Resultados Editorial "Tantor Audio" en Arte y entretenimiento

The Lioness of Boston is a portrait of what society expected a woman's life to be, shattered by a courageous soul who rebelled and was determined to live on her own terms.

Ever wonder what the people who bring us our TV entertainment are thinking? Television and pop culture historian and author Herbie J Pilato has, and now takes listeners on a provocative and entertaining look into the agenda behind TV shows and the resulting trends. Even when it seemed television programming was primarily mindless, there was serious thought behind what audiences were presented. The networks, after all, believe in giving the people what they want, even when the people should have known better. 

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

In Mallparks, Michael Friedman observes that just as cathedrals represented power relations in medieval towns, and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban America at the turn of the twenty-first century.

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

Few songs have captured the contradictions and ambiguities of the 1960s as memorably as "California Dreamin'," the iconic folk music single that catapulted the Mamas & the Papas into rock and roll history. In All the Leaves Are Brown, author Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and "Mama Cass" Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success.

Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity.

On March 23, 1849, Henry Brown climbed into a large wooden postal crate and was mailed from slavery in Richmond, Virginia, to freedom in Philadelphia, Pennsylvania. "Box Brown," as he came to be known after this astounding feat, went on to carve out a career as an abolitionist speaker, actor, magician, hypnotist, and even faith healer. The Many Resurrections of Henry Box Brown is the first book to show how subversive performances were woven into Brown's entire life, from his early days practicing magic in Virginia while enslaved, to his last shows in Canada and England in the 1890s.

There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock 'n' roll of the '50s, '60s, and '70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond.

Do you want to know more about the fascinating history of Broadway musicals, the stars of yesterday and today, and what goes on behind the curtain of a musical production? In Musical Theatre For Dummies, Broadway insider Seth Rudetsky takes you backstage and reveals everything you want to know about life in the theatre.

Women from all walks of life. Artists, musicians, authors, fashion designers, entrepreneurs, and others from a multitude of creative careers share their experiences with depression, bullying, infertility, cancer, assault, loss of loved ones, drug addiction, and many other issues women often do not have a safe space to talk about. These stories show you just how real life is.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

Rock stars who "went disco" crossed a musical rubicon and forever smashed cultural conformity. The ongoing dance-rock phenomenon demonstrates the impact of this unique place and time. The disco crossover forever changed rock.

Over more than five decades, legendary architect Moshe Safdie has built some of the world's most influential and memorable structures. Safdie always refers to the "silent client" an architect must ultimately serve: the people who live in, work in, or experience a building. If Walls Could Speak takes listeners behind the veil of an essential yet mysterious profession to explain through Safdie's own experiences how an architect thinks and works.

Originally published in 1978 as The Beach Boys and the California Myth, this groundbreaking study was both the first full-length book on the band and the first to recognize Brian Wilson as one of the most significant and influential artists of the twentieth century. Covering the turbulent family strife and internal conflicts as well as giving proper attention to the remarkable music, the book was an instant classic.

Royal Lodge is one of a scattered group of dwellings, mansions, forts, and follies in the southern recesses and environs of Windsor Great Park which have served royal pleasures and private needs ever since the carefree days of Charles II. It has been the home of artists and courtiers and farmers and foresters, the picnic pavilion of queens and the private abode of two kings. Meticulously researched, royal chronicler Helen Cathcart paints a vivid picture of the evolving architecture, changing decor, and esteemed inhabitants of Royal Lodge from earliest days through to the mid-twentieth century.

Over a period of forty-five years, Bill Frisell has established himself as one of the most innovative and influential musicians at work today. Growing up playing clarinet in orchestras and marching bands, Frisell has progressed through a remarkable range of musical personas—from devotee of jazz master Jim Hall to 'house guitarist' of estimable German label ECM, from edgy New York downtown experimentalist to plaintive country and bluegrass picker. He has been a pioneering bandleader and collaborator, a prolific composer and arranger, and a celebrated Grammy Award winner.

Sandringham, the much-loved Norfolk retreat of Queen Elizabeth II, has been the private home of four generations of monarchs since 1862, when Queen Victoria and Prince Albert bought the country estate for their eldest son Albert Edward, Prince of Wales. Written with warmth and wit, Helen Cathcart charts a hundred years of royal domestic history at Sandringham, from earliest days through to celebrated visitor attraction. A blend of narrative history and family chronicle, Sandringham commemorates the centenary of one of the best-known private country houses in the world.

The Moog synthesizer "bent the course of music forever" Rolling Stone declared. Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation-suddenly everyone wanted a Moog. The Moog's gamechanging sounds saturated sixties counterculture and burst into the disco party in the seventies to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and became a star.

Antony Armstrong-Jones, photographer, designer and film-maker, gained worldwide attention when he married Queen Elizabeth II's younger sister, Princess Margaret in 1960—the first non-aristocrat to marry into the Royal Family for 400 years. How did a "commoner" come to marry a princess, a woman whom he had long admired from afar? In fact, "Tony" descended from Welsh gentry, the son of a barrister and a society hostess. His family shared a long-established link with the Mountbatten arm of the Royal Family.