Resultados Editorial "Highbridge Audio" en Arte y entretenimiento

Tom and Ray lead colorful (not to mention grimy) lives, and each week they share the hilarity with millions of radio listeners. Their latest collection will delight diehard fans and anyone who cares about cars and good humor.

Moms have served honorably in the minivan wars, negotiated conflicting advice between husbands and fathers, and even extracted sticky sippy cups from under countless seats. Tom and Ray Magliozzi, aka Click and Clack, the Tappet Brothers, answer calls about - and from - mothers, answering questions and giving advice on cars, families, and cutting the apron strings.

This is a collection of calls about cars, animals, and the mysterious, often hilarious times when they meet. It leads Tom and Ray down a familiar path of wild speculation, occasionally brilliant suggestions, and lots of laughs. This is a must-have for anyone who loves animals, particularly the two that host Car Talk.

This eclectic collection gathers all-time "Driveway Moment" favorites, including some suggested by listeners themselves. These literate, intelligent, profoundly touching stories are worth hearing over and over again, and now you don't have to stay in your car. What is a Driveway Moment? Maybe it's happened to you as it has to countless others.... You're driving home, listening to a story on NPR. Suddenly, you find yourself in your driveway (or parking space or parking garage).

Walking in This World picks up where Julia Cameron's best-selling book on the creative process, The Artist's Way, left off to present readers with a second course, part two in an amazing journey toward discovering our human potential. Full of valuable new strategies and techniques for breaking through difficult creative ground, this is the "intermediate level" of the Artist's Way program.

Printed books are all well and good, but, let's face it, it's a whole lot easier to let somebody else do the reading. P.D.Q. Bach was probably the most passive composer who ever allegedly lived, so the less effort you put into learning about him, the more you carry on his ideals.

The Golden Girls: Tales from the Lanai is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts.

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John approaches the artist seriously and analytically, while still couched in a highly accessible style.

The idea that our homes can communicate professional as well as personal identities may seem as new as the work-from-home revolution. But it was second nature to the ancient Romans, for whom the home was in many ways the center of public and private life. Roman authors saw infinite practical and symbolic value in houses, and they have much to say about them. How to Make a Home presents some of the best Roman writings on houses—from buying and selling to designing and decorating.

In this Oxford Guide to Film Musicals, author Hannah Lewis gives listeners fascinating new insights into the development, style, and reception of the 2016 film musical La La Land. Directed by Damien Chazelle with music by Justin Hurwitz, the film tells the story of a romance between an aspiring actress and jazz pianist as the two pursue their dreams in Los Angeles. It uses a vintage form to tell a modern story and its blend of nostalgia and realism made it an instant classic even as it prompted a range of critical and audience responses.

For a tour of noir cinema, No Daylight in That Face is the perfect companion, and Barry Gifford is an ideal guide. His choice selection of films exposes the menacing, moody, and oftentimes violent underbelly of this dark movie genre that occupies a favorite niche in American popular culture...

The Louvre is the most famous museum in the world, attracting millions of visitors every year with its masterpieces. In Adventures in the Louvre, Elaine Sciolino immerses herself in this magical space and helps us fall in love with what was once a forbidding fortress. Exploring galleries, basements, rooftops, and gardens, Sciolino demystifies the Louvre, introducing us to her favorite artworks, both legendary and overlooked, and to the people who are the museum's lifeblood.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the "shadow archive" of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, she demonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today.

Vincent Paterson began his professional dancing career late in life. It would take an exceptional turn when he became one of the lead dancers in Michael Jackson's Beat It music video. Through hard work, he rises to the rank of choreographer and director for the world's greatest singers, but also for cinema and musical comedy. He tells with humility the fascinating universe of film sets, the rehearsal sessions where he had to orchestrate and synchronize dozens of dancers, and life backstage, where it is sometimes necessary to manage a few whims of the stars.

Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world. Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part.

A Syria-born dancer offers his deeply personal story of war, statelessness, and the pursuit of the art of dance in this inspirational memoir.

Born into a family of five, Frank Bello grew up in difficult circumstances. His father abandoned his wife and children. Left with no male role model, Frank found inspiration in heavy metal bass players, following their example and forging a career with Anthrax from his early teens - first as a roadie, and then as the group's bass player.

As one of the founding members of the seminal punk band Angry Samoans, Gregg Turner has seen his fair share of weird shit. From his time at Creem Magazine in the 1970s and '80s to the formation of the Angry Samoans in Los Angeles, and all the travels, trials, and tribulations that occurred after, Turner takes us through a wild ride of stories he's heard, stories he's lived, and some he may or may not have made up.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.