Títulos en Arte

Back in '82, I used to be able to throw a pigskin a quarter mile. What actor doesn't dream of at least one role for which they will forever be remembered? For Jon Gries, no doubt, that character is "Uncle Rico" in the 2004 cult classic high school comedy Napoleon Dynamite. Uncle Rico is a ball of confusion, hard-packed with conflicting characteristics, the classic enigma hiding inside a mystery hiding in plain sight.

Imagine stretching a rubber band between the index finger on one hand and the thumb on the other. Now visualize pulling your fingers as far apart as possible. That's it...keep pulling...and pulling...OUCH! Somebody will always get hurt when you do that. That's what I pictured happening upstairs to Margo Martindale's character, Janice Trimble, in her new movie, Scalene. And that's just in the opening minutes.

Thomas Steinbeck, son of famed writer and Pulitzer Prize recipient John Steinbeck, sits down with Patricia Lawrence for a casual conversation about his life; his published short stories, Down to a Soundless Sea; fictional accounts of life around Monterey Bay California...and his father!

Jonathan Katz is neither a doctor nor a cartoon. But he has been known to be one entertaining funnyman. His old show on Comedy Central, Dr. Katz, Professional Therapist, was perhaps best known for two elements during its six-year run: its squiggly animation and the remarkable list of guests who sat on Dr. Katz's couch, including Ray Romano, Conan O'Brien, Jon Stewart and Louis C.K. Now Katz is back with a new animated show, Explosion Bus.

Aneddoti, curiosità, segreti e retroscena di una delle commedie più famose, rappresentative e ironicamente dissacranti del cinema italiano. Con la prefazione di Max Tortora. La voce narrante è quella di Giorgio Gobbi, l'immortale "Ricciotto", l'aiutante del "sor marchese" nell'orchestrare scherzi e tiri mancini nella Roma ottocentesca insidiata dall'avanzare delle truppe napoleoniche. Ed è una voce ironica, a volte velata di malinconia, quella che racconta la genesi, i dietro le quinte, le vicissitudini che caratterizzarono il set de "Il marchese del Grillo".

Piero della Francesca di Bernard Berenson è un'opera irriverente e rivoluzionaria, un testo cardinale della critica d'arte novecentesca. Berenson insegue la bellezza nascosta e silenziosa a partire dall'arte classica, attraverso le luminose prove medievali, fino alle soglie della modernità di Cézanne, Degas e van Gogh. Perché l'arte è senza tempo, come eterno e sempre nuovo è lo stupore che suscita in noi. Introduzione di Vittorio Sgarbi.

Il cinema è da sempre il mezzo di comunicazione più audace e irriverente, sa sfidare la società e misurarne i limiti. Tra gli anni Trenta e il 1968, l'anno in cui tutto cambia, il cinema, sia in Italia che a Hollywood, non esita ad affrontare temi considerati tabù - l'adulterio, il sesso, l'omosessualità - con uno sguardo disincantato e provocatorio. Dalla censura imposta agli Studios al fascino dirompente di Brigitte Bardot e Sophia Loren, dalla retorica di epoca fascista a Tinto Brass e Pasolini, fino alle polemiche dei giorni nostri riguardo al movimento #MeToo.

Leonardo da Vinci was een Italiaanse schilder en een man van universele geest, beiden kunstenaar, wetenschapper, ingenieur, uitvinder, schilder, beeldhouwer, architect en schrijver. Zijn eerste belangrijke werk wordt gedaan in dienst van hertog Ludovico Sforza in Milaan. Hij werkt dan in Rome, Bologna en Venetië en bracht de laatste drie jaar van zijn leven in Frankrijk, op uitnodiging van Koning Francis.

An essay about getting by when you can't get along, Limbo employs a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck. This special audiobook edition was recorded at home under quarantine in New York City, March 2020.

What was Takako Konishi really doing in North Dakota, and why did she end up dead? Did she get lost and freeze to death, as the police concluded, while searching for the fictional treasure buried in a snowbank at the end of the Coen Brothers’ film Fargo? Or was it something else that brought her there? Unrequited love, ritual suicide, a meteor shower, a far-flung search for purpose? The seed of an obsession took root in struggling film student Jana Larson when she chanced upon a news bulletin about the case.

In our demanding, fast-paced culture, it's increasingly important to find ways to decompress and recuperate from the busyness and stress of life. More and more, mindfulness and creativity are being recognized as antidotes to the speed and overstimulation of modern society. This beautiful book combines the two, offering both creative and meditative practices to provide a guided journey into contemplative art for healing, relaxation, deeper connection, and greater well-being.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

According to Cox, the key to understanding The Prisoner is to view the series in the order in which the episodes were made - and not in the rearranged order of the UK or US television screenings. In this book he provides an innovative and controversial "explanation" for what is perhaps the best, the most original, and certainly the most perplexing TV series of all time.

The unique career of choreographer Liz Lerman has taken her from theater stages to shipyards and from synagogues to science labs. In this wide-ranging collection of essays and articles, she reflects on her lifelong exploration of dance as a vehicle for human insight and understanding of the world around us.

This is a choice collection of 150 movie reviews of classic and contemporary timeless movies by international syndicated film critic Susan Granger. It includes films from the earliest days to today, from the Russian film Battleship Potemkin (1925) and Gone With the Wind (1939) to Bridge of Spies (2015) and Zootopia (2016). 150 Timeless Movies includes reviews reprinted from Granger's popular website, www.susangranger.com, as well as more than two dozen new reviews of English and foreign film classics.

In 2055 water activists are fighting against irresponsible corporations that pillage the earth. Hayyin, the hidden identity of Cherry Mortinger, a limnologist, is leading the movement. Will she be able to prove that water has memory and is alive and that we could awaken to the possibility of facing a fierce battle against the primordial element that gave us life: water?

Richard Strange's 'A Mighty Big If' event at The Crypt, St Martin in the Fields, London. Writer and adventurer Richard regularly staged entertaining and illuminating conversations with major cultural figures. Award-winning British artist Gavin Turk talks exclusively to Richard Strange about his life and work, his controversial departure from London's Royal College of Art and his emergence as a celebrated YBA.

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we...

Anfang der sechziger Jahre brach der Kanadier Michael Snow eine erfolgversprechende Karriere als Musiker ab, um sich von da an ausschließlich seinen anderweitigen künstlerischen Interessen widmen zu können. Bald darauf entstanden in New York seine ersten experimentellen Filme, die heute noch dem Nachdenken über Film entscheidende Anstösse liefern. Nicht zufällig beschäftigt sich Snow parallel zu den Filmarbeiten seit 1970 auch mit Tonaufnahmen. Diese wenig bekannten Stücke sind eine konsequente Fortsetzung der Experimente mit dem Aufnahmeverfahren Film auf akustischer Ebene.

Richard Strange's 'A Mighty Big If' event at The Crypt, St Martin in the Fields, London. Writer and adventurer Richard regularly staged entertaining and illuminating conversations with major cultural figures. Comedian Simon Day, most know from The Fast Show, reads from his autobiography, Comedy and Error: They Really Were Marvellous Time, and talks about his work.