Resultados Editorial "ECW Press" en Literatura y ficción

Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki's song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini's star rises and Neela's stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.

Eleven-year-old Brian Page spends every waking moment in the forest behind the house where he lives with his father. But forests are always deeper than anyone can know. Secrets are hidden in the eternal twilight of the trees. Those secrets emerge into light when Brian disappears in the forest, as his father did three decades before. His father, however, came home with no memory of the events in the depths of the forest. What has drawn Brian away? Will he emerge, shuddering and broken, as his father did, or will the forests close around him, as they have done so often before?

This is both a single novel and three separate novels in one. In the first, Mauve Desert, 15-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book - Mauve, the Horizon - is Laures's eventual translation of Mauve Desert.

Epidemic investigator Dr. Zol Szabo and his team are called to a panic-stricken high school in the heart of Ontario’s tobacco country, where teens are dying from liver failure. The team suspects a link with contaminated, cut-price cigarettes manufactured on nearby Grand Basin Indian Reserve. When Zol confronts The Badger, the multi-millionaire kingpin of the illicit Native tobacco trade, he is ordered to shut down his investigation when rebuffed by high-level government authorities.

Ellie and Eric Nyland have moved their two sons back to Eric’s childhood farmhouse, hoping for a fresh start. But there’s no denying it, their family is falling apart, each one of them isolated by private sorrows, stresses, and missed signals. When Eric finds Hannah Finch, the girl across the road, wandering alone in the bitter cold, his rusty police instincts kick in, and he soon discovers there are bad things happening in the girl’s house. With nowhere else to send her, the Nylands reluctantly agree to let Hannah stay with them until after the Christmas holidays.

What if you went to heaven and no one there believed in Earth? This is the question at the heart of Beforelife, a satirical novel that follows the postmortem adventures of widower Ian Brown, a man who dies in the book’s first moments and finds himself in an afterlife where no one else believes in “pre-incarnation”. The other residents of the afterlife have mysteriously forgotten their premortem lives and think that anyone who remembers a mortal life is suffering from a mental disorder called the “Beforelife Delusion”.

Called the most promising artist of his generation, handsome, modest, and affectionate, Richard Dadd rubbed shoulders with the great luminaries of the Victorian Age. He grew up along the Medway with Charles Dickens and studied at the Royal Academy Schools under the brilliant and eccentric J. M. W. Turner. Based on Dadd’s tragic true story, Mad Richard follows the young artist as he develops his craft, contemplates the nature of art and fame - as he watches Dickens navigate those tricky waters - and ultimately finds himself imprisoned in Bedlam for murder, committed as criminally insane.

On a sunny May morning, social worker Jessica Campbell sorts through her mother's belongings after her recent funeral. In the basement she makes a shocking discovery - two dead girls curled into the bottom of her mother's chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng - troubled, beautiful, and wild teenage sisters from Vancouver's Chinatown.

The story begins from nine-year-old Nate's point of view, etching the details of an unbalanced mind struggling to make sense of rampant thought patterns and heightened paranoia. Enter Ashley, Nate's mother and a hardworking advertising executive concerned that she's not giving her family enough of her time - especially now that she senses something might be wrong with her son. As the story moves deftly back and forth between the two perspectives, the narrative converges to reveal one family's journey of discovery as they strive to find balance in their lives.

Marcus Sinclair is a history teacher whose life is stuck in neutral when he inherits a papyrus scroll from his antiquarian uncle. The mysterious scroll might contain a lost masterpiece from ancient Rome or perhaps an ancient recipe for personal tranquility, but it’s unreadable unless Marcus can figure out a way to unroll the scroll without destroying it. His quest takes him to Naples, where he befriends a Google software engineer days before the man is found dead.

Twenty-something Ruthie Cohen, a data entry minion for a second-tier movie app, spends her days thinking about the kickass meals she’s going to make for her besties, Trish and Lilly, while pining for Dean (sigh, Dean), her vacation fling from six months earlier. Could they have made it work in real life? On top of that, Bubbe Bobby Grace, Ruthie’s beloved and inspiring grandmother, passed away and left Ruthie an inheritance of $62,873.42, along with instructions on how to use it: “Follow your passion, Dollface.”

It’s the summer of 2013 and 21-year-old Ruby, a counselor at Camp Burntshore, can’t wait to supervise a rowdy cabin of 11-year-olds, smoke weed by the fire, and argue about which city make the best bagels. But when Brent, the camp owner’s son, hires Israeli soldiers to deal with a staffing shortfall, Ruby, a committed anti-Zionist, must decide if she’s willing to jeopardize her place at Burntshore to fight Brent over the contentious issues of Jewish belonging and settler colonialism, even as she finds herself falling in love with one of the soldiers, the sweetly handsome Etai.

It is the summer of 1952 and three men—well, one man and two boys—are on a spiritual and commercial mission. Dispatched from Minnesota to Western Ontario, they have been hired by an upstart Mormon baseball card company to find licensees for their products among the young men filing out Korean War-era rosters in the Northern League, at the bottom-most rung of professional baseball. What the Northern has for them, and the secrets and deceptions they have for each other, will drive their two weeks in Canada into ever-growing chaos.

Alma Alt, the sheltered youngest daughter of an interfaith, interracial Jewish-Mexican couple, rarely ventures far from her home on a wealthy tree-lined street in Ottawa, where nothing ever happens. The one time she did, striking out to visit her older sister, Marnie, in Montreal, things ended in disaster as she found out that beautiful, blonde Marnie had been lying about their family’s background, trying to pass herself off as white. The unintended fallout from that betrayal leads to a devastating accident, one that claims Alma’s arm and someone’s life.

The Reeds are a very loving, slightly dysfunctional family—but a summer of individual changes is about to shake their tight family unit. Bobby, the father, loses his job while his wife Mimi’s lucrative business leaps ahead. Their adopted son, Abbie, leverages his internet stardom into the makings of a career, while their adopted daughter, Dee, discovers who she really is. They’ll have to navigate the shifting landscapes of money and fame in the age of the internet, office politics, gender dynamics, and sexuality in a world that has just seen political upheaval.

A unique blend of memoir, research, and cultural criticism, this is a searing and incisive examination into how we tell stories about mental illness, how that affects how we treat it, and how those with mental illness can begin to take control of their own stories through fantasy and fiction.

In this collection of finely wrought short stories, Kirti Bhadresa writes about the often invisible lives of racialized women. Bhadresa is a keen observer of humanity, especially of the BIPOC women whose work is the backbone of late-stage capitalism but whose lives receive so little attention in mainstream culture.

Traveling alone through the climate-crisis-ravaged wilds of Alberta’s Rocky Mountains, 19-year-old Reid Graham battles the elements and her lifelong chronic illness to reach the utopia of Howse University. But life in one of the storied “domes”—the last remnants of pre-collapse society—isn’t what she expected. Reid tries to excel in her classes and make connections with other students, but still grapples with guilt over what happened just before she left her community.

Since her drug-dealing father disappeared and his girlfriend overdosed, Bria has lived with her aunt Tash and best friend/cousin Ains. By day, Bria and Ains babysit Ains’s younger siblings and sling fast food at Burger Shack. But at night, Bria has her own secret world, sneaking out to see Someboy, an older guy who captivates her sometimes. Other times, he angers-insults-upends her, and that has a certain charm too. But trouble comes for Beauchamp and for Bria.

A story told in two parts as a graphic novel and novella, about elderly Wong Cho Sum’s attempt to cope with the death of her husband by taking up bottle and can collecting. Denison Avenue explores the price of progress in cities like Toronto and those it leaves behind.