Resultados Editorial "Fourth Estate" en Literatura y ficción

Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the 2021 National Book Award for Nonfiction The Cold War was not just a contest of power. It was also about ideas, in the broadest sense – economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer...

The plague is spreading. The hundred year war is beginning. Katharina Kepler is believed to be a witch. Known for her herbal remedies and successful children–among them Johannes, Imperial Mathematician and author of the laws of planetary motion–Katharina’s life is changed by an accusation of witchcraft. Facing financial ruin, torture and even execution, she tells her side of the story.

Bound together by a single ancient text, the unforgettable characters of Cloud Cuckoo Land are dreamers and outsiders figuring out the world around them: 13-year-old Anna and Omeir, an orphaned seamstress and a cursed boy, on opposite sides of the formidable city walls during the 1453 siege of Constantinople; teenage idealist Seymour and octogenarian Zeno in an attack on a public library in present-day Idaho; and Konstance, decades from now, who turns to the oldest stories to guide her community in peril.

On 10th June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria. In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter's fierce love for a parent and a revealing examination of the layers of loss and the nature of grief.

Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon and a reunion of WWII veterans in Las Vegas and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart. 

While lying in bed next to her husband one night, Claire Devon hears a low hum that he cannot. And, it seems, no one else can either. This innocuous noise begins causing Claire headaches, nosebleeds and insomnia, gradually upsetting the balance of her life, though no obvious source or medical cause can be found. When she discovers that a student of hers can also hear the hum, the two strike up an unlikely and intimate friendship. 

Emily should be happy. She has a nice husband (even if they rarely speak to each other, let alone sleep in the same bed), two little boys she loves (even if a full night’s sleep is a distant memory)—and now, a brand-new house in which they can live out all of the bourgeois fantasies she knows she should be ashamed of. But still she aches for something more. Enter Alathea and Elliott, their new neighbours, and also parents of two young boys. Alathea is intimidatingly confident and beautiful, but also disarmingly open and friendly. 

Knowing that he will soon die, Albert 'Poppy' Gondiwindi has one final task he must fulfill. A member of the indigenous Wiradjuri tribe, he has spent his adult life in Prosperous House and the town of Massacre Plains, a small enclave on the banks of the Murrumby River. Before he takes his last breath, Poppy is determined to pass on the language of his people, the traditions of his ancestors and everything that was ever remembered by those who came before him. The land itself aids him; he finds the words on the wind.

‘If you care about the planet, and about the people and animals who live on it, there are two ways to think about this. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world’s inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.’ The honesty and realism of Jonathan Franzen’s writings on climate have been widely denounced and just as widely celebrated. 

A creature of routine and decorum, Mrs March lives an exquisitely controlled existence on the Upper East Side. Every morning begins the same way, with a visit to her favourite patisserie to buy a loaf of olive bread, but her latest trip proves to be her last when she suffers an indignity from which she may never recover: an assumption by the shopkeeper that the protagonist in George March’s new book - a pathetic sex worker, more a figure of derision than desire - is based on Mrs March.

Jane easily falls in love with Duncan: he's charming, good-natured and handsome. He has also slept with nearly every woman in Boyne City, Michigan. Jane sees Duncan's old girlfriends everywhere - at restaurants, at the grocery store, even three towns away. While she may be able to come to terms with dating the world's most prolific seducer of women, she wishes she didn't have to share him quite so widely.

Elise knows every inch of the house. She knows which boards will creak. She knows where the gaps are in the walls. She knows which parts can take her in, hide her away. It’s home, after all. The home her parents made for her. And home is where you stay, no matter what. Eddie calls the same house his home. Eddie is almost a teenager now. He must no longer believe in the girl he sometimes sees from the corner of his eye. He needs her to disappear. But when his older brother senses her, too, they are faced with a question: how do they get rid of someone they aren’t sure even exists?

Someone is watching Etta. Footsteps in the night, the security light coming on at strange hours...is it all just her curtain-twitching neighbours, who seem to monitor her every move? Or is her little online problem making her paranoid? Because Etta needs to win big. She joined a gambling website to get a bit of cash, hoping to convince her boyfriend, Ola, that they can afford to get married. And she was so good at it...until she wasn’t. Luckily, she’s made a friend who hit the jackpot, and if she plays her cards right, he could lend her the money to win everything back. Easy. 

THE PHENOMENAL INTERNATIONAL BESTSELLER M. is a startling look into the fascist mindset, a portrait of unrelenting determination, and an impeccable work of historical fiction. Italy is exhausted. Tired of the political class. Tired of the inept moderates and the agonizing machinations of a...

Patrick Hamlin has come to Hollywood to see his novel be adapted for the screen, but why does he get the feeling that the film project is a smokescreen for something else? Does Cassidy Carter, the troubled starlet due to play the lead, know something he doesn’t? And what is the truth about WAT-R, the synthetic water everyone drinks in LA?

It’s 23 December 1971, and the Hildebrandts are at a crossroads. Fifteen-year-old Perry has resolved to be a better person and quit dealing drugs to seventh graders. His sister Becky, the once straight-laced high school social queen, has veered into counterculture, while at college, Clem is wrestling with a decision that might tear his family apart. As their parents–Russ, a suburban pastor, and Marion, his restless wife–tug against the bonds of a joyless marriage, Crossroads finds a family, and a nation, struggling to do the right thing.

‘Jane Smith', a software manager in her late 40s who lives in the Pacific Northwest receives an envelope with a key to a storage unit inside. In the storage unit is a taxidermied hummingbird and salamander. Along with a list of five more animals, signed ‘Love, Silvina'. The hummingbird and salamander turn out to be among the most endangered species in the world, the taxidermy commissioned by a notorious wildlife trafficking criminal. 

When an Antarctic research expedition goes wrong, the consequences are far-reaching—for the men involved and for their families back home. Robert 'Doc' Wright, a veteran of Antarctic field work, holds the clues to what happened, but he is no longer able to communicate them. While Anna, his wife, navigates the sharp contours of her new life as a carer, Robert is forced to learn a whole new way to be in the world.