Resultados Editorial "Blackstone Publishing" en LGBTQ+

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

The Royal We is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital. Keera’s family in Myrelinth won’t let her go without a fight. With new intelligence about the magical seals left behind by Keera’s ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion.

To the kingdom, Keera is the king’s Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow—the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king. In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.

Taking its inspiration from Great Expectations, this novel teases us with the question of what Pip might have been like had he grown up in the American South of the 1960s and 1970s. A guilty encounter with an escaped felon, a summer spent working for an eccentric man with a mysterious past, conflicted erotic feelings for his employer’s niece and nephew—these events set the stage for a journey of sexual and moral discovery that takes Newt Seward to New England, Rome, and Paris—all before returning home to confront his life’s many expectations and disappointments.

Keera has tried to keep her final promise to Brenna, the partner she was forced to kill to save a kingdom—but that promise has led to the most difficult struggles of her life. She’s been at war with her worst self while battling King Damien for the freedom of the Halflings, and she’s lost too many along the way. But when she finally breaks the last seal, unleashing the Fae magic that’s been hidden away for hundreds of years, the conflict seems to be turning in the Halflings’ favor.

Bobby Griffith was an all-American boy … and he was gay. Faced with an irresolvable conflict—for both his family and his religion taught him that being gay was “wrong”—Bobby chose to take his own life. Prayers for Bobby, nominated for a 1996 Lambda Literary Award, is the story of the emotional journey that led Bobby to this tragic conclusion. But it is also the story of Bobby’s mother, a fearful churchgoer who first prayed that her son would be “healed,” then anguished over his suicide, and ultimately transformed herself into a national crusader for gay and lesbian youth.

Isaac Frost is an assassin. Raised in the Graveyard of the cruel and mysterious Undertaker, he has mastered the deadly art of the knife and the skill of survival, together with scores of others just like him—young men taken from their families to become the most infamous killers throughout the realms of elves and humans. But Isaac is unique: a single drop of another’s blood can confer upon him the knowledge and power of friend and foe alike.

When Phoebe, goddess of the moon, is killed by the knights of the sun god, Hyperion, all who follow her are branded heretics. With Phoebe gone, the souls of the dead are no longer ferried to the underworld, and instead linger on as shades who feast on the blood of the living. Raef is a child of the night. He lives in the shadows, on scraps, eking out a meager existence as a thief. But when an ornate box is sequestered in the Temple of Hyperion, the chance of a big score proves too great to resist. What he finds within propels him on an odyssey across the sea and back again.

Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems—and neither is the Shadow. Keera is shocked by what she learns and can’t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace.

Boston real estate agent William Collins knows that his habits are slipping out of control. Due to obsessive-compulsive daily cleaning binges and a penchant for nightly online cruising for hookups, he finds his sales figures slipping despite a booming market. There’s also his ongoing struggle to collect the rent from his passive-aggressive tenant and his worries about his best friend, Edward, whom he’s certainly not in love with. Just as he decides to do something about his life, he meets Charlotte and Samuel, wealthy suburbanites looking for the perfect city apartment.

In a letter to her six-year-old daughter, Julietta Singh ventures toward a tender vision of the future, lifting up children’s radical embrace of possibility as a model for how we might live. If we wish to survive the looming political and ecological crises of our day, Singh contends, we must break from the conventions we have inherited, and orient ourselves toward revolutionary paths that might yet set us free. The Breaks celebrates queer family-making, communal living, and Brown girlhood, complicating the US’ stark binaries.

Carson Chow is a high functioning addict. For years, he's been able to meet the increasing demands from his aging immigrant parents while hiding his crystal meth use every other weekend. One Friday night, as he's passed out from a drug binge, he misses 38 phone calls from his father, detailing first the collapse and eventually the death of his mother. Carson has always been close to his mother. He throws himself into the preparation of his mother's funeral. Will this tragedy plunge him deeper into his abuse or finally rouse him from his addiction stupor?

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

On a remote, gas-wreathed outpost of a human colony on Jupiter, a man goes missing. The enigmatic Investigator Mossa follows his trail to Valdegeld, home to the colony’s erudite university―and Mossa’s former girlfriend, a scholar of Earth’s pre-collapse ecosystems. Pleiti has dedicated her research and her career to aiding the larger effort towards a possible return to Earth. When Mossa unexpectedly arrives and requests Pleiti’s assistance in her latest investigation, the two of them embark on a twisting path in which the future of life on Earth is at stake.

Born and raised in New York to a food-phobic mother and food-fanatical father, Elissa was trained early on that fancy is always best. After a childhood spent dining everywhere from Le Pavillion to La Grenouille, she devoted her life to all things gastronomical, from the rare game birds she served at elaborate dinner parties in an apartment so tiny that guests couldn’t turn around to the eight timbale molds she bought while working at Dean & DeLuca, just so she could make tall food.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Martin Duberman, one of the LGBTQ+ community’s maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he’s learned. In the early sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as “misguided fanatics.” In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit.

After author Jess Keefe ended things with her long-term boyfriend, she moved in with her brother in hopes that family could help her not only heal from the break-up but also evolve into a healthy adult. But that fantasy ended when Matt’s heroin addiction came roaring back after lying dormant for years, leading to a fatal overdose one October night. Thirty-Thousand Steps is a powerful and transformative memoir that interweaves the author’s obsessive training to becoming a distance runner, along with her focused research into the science of addiction in the shadow of grief.

Fueled by tomato sandwiches and green milkshakes, and obsessed with cars, Philbet struggles with life and love as a gay boy in rural Georgia. He’s happiest when helping Grandaddy dig potatoes from the vegetable garden that connects their houses. But Philbet’s world is shattered and his resilience shaken by events that crush his innocence and sense of security; expose his misshapen chest skillfully hidden behind shirts Mama makes at home; and convince him that he’s not fit to be loved by Knox, the older boy he idolizes to distraction.