Resultados para "de muzen" en Literatura de género

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

He calls himself The King. Once a respected professor, he was ruined by scandal. Now, he rules his own “country”—an area of western territory where an army of outlaws enforce his laws. Any town he claims as his own must pay “taxes,” collected from bank, stagecoach, and train robberies. When he learns that President Rutherford B. Hayes and General William Tecumseh Sherman are venturing into the far west on a tour of the nation, The King devises a plan to kidnap America’s leaders and expand his empire.

Rafinovaná kompozice, rychlý dějový spád a v neposlední řadě i slovní a situační humor jsou už tradiční výbavou Vieweghových audioknih. Tentokrát je k přednostem autorova psaní nutno přičíst i nekompromisní ráznost, s níž v románuotvírá dveře „třinácté komnaty“ mužského světa. Román pro muže je jubilejní, dvacátou knihou Michala Viewegha. Možná proto je nejen knihou o ženském zklamání ze světa řízeného přestárlými kluky, ale také bilancující, mnohdy až sebeironickou reflexí úspěšného spisovatelství.