Resultados para "We" en LGBTQ+

Welcome to Mayweather . . . Brenden Sanderson is known in his small town for his sunny personality and being friends with everyone. But when he accidentally tells his adopted daughter's grandparents that he's in a serious relationship right before they announce an unexpected visit, he goes into...

The night I fell from grace was also the night I fell for him. The high: Going from the lead singer in an unknown garage band to one of the most well-known rock groups in the span of six years is not something I ever saw coming. But here I am… Famous. Lonely. Miserable. The crest: Realizing that the man I'm with might be a narcissist is a tough pill to swallow because leaving him will involve a very public break-up. The fall: One reckless decision, a drunk driver, and a mountain of ice on the roads change the trajectory of my life forever, but not necessarily for the worst.

When Andy Fleming turns up in the newsroom of the New York Chronicle to learn the business Nick Russo is determined to dislike him. Nick has worked his way from a rough Brooklyn neighbourhood to reporter the hard way. Andy is heir to a publishing fortune: he can’t type, he loses his keys and has never done a day’s work in his life…and one day he’ll be Nick’s boss. Except, Nick keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the filing cabinets. Opposites in every way, an unlikely friendship soon turns into feelings neither want to deny.

Nerdy and shy, scholarship student Daniel de La Luna arrives at college nervous to meet his golden-haired, athletic roommate, whose Facebook photos depict a boy just like those who made Daniel's school years hell. Sam Morris is not what he had imagined, though. As the two settle into college life they drink tequila under the stars, go on long runs through snow-covered hills, explore freshman nightlife, and inch closer until they find themselves in love.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Bruce "Bones" Lanning and Emil Ettinger had a decent roommate arrangement at Roosevelt College, so they agree to share the same space again. Their relationship has always been ridiculous banter and competitive streaks, and they assume this year will be the same. So why are they suddenly enjoying nights holed up in their room together? Bones can't figure out why he likes being around Emil so much and why he's suddenly falling asleep in Emil's bed. And as far as Emil knows, Bones is straight, so why does he seem jealous when Emil arranges a random hookup?

Val and Julie just want what's best for their kids, David and Sophie. So when teenage son David comes home one day asking for a Pilot, a new brain implant to help with school, they reluctantly agree. This is the future, after all. Soon, Julie feels mounting pressure at work to get a Pilot to keep pace with her colleagues, leaving Val and Sophie part of the shrinking minority of people without the device.

Sometimes when I think back, I wonder how I got here. How did the sad, scared thirteen-year-old boy forced to move across the country to live with an aunt he barely knew end up married to his best friend and raising seven kids together? Sure, the marriage is for the benefits, and the kids are Riot’s siblings, but still. It’s a life I never imagined, but one I wouldn’t change for the world. Except for one thing. I love Riot a little more than a best friend should. Or a lot more.

At forty-six, Maren McEvoy is Australia's most popular newsreader, but for how much longer? And now her ex-husband has moved in with his boyfriend, and her sixteen-year-old daughter has been caught carjacking. Something has to change. Laid-back Jacinta Fowler is furious. Her new neighbor's daughter with her nightly prowling and disdain for the law, is a serious threat to Jac's motorcycle tour business. It'd be so easy to stay mad except that the girl's mother, Maren, is all kinds of gorgeous. And intriguing. And incredibly famous.

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through. In We Will Not Cancel Us, movement mediator adrienne maree brown reframes the discussion for us, in a way that points to possible paths beyond this impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes even from from its targets. However, brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us?

Bear, Otter, and the Kid survived last summer with their hearts and souls intact. They've moved into the Green Monstrosity, and Bear is finally able to admit his love for the man who saved him from himself. But that's not the end of their story. How could it be? The boys find that life doesn't stop just because they got their happily ever after. There's still the custody battle for the Kid. The return of Otter's parents. A first trip to a gay bar. The Kid goes to therapy, and Mrs. Paquinn decides that Bigfoot is real.

COP KILLER. That's the accusation scrawled on the home of a dead man, found executed in his own bedroom. That's the tawdry headline thrown around every news channel, every social media feed, every conversation taking over Baltimore. That's the name given to a man who may have been innocent, but never had the chance to prove it—and now Malcolm and Seong-Jae must solve his murder. A death that never should have happened; a death on their watch, when legal technicalities tied their hands.

Hitting rock bottom in the concrete jungle of Manhattan, investigative journalist Jamie Walker lands the assignment of a lifetime: Find the most elusive artist of a generation, who has enthralled the art and fashion world for more than a decade.

The Royal We is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

Grady’s been running his ranch and farm just fine on his own since his daddy died. But when young Jesse Cole blows up on his porch, Grady hesitates before sending him on. There’s something in the way Cole turns to leave that makes Grady want to pull him back in. There are murmurs in town about the kind of boy Cole is. The kinds of things he’s done.

For Dallas, the question he asked is simple. He's an open-minded guy, after all, so why wouldn't it be fine for him to play house with the kind and objectively good-looking pilot he met on his flight home? For Dallas's friends, his eagerness to say yes might be confirming something they've suspected about him for a long while now. For Kylen, the pilot, it means getting his family off his back and getting a break from them trying to help him find a nice girl to settle down with. It helps that Dallas is also hotter than the sun and kinder than any man he's ever met.

"Oh my God, Briar! Where did you get that prosthetic leg?" Things as a parent Lane thought he'd never say for four hundred, Alex. But that's par for the course in Lane Ashbury's life considering everything is on the verge of falling apart. He not only has a toddler building her skills as a professional klepto, but he's also on the verge of divorce, and hoping desperately to save his business before it goes under. Luckily, the owner of the stolen leg might just be an angel in disguise when he offers to be Lane's new nanny instead of pressing charges.

Paris is a fixer for mob families on the Grecian islands when a powerful crime lord hires her to investigate a bombing. Insinuating herself into Zarek’s circle is the chance for revenge that Paris has been waiting for since she was a child. Years ago, Zarek wiped out everyone she loved. Now it’s Paris’s turn. Her target? Zarek’s beautiful daughter, Helen.

Not too long ago, Cass was a promising young playwright in New York. But at the height of all this attention, she found herself at the centre of a searing public shaming and fled to Los Angeles to escape - and reinvent herself. Once there, she meets her next-door neighbour Caroline, an enigmatic filmmaker, who is constantly flanked by the stars of her current project: a group of teenage girls. As Cass is drawn into the film's orbit, she is awed by Caroline's drive and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art.

New York City, 1968: The customers at Café Marie don’t come just for the excellent coffee and pastries. They come for the sophisticated ambiance, and the illusion of being somewhere other than a bustling, exhausting city. Headwaiter Charles Ward helps create that illusion through impeccable service—unobtrusive, nearly invisible, yet always watchful.