Resultados Editorial "Blackstone Audio, Inc." en Arte

The Rest Is Noise takes the listener inside the labyrinth of modern music, from turn-of-the-century Vienna to downtown New York in the '60s and '70s. We meet the maverick personalities and follow the rise of mass culture on this sweeping tour of 20th-century history through its music.

Sontag's most important critical writings from 1972 to 1980 are collected in Under the Sign of Saturn. One of America's leading essayists, Sontag's writings are commentaries on the relation between moral and aesthetic ideas, discussing the works of Antonin Artaud, Leni Riefenstahl, Elias Canetti, Walter Benjamin, and others. The collection includes a variety of her well-known essays. Sontag's writings are famously full of intellectual range and depth, and are at turns exhilarating, ominous, disturbing, and beautiful.

In 1900, an 18-year-old Spaniard named Pablo Picasso made his first trip to Paris. It was in this glittering capital of the international art world that, after suffering years of poverty and neglect, he emerged as the leader of a bohemian band of painters, sculptors, and poets. Fueled by opium and alcohol, inspired by raucous late-night conversations at the Lapin Agile cabaret, Picasso and his friends resolved to shake up the world.

The greatest creators in human history - from Mozart to Meryl Streep, Jackson Pollock to Jay Z - don't just have talent - they also understand their motivations for pursuing art. What's Your Creative Type? helps artists do the same in a fun and witty way. Stepping away from the hyperfocus on how people create, What's Your Creative Type? instead explores why. By identifying your creative motivation type, you'll be able to find renewed energy, overcome creative blocks, and release the artist within.

G. Eric Kuskey, former colleague of Thomas Kinkade and close friend until the artist's death in 2012, tells Kinkade's story for the first time, from his art's humble beginnings on a sidewalk in Carmel, California, to his five-house compound in Monte Sereno. It's a tale of addiction and grief, of losing control, and ultimately, of the price of our dreams.

In Reason in Art, Santayana explores the social and psychological origins of art. He examines its moral and ideal functions, its lapses into tastelessness, and the distinctive character of music, speech, poetry, and prose. The Spanish-born philosopher sees art as part of the broader human context, concluding that art prepares “the world to receive the soul and the soul to master the world.”

In this series of essays, Roger Kimball, managing editor of the New Criterion and an art critic for the London Spectator, examines the current art scene with a scathing intelligence and a crystalline eloquence of writing style. Particularly amusing are his dissections of art-show catalogspeak.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

From the acclaimed author of Stuffed comes an intimate memoir, written with charm and panache, that juxtaposes two fascinating lives - the iconoclastic designer Elsa Schiaparelli and the author's own mother - to explore how a girl fashions herself into a woman.

Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 brilliant female artists in this smart, feisty, educational, and enjoyable book.

In this beautifully written and brilliantly reasoned collection of essays, Ayn Rand throws new light on the nature of art and its purpose in human life. Once again, she demonstrates her bold originality and her refusal to let conventional ideas define her sense of the truth. Rand eloquently asserts that one cannot create art without infusing it with one's own value judgments and personal philosophy - even an attempt to withhold moral overtones only results in a deterministic or naturalistic message.