Resultados Editorial "Blackstone Publishing" en Biografías y memorias

In this unforgettable memoir, Emerald Garner recounts her father’s cruel and unjust murder, the immense pain that followed, the pressures of an exploitative media, and her difficult yet determined journey as an activist against police violence. In addition to these vulnerable, personal essays, Finding My Voice includes conversations in which Emerald found inspiration, empathy, and community. With growing calls for radical transformation and accountability, Emerald Garner’s memoir is a story of family and community, and the strength it takes to survive, to stand, to speak.

At thirty-five, Elsie Robinson feared she’d lost it all. Reeling from a divorce in 1917, she had no means to support herself and her chronically ill son. She dreamed of becoming a writer and was willing to sacrifice everything for this goal, even swinging a pickax in a gold mine to pay the bills. When the mine shut down, she moved to the Bay Area, where she barged into the offices of the Oakland Tribune and was hired on the spot. She went on to become a nationally syndicated columnist and household name whose column ran for over thirty years and garnered fifty million readers.

In this unconventional memoir, Jonathan Alexander addresses wry and affecting missives to a conflicted younger self. Focusing on three years—1989, 1993, and 1996—Dear Queer Self follows the author through the homophobic heights of the AIDS epidemic, the fall of the Berlin Wall, the election of Bill Clinton, and the steady advancements in gay rights that followed. With humor and wit afforded by hindsight, Alexander relives his closeted college years, his experiments with his sexuality in graduate school, his first marriage to a woman, and his budding career as a professor.

Paper Belt on Fire is the unlikely account of how two outsiders with no experience in finance—a charter school principal and defrocked philosopher—start a venture capital fund to short the higher education bubble. Against the contempt of the education establishment, they discover, mentor, and back the leading lights in the next generation of dropout innovators and in the end make their investors millions. Can such a madcap strategy help renew American creativity? This story is the behind-the-scenes romp of one team that threw educational authorities into a panic.

Hillary Leftwich weaves together the stories of her life to create startlingly raw memories that are both personal and profoundly universal. She explores the devastating impact of patriarchy in her own life while searching for answers in witchcraft, womanhood, and motherhood. Urgently portrayed and deeply felt, Aura is a complex tapestry. Her story is a vivid confrontation against an unforgiving world that traps women and children in the systems meant to save them. This is a story for seekers, searchers, and anyone in the process of saving themselves and their loved ones.

Jerry Marcus fooled them all. He was “a nice guy,” always helped at home, did well in school, an athlete, and always employed. When things went wrong, he was the first to help clean up the mess. He was the last person anyone suspected of being a serial killer. After Marcus was caught and sentenced to life in prison in the late 1970s, author Linda Lou Long spent years corresponding with him. The Tuskegee Strangler gives an inside look into the workings of a man who is not your typical serial killer.

After sixty years, Paul Gregory finally tells everything he knows about the Oswalds and how he watched the soul of a killer take shape. He offers the intimate details of his time spent with Lee and wife Marina in their run-down duplex on Mercedes Street in Fort Worth, Texas, and his admission into the inner world of a young marriage before candidly assessing the murder that marked a turning point in our country’s history. As a scholar and skilled researcher, Gregory debunks the vast array of conspiracy theories by demonstrating that Lee Harvey Oswald did it and did it alone.

Henry Gerber was the father of American gay liberation. Born in 1892 in Germany, Henry Gerber was expelled from school as a boy and lost several jobs as a young man because of his homosexual activities. He emigrated to the United States and enlisted in the army for employment. After his release, he explored Chicago’s gay subculture: cruising Bughouse Square, getting arrested for “disorderly conduct,” and falling in love.

For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards—the Academy of Motion Picture Arts and Sciences—has yet to be understood. To date, no one has ever produced a thorough account of the Academy’s birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy’s creation and development is a critical piece of Hollywood’s history. Now that story is finally being told.

Due to Sullivan’s extensive writing about Ted Bundy, he’s become a sort of magnet over the years, drawing out many people who were part of the Bundy story but have otherwise kept a low profile over the decades. These first-person contacts continue to this day. As such, this is the first book in a new series of books whose aim is to bring new revelations to the public about Bundy, the victims, the murders, and the almost murders that failed Bundy for one reason or another.

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

From his earliest memories of watching Rhoda with his parents in their tiny Hell’s Kitchen apartment, John knew that he wanted to be an actor. The strange, alternate world of television—where people always cracked the perfect joke, lived in glamorous Upper East Side buildings, and made up immediately after fighting—seemed far better than his own home life, with a mother and father on the brink of divorce and a neighborhood full of crumbling pre-war architecture and not-so-occasional muggings. And yet that other world also seems unattainable.

Warned not to write—and certainly not to bite—these women put pen to paper anyway and wrote themselves into history. From the fourteenth century through to the present day, women who write have been understood as mad, undisciplined, or dangerous. Female writers have always had to find ways to overcome or challenge these beliefs. Some were cautious and discreet, some didn’t give a damn, but all lived complex, eventful, and often controversial lives.

In the third book in this bestselling series, we meet the oddest creatures, from an escaped newt to a baby snow leopard, but the focus is on the dogs and cats that make up most of a pet vet’s day and on the wacky and wonderful people who bring them in. Dr. Schott also pulls back the curtain on what it’s really like to be a veterinarian. Do some vet students faint at the sight of blood? (Yes.) Is it easier for vets to bring their own pets in for procedures? (No.) Did the pandemic change veterinary practice? (Yes, and how.)

Here are thirteen unforgettable portraits of forgotten people: men and women who might have claimed their share of renown but who, whether from ill timing, skullduggery, monomania, the tinge of madness, or plain bad luck—or some combination of them all—leapt straight from life into thankless obscurity. Among their number are scientists, artists, writers, entrepreneurs, and adventurers, from across the centuries and around the world. They hold in common the silenced aftermath of failure, the name that rings no bells.

In the middle of the Great Depression, Montana native Julia Bennett arrived in New York City with no money and an audacious business plan: to identify and visit easterners who could afford to spend their summers at her brand new dude ranch near Ennis, Montana. Julia, a big-game hunter whom friends described as “a clever shot with both rifle and shotgun,” flouted gender conventions to build guest ranches in Montana and Arizona that attracted world-renowned entertainers and artists.

The conventional wisdom about Felix Frankfurter―Harvard law professor and Supreme Court justice―is that he struggled to fill the seat once held by Oliver Wendell Holmes. Scholars have portrayed Frankfurter as a judicial failure, a liberal lawyer turned conservative justice, and the Warren Court’s principal villain. And yet none of these characterizations rings true.

Born in the mid-nineteenth century, Sophie Lyons was a master thief, con artist, blackmailer and smuggler. Much of her success as a criminal was due to the fact that she was fearless, reckless, sharp and cunning—everything a woman of her time was not supposed to be. As a young child, Sophie’s parents forced her to steal when she showed a talent for pickpocketing. Strong-willed and smart, she blossomed into a beautiful teenager who caught the eye of many men in the underworld of New York City.

History, race, and politics converged in the 1960s in ways that indelibly changed America. In Justice Rising, a landmark reconsideration of Robert Kennedy’s life and legacy, Patricia Sullivan draws on government files, personal papers, and oral interviews to reveal how he grasped the moment to emerge as a transformational leader.

In 1970, Erin Keane’s mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Through a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother’s teenage years, questioning almost everything she’s been told about her parents and their relationship.