Resultados para "Witches" en Narrativa femenina

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

Nora, Daisy, and Soraya think their marriages are just fine. Until their husbands prove them wrong. Nora’s says he needs distance and flits off to a wellness retreat in Chile. Daisy’s confesses to an affair with someone younger. And Soraya’s sends her a pic of that special part of himself—meant for another woman. At a loss for what to do, they follow their intuition right into Lady’s Mantle Apothecary.

Madeline is missing. Ordered to find her, Madeline’s estranged niece, Fade, must return to the lonely forest of Willow Sound, Nova Scotia. There, Fade discovers her aunt’s once-cozy cottage empty and rotting. The ominous smell of something burnt hangs in the air. In her search for answers, Fade clashes with the people of Grand Tea, a nearby village struggling under the shadow of a massive, looming rock that could tip and crush them all at any time. For generations, they’ve invented bizarre lore about Madeline, calling her a witch and blaming her for their misfortunes.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Danica Waterhouse is a fully modern witch - daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family feedback, Danica made a pact with her cousin: They'll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica's mother weaves floral crowns for anyone who crosses her path. 

It is 1916 and Rasputin has finally been killed by those who have long feared his influence over Tsar Nicholas and Tsarina Alexandra. But for Princess Militza, famed as one of the 'Witches of St Petersburg', and her daughter Nadezhda, life is about to become extremely dangerous. Revolution is bubbling and with it will come the murder of the Romanov imperial family. Now the rest of the court is also on the run, fleeing from the mob. Against this violent and turbulent backdrop, Nadezhda, the witch's daughter, finds in exile and captivity an extraordinary and unlikely love.

Torie Bliss and her best friend Jasmin wanted a quiet girls' getaway from Singing Falls—no hexes, no heartbreak, and absolutely no supernatural nonsense. But their road trip detours into the wilds of West Virginia, landing them at a picturesque inn with creaky floorboards, nosy guests, and a haunted reputation the locals take very seriously. Then a body turns up. And the real trouble begins.

Her mother was cursed. Will she suffer the same fate? Windsor, Connecticut, 1647. Alse Young is a wife, a mother, and a woman of faith. But when sickness and death spread through her town, whispers gather like storm clouds. Accused of witchcraft, she becomes the first person hanged for the crime...

Florence and Evie Caldwell have long disagreed on how to break their family’s curse, and tension has been high since their mother’s death thirteen years ago. Honeysuckle House, the family estate where every Caldwell has lived, now only houses one of the sisters. Evie has crafted it into an enchanted bed and breakfast while Florence runs a magical bookstore in town, refusing to even set foot inside Honeysuckle House.

It's been five months since Clara moved back home to Whispering Willows and started practicing magic again. Now, she's taking up her heritage and granting wishes, teaching her daughter magic, and dating her sexy ex from high school. She feels settled, like she's finally found her way. Until her dad arrives. The dad her mother told her was a one-night stand. The dad who was supposedly a deadbeat. The dad she thought had died. He's very much alive, and he wants to get to know Clara.

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

Clementine Waterhouse is a perfectly logical witch. She doesn't tumble headlong into love. Rather, she weighs the pros and cons and decides if a relationship is worth pursuing. At least that's always been her modus operandi before. She prefers being the one in charge, always the first to walk away when the time is right. Attraction has never struck her like lightning - until the witch hunter comes to town. Can the bossiest witch in town find a happy ending with the last person she should ever love?

The Cambridge University witches have been meeting for as long as the university has been around. They meet mainly to discuss books, though they do so on the roofs of the colleges. Only those invited can join; this includes Kat (a great spell caster and professor) and Cosima, Kat's sister, café owner and witch. However, when Cosima begins casting spells to attract a mate, everything starts to go wrong - she sets off a chain of events that turns each witch's world upside down....

It's not that I thought life was going to be easier now that I've settled into being forty, happily married to the man of my dreams, living my best life as a witch, but, well, okay yes, that is what I thought. Reality comes knocking the day I try to open the door to my shop and the key doesn't work. Neither does anything else: bricks to the window, my strongest spells, an actual half-giant punching in the door—nada. This magical shop has been in my family for over a hundred years. It's our legacy, what I want to pass down to my daughter.

Since moving to Hollywood Lakes, Shay's life has been full of surprises—like the mysterious crow gifts she keeps finding on her porch and her childhood summer camp turning into a getaway for adults. It's all cocktails and crafts until Color Wars begins, and Shay learns her former nemesis is captain of the opposing team—even meaner now than she was then. Shay's determined to win . . . until word witch duty calls.

When Shay reopens Hollywood Lakes Inn, her biggest worry is whether the plumbing in the 200-year-old house will spring a leak. But as she readies for her first VIP guest, she's caught in flashbacks that never happened—memories so vivid she wonders if she's losing her perimenopausal mind. With no time to dwell, she focuses on Porter Nichols, the famous screenwriter renting the entire second floor. He's got a script to finish and a terrible case of writer's block. When an unexpected guest arrives along with some disgruntled muses, Shay suspects his problem is magical in nature. 

Shay Atwater is a talent manager in Hollywood with a knack for making dreams come true. But somehow, she's never quite found her own. At 44, she fears she's running out of time—especially in Hollywood where women of a certain age become invisible. She needs a reset, and settling her grandmother's estate is the perfect opportunity for a getaway to Hollywood Lakes, the idyllic town where she spent summers in childhood. But when her BFF, Avery, shows up begging to use her grandmother's inn as a movie location, what's meant to be a vacation turns into anything but.

Being the dud in my coven wasn't the worst thing—until they decided to re-evaluate our contributions. Without magic, all I had was a resting witch face and a smart mouth. Neither will save me when the next full moon comes. Having the last name Byrne can only get me so far.

Forty and fabulous is my motto. It's been twenty years since I escaped Whispering Willows and my humble beginnings. Now I live in LA, working my dream job as head witch at a growing corporation, getting paid the big bucks to cast spells some might find morally questionable. Life is perfect. Until the night my boyfriend surprises me with a "romantic" getaway in the middle of nowhere, and I find a shovel and rope in his trunk. Romance is truly dead.

Midlife isn’t for the weak. All Marion Matched wanted to do when she moved to Premonition Pointe was open her matchmaking business and start to relax a little, take morning walks on the beach, and maybe find a hobby or two. Now she’s busier than ever, running a successful business and working with her sister for the Magical Task Force, fighting off evil forces. Marion is just about to head off for a much-earned vacation with her boyfriend Jax, when she gets the call that a string of men who’ve used her service have been poisoned.