Resultados Editorial "Audible Studios" en Arte y entretenimiento

As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.

From southern Greece to northern Russia, people have long believed in female spirits, bringers of fertility, who spend their nights and days dancing in the fields and forests. So appealing were these spirit-maidens that they also took up residence in 19th-century Romantic literature. Archaeologist and linguist by profession, folk dancer by avocation, Elizabeth Wayland Barber has sleuthed through ethnographic lore and archaeological reports of east and southeast Europe, translating enchanting folktales about these "dancing goddesses" as well as eyewitness accounts of traditional rituals - texts that offer new perspectives on dance in agrarian society.

Critics hated it. The public feared it would topple over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City. The Flatiron Building was built by the Chicago-based Fuller Company - a group founded by George Fuller, "the father of the skyscraper" - to be their New York headquarters. The company's president, Harry Black, was never able to make the public call the Flatiron the Fuller Building, however. In The Flatiron, Alice Sparberg Alexiou chronicles not just the story of the building but the heady times in New York at the dawn of the 20th century.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war why it was fought, what was won, what was lost not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gallagher guides listeners through the stories told in recent film and art, showing how they have both reflected and influenced the political, social, and racial currents of their times.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

In The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over 200 original interviews and extensive archival research, Nesteroff's groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past 100 years.

Almost everything you know about Mickey Mouse is wrong: He wasn’t Disney’s first star; Steamboat Willie wasn’t his first movie; Mickey wasn’t a nice guy - and Walt Disney didn’t invent him. In 1928, two very different best friends invented Mickey Mouse. And the success tore them apart. Walt Disney and Ub Iwerks’ friendship is a story of betrayal, love, war, money, power, tragedy, intrigue, humor, despair, and hope. You’ll love them both - when you don’t want to drop anvils on their heads.

In 1948, New Orleans veteran trumpeter and singer Louis Prima stumbled into a young girl named Keely Smith. She was barely a performer at all, almost half his age, destined for a relatively quiet life; their encounter was pure coincidence. But they went on to invent The Wildest, the most exciting and successful lounge act Las Vegas has ever seen, an act that became one of the hottest in the U.S. in the late 1950s and early 1960s.

Thomas Dolby's hit songs "She Blinded Me with Science" and "Hyperactive!" catapulted him to international fame in the early '80s. A pioneer of New Wave and Electronica, Thomas combined a love for invention with a passion for music, and the result was a new sound that defined an era of revolutionary music. But as record company politics overshadow the joy of performing, Thomas finds a surprising second act.

Inspired by the life of legendary jazz pianist Oscar Peterson, Mauricio Segura’s Oscar evokes periods across time, from the Depression-era Montreal neighbourhood of Little Burgundy to the swinging cabarets of the 1950s, while offering a reflection on the bonds between an artist and the Caribbean diaspora from which he comes. But above all, Oscar is a poignant homage to a musical giant, a man who changed the face of jazz forever.

Guided by Voices was one of the most popular indie-rock bands of the 1990s. Critics internationally have lauded the band's brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by The New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically.

Nella ricerca di Massimo Recalcati nei territori della psiche, da decenni l'arte occupa un posto centrale. È a essa, e in particolare alla pittura, che Recalcati torna continuamente, immergendosi nella profondità della dimensione creativa per mettere alla prova e temprare gli strumenti teorici della psicanalisi lacaniana.

Trecento tacchini d'allevamento duettano con un cantante e finiscono in un disco. Un branco di lupi "ricama" sul riff di una chitarra e finisce in un altro disco. E il delicato coro delle feroci orche marine in altro ancora. Assurdo? No, perché le vie della musica, popolare o colta che sia, complessa o semplicissima, che provenga da strumenti musicali o dalla voce, anche da quella animale, sono davvero infinite, spesso sorprendenti.

Svizzera, 2010. Cornelius Gurlitt, cittadino tedesco di 79 anni, sta viaggiando su un treno diretto a Monaco quando viene fermato per un controllo di routine. Agli occhi degli agenti l'uomo non è che un innocuo vecchietto, ma un'ispezione rivela che, cuciti nel risvolto della sua giacca, ci sono ben novemila euro in contanti. Una cifra importante per un pensionato, che porta la polizia ad approfondire le indagini.

La storia d'Italia è anche geografia: quella delle nostre città così ricche di monumenti, palazzi e scorci, connessi da un intrico di vie sotterranee che sono una metafora dei percorsi della nostra memoria. In questo dedalo ci accompagna Hans Tuzzi, guida d'eccezione alla scoperta dei segreti di quattro città italiane servite dalla metropolitana: Roma, Milano, Napoli, Torino. Attraversiamo le vie della Roma dei Cesari, saliamo a piazza di Spagna, "la più bella del mondo" per Gabriele D'Annunzio, teatro degli amori di Elena Muti e Andrea Sperelli.

Incontriamo, nella storia d'Italia, una lunga serie di sovrani di ogni genere - papi, re, duchi - grazie ai quali la penisola è stata costellata di regge e residenze prestigiose. Grandi architetti come Juvarra, Vanvitelli e Piermarini, affiancati da letterati e da artisti, hanno contribuito a trasporre sul piano della progettazione, dell'estetica, della decorazione le esigenze politiche e di autocelebrazione dei loro committenti.

In "Society's Child," you'll journey with Janis as she spends time with luminaries of the century-Bob Dylan, Jimi Hendrix, Aretha Franklin-singers and songwriters who both influenced and befriended her. Her book takes an unblinking look at the music business, her own remarkable path through it, and what was really happening backstage-with honesty and integrity.

From breakout stand-up comedian Iliza Shlesinger comes a subversively funny collection of essays and observations on a confident woman's approach to friendship, singlehood, and relationships. "Girl Logic" is Iliza's term for the way women obsess over details and situations that men don't necessarily even notice. She describes it as a characteristically female way of thinking that appears to be contradictory and circuitous but is actually a complicated and highly evolved way of looking at the world.

Would you receive a ‘char and a wad’ with a grateful smile? If asked to take a ‘dekko’, would you be offended? And if spotted reading the ‘yellow press’, would you be embarrassed?The meaning of these and many other intriguing phrases are defined, and their loss lamented, in this wonderfully nostalgic look at how language has changed over the past few decades.