Resultados para "We" en Narrativa femenina

It’s the 1960s in North Carolina, and Lorraine Delford has it all—an upstanding family, a perfect boyfriend, and an idyllic home complete with a white picket fence. Yet every time she looks through her father’s telescope, she dreams of leaving it all behind to go to space. It’s ambitious, but Lorraine has always been exceptional.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Jack Valentini isn't my type. Sexy, brooding cowboys are fine in the movies, but in real life, I prefer a suit and tie. Proper manners. A close shave. Jack might be gorgeous, but he's also scruffy, rugged, and rude. He wants nothing to do with a "rich city girl" like me, and he isn't afraid to say so. But I've got a PR job to do for his family's farm, so he's stuck with me and I'm stuck with him. His glares. His moods. His tight jeans. His muscles. His huge, hard muscles.

My Papai always said wine made everything better. Countless times he uttered those familiar words to me - "The Merlot will melt your problems away, meu amor. With a good bottle of wine in your hand, you hold the magical key to anything you want." I believed my father wholeheartedly, until my world came crashing down on me at 24 years old. It wasn't going to take wine to help Brody and I find our way back to one another. It was going to take fighting...not only for our love - but for my life.

Noah está no auge da carreira. Não há nada que o “menino de ouro” da ficção não tenha conquistado, mas ele não pode deixar passar batido o que pode ser a melhor obra do século: o romance inacabado de Scarlett Stanton, de quem ele é fã incondicional. Escrever um final adequado para a lendária autora é uma coisa, mas lidar com Georgia, a linda, teimosa e desconfiada bisneta dela, é uma situação bem diferente.

I just ran into the girl who got away. Holding a hate letter addressed to me. And now we're stranded in an elevator. Last time we kissed, it was final. I wasn't supposed to see her again. Not in this city. On this elevator. The moment it craps out, stranding us overnight with animal cravings and fencing lies. Last time we kissed, how could we know our next might truly, madly, beautifully restore us?

One afternoon in Atlanta, Georgia. Two people heading to the altar. One hundred fifty guests. The bride, Elizabeth Gottlieb, proud graduate of the University of Virginia and of Emory University School of Law, member of Atlanta's wealthy Jewish elite. The groom, Hank Jackson, not a member. Not a Jew. The couple of the hour, however, is beside the point, because We Are Gathered belongs to the guests.

Maggie loves her job as head of IT at a financial firm, and her three geeky but lovable work buddies. And when they invite her to stay with each of them for the holidays, she can’t resist the chance to get to know them better.

Charity Evans and Lynzee Lavender haven’t always had the best relationship - for the most part thanks to them being writers. But while Lynzee is the wealthy, successful New York Times best-selling author of science fiction books, Charity is just squeaking by. Why is her publisher suddenly reluctant to renew her contract? Charity suspects the worst: Her own sister has had her blacklisted! The rivalry goes into overdrive when Lynzee reveals that the father of the child she gave up years ago is...Charity’s husband!

A scandalous revelation is about to devastate a picturesque town where the houses are immaculate and the neighborhoods are tightly knit. Devoted mother Cora O’Connell has found the journal of her friend Laurel’s daughter - a beautiful college student who lives next door - revealing an illicit encounter. Hours later, Laurel makes a shattering discovery of her own: her daughter has vanished without a trace. Over the course of one weekend, the crises of two close families are about to trigger a chain reaction that will expose a far more disturbing web of secrets.

Teresa Sanchez has always known who she was: a professor, a wife, a mother, and a friend. But when her husband dies unexpectedly, she finds herself completely broken. Taking a leave from the university, Teresa hopes that she can mourn her husband and get back on her feet, but instead, she spends a year consumed by grief. Until the day she levitates.

Debut novelist Erin Bartels takes listeners on an emotional journey through time - from the volatile streets of 1960s Detroit to the Underground Railroad during the Civil War - to uncover the past, confront the seeds of hatred, and discover where love goes to hide.

Eleanor Sharpley has been living a lie. Needing to escape her London life quickly, Eleanor throws her things into the back of her car, and heads to her erstwhile best friend Charlie’s family farm. But Charlie isn’t there. Instead she finds Charlie’s grieving brother, Daniel, her eight-month-old daughter, Hope (a daughter Eleanor had known nothing about) and a crumbling and unloved Damson Farm.

Searching for meaning in her Montreal life, Marthe begins an intense friendship with an older woman, also from Newfoundland, who tells her a story about purpose, about a duty to fulfill. It's back home, and it goes by the name of Jane. Marthe travels back to a small community on the island with the older woman to continue the work of an underground movement in 60s Chicago: abortion services performed by women, always referred to as Jane. She commits to learning how to continue this legacy and protect such essential knowledge.

Glory Pryor has carved out a life for herself in Gilmore, North Carolina, cultivating a community around her bookstore, By the Book. While her business is a success, she carries the weight of stories of her own she’s never told anyone. She holds out hope that one day her estranged brother will turn up on her doorstep so she can finally learn where he’s been all these years. Glory’s husband Eli thinks she has her arms wrapped too tightly around the could-have-beens, and that it’s time for them to let go of the store as they head into their retirement years.

Agata jest kobietą spełnioną. Pensjonat, który prowadzi w Białogórze, daje jej dużo satysfakcji. Jej mąż, starszy o dwadzieścia lat artysta malarz, jest na każde jej zawołanie, czuły i opiekuńczy. Spokój Agaty burzy wizyta u chorej siostry na Śląsku. Tam również po raz pierwszy spotyka swojego szwagra. Choroba Joanny zbliża je do siebie, ale czy na pewno? Siostrzane uczucia zostają wystawione na próbę, a kontrowersyjne decyzje Joanny w trakcie leczenia wprowadzają dodatkowy zamęt.

A month after their emotional reunion, Vivien, Lacey, and Tessa remain in Destin, their futures as uncertain as the changing tides. Vivien is focused on getting back on her feet, determined to find her own path after years of living for others. Lacey and Tessa face new challenges while starting their own business, making unexpected connections along the way.

Andy Carter was happy. He had a solid job. He ran 5Ks for charity. He was living a nice, safe Midwestern existence. And then his wife left him for a handsome paramedic down the street. We're All Damaged begins after Andy has lost his job, ruined his best friend's wedding, and moved to New York City, where he lives in a tiny apartment with an angry cat named Jeter that isn't technically his. But before long he needs to go back to Omaha to say good-bye to his dying grandfather.

Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis.

Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.