Resultados para "musica" en Ciencias sociales

Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation. After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Sei disposto a mettere in discussione le tue convinzioni? A guardare il mondo da un’altra prospettiva ma soprattutto a metterti veramente in gioco? Se la risposta a tali domande è sì, questo libro fa per te, in caso contrario, lascia perdere perché rischi di metterti nei guai. Un manuale di sopravvivenza per tutti coloro che cercano qualcosa in più, che vogliono guardare oltre e non si accontentano delle versioni ufficiali dei fatti, delle verità assolute e dei diktat.

Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould, but it has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice. The masterful score creates a powerful soundtrack to the saga.

Great minds have long sought to understand the relationship between music and mathematics. Both involve patterns, structures, and relationships. Both generate ideas of great beauty and elegance. Music is a fertile testing ground for mathematical principles, while mathematics explains the sounds instruments make and how composers put those sounds together. Understanding the connections between music and mathematics helps you appreciate both, even if you have no special ability in either field....

Professor Seeger reveals the origins of the American music industry; the impact of instruments like the piano and the banjo; and the myriad ways music has shaped American wars, dances, elections, and public demonstrations. You’ll learn the secret histories of songs, including “The President’s March”, “Amazing Grace”, and “We Shall Overcome”, You’ll also hear informative interviews and eclectic performances from scholar-musicians, and sample original recordings that reflect the incredible richness of the American musical experience. 

Making headlines when it was launched in 2015, Omise’eke Natasha Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. 

In 1997, Daniel Trush, a bright, active, outgoing twelve-year-old, collapsed on the basketball court and fell into a deep coma. Rushed to the hospital, he was found to have five previously undetected aneurysms in his brain. One had burst, causing a massive cerebral hemorrhage. While Daniel remained comatose, the uncontrolled pressure inside his skull caused him to suffer multiple strokes.

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the 20th century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early 20th century to the present day.

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock. 

Audio Journeys explores the Maya Music Museum in La Antigua, Guatemala, with the museum founder and director. (This Audio Journey is also available in our MesoAmerica Series.)

The goal was simple: listen to music – specifically, Western rock 'n' roll. The problem: Those striving to reach that goal weren't in the United States or anywhere else where rock was popular – they were in the Soviet Union, and it was the 1950s.

Nashville - a haven for aspiring musicians and a magnet for country-music fans. By the time Pat Postiglione arrived there in 1980, it was also the scene of an unsolved series of vicious sex slayings that served as a harbinger of worse to come. As Postiglione was promoted from street-beat Metro cop to detective sergeant heading Music City’s elite cold-case Murder Squad, some of America’s most bizarre, elusive, and savage serial killers were calling Nashville home. And during the next two decades, the body count climbed. 

Playboy - the magazine, the empire, the lifestyle - is one of the world's best-known brands. Since the launch of Playboy magazine in 1953, two elements have been remarkably consistent: The first, obviously, is the celebration of nubile, female flesh. The second, people may be surprised to learn, is Playboy's involvement in the music scene. The Playboy experience was never just about sex, but about lifestyle. Music - particularly the finest jazz, a personal passion of Hefner's - has always been an essential component of that lifestyle. 

Funk e empoderamento feminino no mesmo audiolivro? Como assim, se o funk só objetifica a mulher? É para romper com esse senso comum, que Tamiris Coutinho decidiu enfrentar os estigmas e preconceitos que envolvem o gênero musical no lançamento da editora Claraboia. Inspirada no hit do funk carioca Cai de boca, a autora analisa e demonstra como um dos movimentos culturais mais importantes do Brasil também é um potencializador da liberdade, da autonomia e do empoderamento da mulher.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

If you’re going to write a book about the Rolling Stones at this point in their history, you damn well better have something unique to say - which brings us to former Rolling Stone magazine associate editor in London, Robert Greenfield. I am happy to report that the author has added several new colors to what we know of the band. If you love the Stones, you’ll find this tale irresistible. Hear more about it in this interview. 

There are two pictures on Tommy Roe’s website of him with The Beatles. I glanced at them the night before this interview and then moved on, looking for ideas about what to ask the man behind such immortal 1960s bubblegum hits as “Sheila", “Dizzy”, and “Jam Up and Jelly Tight". The Beatles knew Roe; they were one of the featured acts on his top-billed tour of the UK, and they recorded a cover of his number one hit from 1962, “Sheila". Tommy Roe’s had his first number one with “Sheila", of course, and subsequently charted a number of songs on the Top 10.

Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in his first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays, short stories, and the occasional unfilmable film "mistreatment" that showcase the sheer range of his voice, Unstrung captures an artist whose versatility with words rivals his dexterity onstage. 

In "Jubel & Krawall“ sprechen Sophie Passmann und Matthias Kalle über neue Serien, alte Bands, gute Bücher und schlechte Comedy. Ihr Motto: Popkultur kann uns helfen, die Gesellschaft und damit unseren Alltag besser zu verstehen. Warum lernen wir in Popsongs zum Beispiel, wie Liebeskummer geht, aber nicht, wie man glückliche Beziehungen führt?

Une conversation générationnelle et intersectionnelle sur la pop culture. Aux commandes : Clémentine Gallot co-créatrice de la newsletter du même nom. Une discussion déjantée et sans tabou, où l'on prendra Beyoncé très au sérieux.