writing under the intense pressure of a deadline.

When he turned 65, the playwright Simon Gray began to keep a diary: not a careful honing of the days' events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. One of Britain's most amusing and original writers reflects on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters - a record of shame, adultery, friendship and love. Few diarists have ever been so frank about themselves and even fewer so entertaining.